The “coming-of-age” genre usually produces a mixed bag of things to chew on, many of them worthy of spitting back out because they are pure junk.
Our culture sucks at helping kids grow up well. We teach them how to burn themselves out physically and emotionally before they are even in their 20s. We teach them to place their identities in fragile, superficial things. We teach them far too early about sex (often a toxic version of it) but not about true love and creating healthy relationships. We drive a wedge between children and their parents and then wonder why both fall apart. We give kids unrealistic expectations for life and misplaced priorities and then watch them unravel over time. We encourage children to do foolish, bad things and then act like holding them accountable is wrong (FYI, that’s not how the adult world works, so we are setting them up for a fall).
We glorify trauma at a level that waters genuine trauma down and also extends the power trauma has over children’s lives. We over hype life’s BIG moments but fail to cast a vision for the long journey that life is.
And unfortunately, coming-of-age movies usually add fuel to the fire…but occasionally, a gem of a movie comes along.
Chang Can Dunk is exactly what a coming-of-age movie should be.
Chang, a 16-year-old Asian American, bets the highschool basketball star that he can dunk by homecoming. The bet leaves 5’8′ Chang on a quest to learn to dunk–not only to impress his crush Kristy, but gain the respect of his highschool peers as well. But before he can rise up and truly throw one down, he’ll have to re-examine everything he knows about himself, his friendships, and his family.
Disney+ film description
I had seen a trailer a few months back and thought it might be cute but not necessarily memorable. Instead, I found myself gripped on a human level by the simple story of a kid who believes if he can just dunk a basketball, his life will change for the better. The story is simple, but the portrayal, meaning, and themes are rich and deep. We watch a kid learn what it means to grow up and grow up well. You come away from the movie having learned something and feeling encouraged, a rarity for movies in this genre.
Chang is a relatable hero if a flawed one. His dysfunctional relationship with his mother is one that can ring true for many families. His friends are genuinely positive relationships that shape and guide him throughout his story. His absent father is a subtle, never-seen character in the movie, but his lack of presence is felt in both the lives of Chang and his mother. That being said, his character is also shaped by an incredible mentor figure who gives him wisdom and guidance when he needs it the most.
Chang’s life and perspective are shaped by both lack and blessing. You see him rise high, and you see him fall hard. It’s sometimes a painful and even intense experience. These harsher moments are balanced out by moments of light humor, life-giving conversations, and actions of love and redemption.
This movie surprised me with the layers of depth and symbolism they wove into the story and characters. Plot threads were laid down well and followed through. The character arcs were realistic and messy in how they were lived out, but graceful and triumphant in their resolve.
If I went into every detail of this movie that I found beautiful, this article would be ridiculously long, and I would spoil the whole story. Instead, I will give you the highlight reel.
Chang is faced with many obstacles. He overcomes them, but not without facing failure, the death of some of his expectations and beliefs, and even a miserable amount of humiliation. This movie is more honest about what it looks like to fall, but the great part is watching how Chang gets back up. He accepts his lessons with humility, and he receives the wisdom offered to him by his friends, mentor, and even his mother. He does not park his life in his pain and failures (a terrible lesson we are unfortunately teaching many young people) instead, he grows through them and perseveres until things do get better. We watch Chang grow in character and in peace with both himself and others.
Chang’s mother is not likable for most of the movie, sometimes she is wrong and that is clearly shown. But rather than just painting her as a straight-up villain like many coming-of-age stories, we are also given a compassionate view of her broken heart, as well as the guilt she carries over her failures. She’s shrinking down to nothing inside, and she doesn’t know what to do. She and Chang spend much of the movie at odds with each other, but progress is made when they choose to love, forgive, and turn toward each other. This movie actually paints positive parent-child relationships as a necessary and desired part of life. How refreshing!
Chang’s friends are supportive of him, but also honest. The girl he likes, Kristy, has a healthy self-esteem and identity that is separate from being “the pretty girl everyone is interested in”. She encourages him in his relationship with his mother and also calls him out on the carpet about his crap. His best friend Bo supports him with his time and belief in him and is a good sounding board.
Chang’s mentor speaks life, wisdom, and affirmation throughout the movie. His powerful words of grace and gratitude put to shame the cheap, superficial jargon about small dreams, self-obsession, and empty goals many other movies of this genre have. He sees who Chang is, and who Chang will be, and he actively helps him on the journey of becoming that person. He is for Chang what his mother is struggling to be, and what his father won’t be.
Chang’s great moment of humiliation is intense and miserable, but you are shown that this awful experience is not the end of his life (we need to stop teaching kids this, it’s literally killing some of them)…in fact, this moment for him is the beginning of something deeper and richer. By the time you reach the end of the movie, you see a dream come alive that’s bigger than just dunking a ball. You see Chang for who he was made to be, and it is beautiful. He has grown, and we have grown with him.
If you are looking for a movie that will actually encourage your children to grow and thrive, Chang Can Dunk will do that. Don’t waste your time on the fluff and filth many other “classic” coming-of-age movies have to offer, go straight for the meat.
I recommend this movie for children aged upper elementary through high school for the intense emotions and light language (there are a few uses of hell, damn, and oh-my-g**). A teenage boy and girl share long kiss alone in a darker room (at about one hour into the movie). They are fully clothed and nothing extra is implied. We see public humiliation and bullying as well as the beginning of a physical fight between two teenage boys who we see are bruised after the fact.
This movie can be enjoyed by all people, but I think moms and dads will especially appreciate the topics this movie covers. Chang Can Dunk presents a wonderful opportunity to launch some powerful discussions with your children about life, perseverance, and relationships.
Season 2 of Star Wars The Bad Batch was very much an Empire Strikes Back ending…Omega is in the hands of the Empire (the extra creepy Empire because “science” is involved), the Batch are down a brother, Crosshair is recovering from his torture sessions, and oh yeah, a random “sister” of Omega’s got thrown in.
Also, both Dr. Royce Hemlock and Cid are walking around without a single blaster hole in them, a major oversight on everyone’s part.
For a season that started slow and appeared to have multiple “filler” episodes, the ending was a total rip-roaring gut punch of action, emotion, and high stakes. I don’t doubt that we will get Omega back (though I hope it doesn’t take a whole season to reunite our beloved clone family), and I think Crosshair is gonna make it.
But the biggest question I have hanging over my head right now is this: is Tech really dead? I have thoughts from both perspectives, read on and see which one you agree with.
Answer 1: yes
Tech was already an amusing character in Season 1, but in Season 2, he became a beloved character. His emotional growth was both stirring and delightful. In the season opener, we watched him grow in his perspective on formerly Separatists worlds–he learned to see them in a new way. He also proved what a tough cookie he is by kicking butt and saving the day while limping around on a broken femur and barely complaining about it. Intriguing.
Tech’s ability to think on his feet and think creatively caused him to utterly dominate the riot races. It was a wild and reckless side of him that was even more delightful because of his methodical and mathematical approach. Somehow even the simplest action or word spoken by Tech has a way of taking on new meaning or even humor.
Tech’s difficulty in conversing with Omega and understanding her heart’s need surrounding Echo’s temporary exit from the team made for one of my favorite episode interactions this season. His acknowledgment of the losses they have suffered, as well as the fact that they are not just a squad, but a family…well, that got me. It got me good.
One of my favorite actions in the entire season was when Omega fell down the mine shaft, and without hesitation, Tech dropped his pack and dove after her. I loved that so much. He didn’t know what would happen, he didn’t know if he could even help her or improve the situation, all he knew is he was going after her. Once in the water, Tech grabs hold of her and doesn’t let go, even if they drown they will drown together. That powerful visual spoke of a love that was so powerful and unquestionable, to see it come from him just really drove home what a remarkable individual he is.
Even the small momentof Tech noticing Omega’s laugh at Pabu, and his comment, “I have not heard her laugh like that in a very longtime” was such a powerful detail. He knows what her laugh sounds like, and he can tell when there is a deeper joy in it. He’s paid attention in a way only someone who loves you can.
Crosshair was the logical choice for an expected casualty for the Bad Batch, but Tech was the one they set up for it, aside from Hunter or Omega–who occupy roles that really cannot be replaced or removed–Tech was going to give audiences the greatest emotional impact. They built him up, just to take us down, and I’m still smarting over it.
Answer 2: no
There is such a thing as a cheap fake–out death, and this should not be done regularly. Death is pretty intense, y’all, and should not be treated lightly. But I believe that it is okay to bring a character back whom everyone thought was dead–you just have to do it the right way.
Tech’s death was implied, but it was also never confirmed. All that piece of rat poop with legs named Dr. Royce Hemlock said is that he was only able to recover Tech’s goggles. So, he found the goggles. Or Tech’s fractured body. Or maybe he has Tech in a bacta tank somewhere on ice, and he intends to keep Tech around for nefarious purposes. After all, Tech isn’t just muscle and skill, his brain is breathtaking in its abilities…what crazed and dehumanized genetic scientist wouldn’t get excited about that? It’s also possible Tech is roaming around on the planet below, having come up with a way to not only survive the fall but also plan his escape to regroup with his family. Anything is possible.
Here’s another thing, Star Wars is pretty consistent about confirming a death. The body count for this galaxy far, far away is pretty high. We watch everyone from soldiers to beloved OG characters (NO, HAN, NO!!!) die right in front of us. The Clone Wars became an absolute bloodbath in the later seasons as the approach of the Sith’s triumph and Palpatine’s reign grew nearer. We watch Jedi after Jedi fall over and over again (because Star Wars is convinced we want to see Order 66 from every angle possible). The only character you are allowed to have any confidence in seeing survive in Andor is Cassian himself and that’s because you know he can’t die until Scarif (a mere few years later). You’ve got a limited amount of time with this guy, but at least you know he won’t kick the bucket on screen like the dozens of other characters that die with more or less ceremony. Star Wars: Rebels killed their beloved mentor Jedi, Kanan Jarrus/Caleb Dume several episodes before the series finale.
Star Wars is pretty okay with killing off characters and they have never apologized for it.
But what do all of these deaths have in common?
You always know for a fact that they are dead. You see it happen, whether it happens fast or slow, you can always know that they are dead.
(Ahem, and this is why we should have hired an escort to ensure that Palpatine fell ALL THE WAY down that shaft and died in the cold of space rather than having time to resurrect himself in the Sequel Trilogy. Shafts are clearly the wrong way to kill someone as has been shown in the failed deaths of Darth Maul, Sheev Palpatine, and Ben Solo.)
Echo–another Bad Batch member–appeared to have been killed in the classic Citadel episode series in Season 3 of The Clone Wars. But as we found out in Season 7 when we first met the Bad Batch, if you don’t see a death confirmed, then you may keep that death in question.
Tech disappeared into the mist. True, he was about to fall hundreds of feet with a rail car falling above him…but we know Tech. If anyone can figure out how to NOT DIE in the time it takes to fall that far, it’s Tech. After all, he does have the ability to “…think clearly in high-pressure situations.”
Whether it’s a clone, Jedi, smuggler, spy, or random background Rebel pilot, you always know when they are dead. And with the mention of Tech’s goggles, I find that an even greater implication is that Tech may indeed be alive. Will he be the same on the other side of all of this? I can’t say, but he may still be alive.
And you know what? I’m okay with that. Because they never explicitly showed me he was dead, and I’m okay with him being alive…he deserves it, and so do we.
It’s not like Star Wars has to prove it must be taken seriously by showing that they are willing to kill off a beloved character, that’s kind of a Star Wars MO. It would be a change to actually see a group all make it out together!
Franchises like Marvel have overplayed the death fakeout, but Star Wars? Actually no, they have not, especially where heroes are concerned. Villains in this universe seem to have amazing bounce back abilities, aren’t we due for a hero to get a second chance as well?
Answer 3: yes
Foreshadowing, ah, that subtle, frightening weapon that when put in the hands of a master storyteller can create such a gut punch it leaves you breathless and coughing.
And the truth is, this season was chock full of foreshadowing that Tech wasn’t going to make it.
His life was endangered more times than the other Bad Batchers. There were lines and phrases (lsubtle things) sprinkled throughout the episodes that would be meaningless on their own…but frightening in the light of impending death. Even the fact that it required a “precise shot” to separate the rail cars, something that we knew was Tech’s wheelhouse after he shot their way out of the ipsium mine.
Tech had the most notable character growth of anyone this season, does that mean his story is done? He died a noble death, saving his siblings with a calm focus and love that is so in line with who he is.
Tech is the one who prepared Omega to face hardships when they found themselves stranded on a hostile planet, would it not be poetic that Omega takes his lessons and uses them to survive a future without him? It hurts, but it was well-written, almost hidden in the “filler” episodes that we complained about.
Answer 4: no
Tech has made a big impact on the Star Wars fandom.
One of my favorite things that Tech has done is to show some of both the unique beauty and the challenges and hardships of individuals who are on the spectrum, as he exhibits many qualities of someone on the spectrum. More TV shows are seeking to include characters who think and see things differently, and they are finding incredible success with it (just google Matthew on The Chosen).
Everyone is different, and not everyone can relate to Tech, but he has become a fan-favorite for a variety of reasons. Whether it’s Tech’s humor, his brilliance, his unexpected moments, or his character growth, Tech is a gift. Is Star Wars really done with this remarkable character?
What do you think?
I think it would be nice for once to see a Star Wars family actually get to remain intact and survive all of the chaos. Not that they won’t face hard times, not that they won’t change or grow, but that they actually get to all make it through together.
Answers must be had…we must have a Season 3. There is no way around it, we must have a Season 3.
There is so much to unpack from #Andor that I’m not going to attempt to do it all at once. But I came across something so deeply meaningful in the first few episodes that I had to pause and write about it. Whether or not you watch the show, there is something remarkably encouraging to learn from what I’m going to share below, so read on.
I’m only five episodes in and still brewing on the incredible story that I’m watching unfold. I wouldn’t call this a “fun” show. The Mandalorian is fun and super rewatchable. The Bad Batch is fun, I’ve watched the first season three-four times already.
Andor is not “fun”, but Andor is incredibly powerful, and I am sitting here watching it as a student of storytelling and learning so much. (And yes, the cinematography and detail are breathtaking, and the action scenes are mindblowing in their choreography. Also, the score is pretty epic.)
Rogue One is where this whole story leads, so we have gotten the story backward. We know where Cassian ends up, and now we are learning how he gets there. It’s a good thing I know who Cassian Andor becomes because when I first “meet” him in Andor, he is not a likable character. In fact, almost no one is. They are all grubby (Star Wars does have showers, right?), striving, miserable people who are trying to eek a living out of a cold, wet, muddy planet. I have yet to see a bright color, a big smile, or a green plant in this place.
Cassian himself is a walking hurricane of unpleasantness (even his suave good looks can’t cover that). He’s angry, bitter, miserable, guilt-ridden, and scared all the time. He owes everyone, owns nothing, and hangs his head low. He has no sense of solid identity or dignity. You can see the guy has street smarts, but his head is down in the mud. His only ambition is to stay alive (quite reasonable but not exactly inspiring). If I hadn’t already seen who Cassian becomes, I would be tempted to give up on this guy.
Through a series of unfortunate and bleak circumstances, Cassian ends up needing to make a quick getaway from his current planet – Ferrix. The authorities are going to track him down and likely hang him. He’s been saving an item for his insurance policy, an incredibly valuable and rare Imperial part, and now he believes the sale of this part will be his salvation and give him enough money to go on the run. Through a friend, Cassian calls in a mysterious “buyer”. He hopes to make enough money to go on the run, and leave some for his adopted mother – Maarva – one of the only characters you feel a hint of warmth towards in the beginning.
We see the arrival of the mysterious buyer, and as all mysterious buyers should arrive, he arrives VERY mysteriously. He is stoic, and silent, with a wall of concrete in his face (but his trench coat is absolutely fabulous as all mysterious trench coats should be). However, you feel the power this man carries. He has come, and with his coming, he carries the weight of destiny and greatness in his every step. This is a man who brings armies to their knees, a man who causes planets to shake, a man who is willing to find diamonds in the mud and set them in their rightful places. There is a sense of purpose, identity, and confident dignity in this man’s every thought, movement, and facial expression. He appears to be the exact opposite of Cassian.
As this mysterious buyer flies on public transport into the city on Ferrix to meet with Cassian, a friendly stranger strikes up a conversation with him, complaining about the high prices and swindlers on this planet. Then, as the transport just reaches the city’s edge, the stranger says something profound, “You know what they say, if you can’t find it in Ferrix, it’s not worth having.” The buyer smiles slightly, he seems to understand the concept well.
At this moment, the soundtrack picks up to tell you to pay attention. The scene transitions and we see the same transport is now in the sky, flying right above the grimy section of town where we see a desperate Cassian Andor running through the muddy streets to prep to meet the buyer.
I paused, rewound the scene, and watched it again, letting the impact of that moment fully sink into my heart. “If you can’t find it in Ferrix, it’s not worth having.” And then we see Cassian.
Cassian Andor is worth having.
The buyer and Cassian meet in an appropriately shifty warehouse. Cassian is all business, he wants to sell his part for a high price and leave before anyone can catch up to him. The buyer, Luthen, wants to have a conversation. He wants to know HOW Cassian came across this rare Imperial part. Cassian reveals, “You just act like you belong there. They are so arrogant, they cannot imagine that someone like me could walk into their houses, their factories, spit in their food. They don’t even care.”
Luthen agrees, and then speaks in greater depth on the great evil the Empire represents, how they control people and tell them to move, how to live, when to die, and so on and so forth. Cassian does not understand the purpose of this conversation, aren’t they just here to do a deal and move on? Then Luthen reveals his true purpose. He didn’t come here just for a part, he came here for CASSIAN.
“Special people are rare.” In moments he reveals he knows Cassian’s entire backstory (freaking the crud out of Cassian). Luthen came for something far more important than a rare part, he came for a rare person – the person he believes Cassian to be. Luthen is building a rebellion, and he wants Cassian to join it.
At this moment, the authorities show up (intent on bringing Cassian into custody). Luthen already has a plan for extraction, but Cassian is still not grasping this larger picture. In the midst of blaster fire back and forth, Cassian tries to retrieve his rare part (despite Luthen warning him not to). This foolishness causes Cassian to get shot and get hit with a piece of machinery. He still continues to go back for that dumb part, over and over again. Finally he is forced to flee the building, and even after he and Luthen have escaped the premises, Cassian says, “The box! We could still go get the box!”
We, the audience who know the details of this Rebellion that Luthen is building, cannot believe that Cassian is so hung up on that dumb box. It’s rare, yes, but it’s just a part. It’s a tiny piece. It’s an insignificant moment, but to Cassian in his current, head-down mindset, that dumb box is everything.
See, Cassian does not believe that he is worth having. He sees himself as a meaningless, useless bit of trash. For how much he hates the Imperials, he sure agrees with them in how he treats himself and his life. He does not see himself as he is, or as he can be.
Luthen, on the other hand, carries a higher perspective. Luthen sees the whole galaxy, and he sees one man. He sees how one man and the whole galaxy are connected. How one man can be the tipping point, the domino that falls to change a whole, enslaved galaxy. Luthen sees the purpose, potential, and destiny that Cassian carries. Luthen sees a diamond in the mud that he desires to pluck out of the grime and put in its proper place. Luthen sees Cassian, and Cassian is terrified of it. He either can’t, or does not desire to see himself as what he can be. So he fights against this idea that Luthen has. He cannot see that he is worth having.
In flashbacks, we see Cassian as a child, stranded on a distant planet where a mining disaster presumably killed all of the adults. A ship crashes on the planet, and Cassian is inside the ship, exploring it. His current life is very primitive, he carries a blow-dart gun and wears face paint. Upon entering the ship, Cassian finds a whole room of shiny glass displays. He looks at himself in the reflection, and he is somehow horrified to see himself. What does he see? Fear? Sorrow? Loneliness? Anger? Hopelessness? Vulnerability? In a fit of rage, child Cassian begins smashing screens as he screams as hard as he can. He doesn’t want to see himself, he doesn’t want to believe.
It is at this moment that a younger Maarva – a scavenger – comes upon young Cassian. She is instantly moved to compassion, seeing a child who is in need of warmth, love, and safety. Her scavenger partner would leave Cassian to his fate, but Maarva refuses. “I’m not leaving him here to die.”
Cassian fights her, so she injects him with a sleeping drug and then carries him to her ship, laying him gently down on the bed. She sees Cassian as he is and as what he can be, and though he may fight her, she’s going to pick him up and carry him away to a better life.
These flashbacks play back and forth in between the scenes of Luthen and Cassian making their escape from Ferrix. Cassian emotionally fights Luthen’s attempt to pull him out of the wreckage of his life and take him into his future, but circumstances force Cassian to board Luthen’s ship and take off with him. The flashbacks play back and forth, we see Maarva take child Cassian away from the brokenness of his childhood, and we see Luthen take grown Cassian away from the wreck and ruin of his current life. Both of them fly Cassian higher, to a higher perspective, a greater purpose, and both of them force Cassian to look at himself.
Luthen makes a statement to Cassian that seals this whole message together.
“I said I know you, I know the outside, I know what people tell me when I ask, but the rest I imagine. I imagine your hate (for the Empire), I imagine that no matter what you tell me or tell yourself, you’ll ultimately die fighting these b*[insert non-family-friendly word]*s. And what I’m asking you is this, wouldn’t you rather give it all at once, for something real, rather than carving off useless pieces until there’s nothing left? I didn’t risk my *** for the Starpath unit, I came for you.”
The weight, enormity, and power of this statement hit so hard when you know who Cassian Andor is going to become. Cassian Andor is going to become one of the integral few that manage to retrieve the Death Star plans, and thus be the tipping domino that begins the chain reaction that will bring the Empire down. Cassian Andor is destined to help destroy the Empire, and yes, he will die doing so. But he will die sitting peacefully on a beach with a woman he’s learned to love, and he will finally be at peace with himself and what he has given his life to. Cassian Andor is supposed to change the galaxy. Cassian Andor is worth having, he is worth fighting for, and Cassian Andor was made for more than scrounging in the mud. He cannot see it, but someone else did, someone else who was willing to go down and get him, and lift him to a higher perspective to launch him into his destiny. They both desired to bring Cassian into something that mattered, something real! This has happened twice for Cassian, both as a child and as an adult.
Luthen and Maarva are very imperfect characters, I make no claims that they accurately represent all of Who God is, but they represent an aspect of His heart and how He does things that are so incredibly powerful.
You see, we are all like Cassian Andor. We are tired, vulnerable, lost, angry, bitter, broken people who (if left to our own devices), would spend our entire lives running around on the ground in the mud, just trying to get ahead. We use people and things to try to fill up our empty places. We dive into the middle of firefights and get shot up for useless parts and pieces that in the grand scheme of life are meaningless. And often when God, or someone God has sent, comes into our lives to pull us out of that place, we fight them. We are terrified to see ourselves not only as what we are but also as what we could become. We do not see ourselves as having a purpose, meaning, and potential. We do not see ourselves as rare, valuable, special, and “worth having.” We do not see the future where we are an integral part of something important, meaningful, and galaxy-shaking happening. We have such small, mean, broken perspectives, and we could literally waste our entire lives and die in them.
Maarva – “I’m not leaving him to die.” Luthen – “I didn’t risk my *** for a Starpath unit, I came for you.”
You are a Cassian Andor. It doesn’t matter what mud-hole you came from, it doesn’t matter what you have done, it doesn’t matter how broken you are, you are worth having. Your life matters. You have an integral part to play in this world. You are special. You are rare. You mean more than useless parts. And God did not leave us to die, and He came FOR us! Like Luthen and Maarva see Cassian, God sees you. He knows who you are and what you are made for, and He desires to help you walk into your identity with confidence and purpose. You are a diamond He made, and He desires to set you in your rightful place.
Lift your head up, friend. Look at yourself the way He does.
I’ve only begun this show, and while I don’t pretend to like, agree with, or condone every action taken by every character or show creator. However, I can already see how many threads of powerful truth are woven into the fabric of the story, and I am deeply touched by it.
In Part 1, I showed how two franchises advanced the growth of two main protagonists, Claire Dearing (Jurassic World) and Loki Odinson (Marvel) while still ushering in terrible world events. These two characters grew while still maintaining active participation in the story moving forward. The growth required from both Claire and Loki was that they show restraint where they previously had not. Both characters passed the test and chose to limit themselves.
However, if they had been the only players on the board, the terrible events would have been stopped right then and there. Which is great in a real-life scenario, but not so great for a fictional story that requires conflict to keep moving. The storylines in both the Marvel and the Jurassic franchises needed terrible events to happen in order to move forward.
This is where Maisie Lockwood and Sylvie come in. They are what I like to call “the innocents”.
Maisie Lockwood takes the role of “the innocent” in Jurassice World: Fallen Kingdom. She also fills that vital child role that exists in every Jurassic installment.
Look at that face! So much sweetness and fresh life!
Maisie Lockwood is the granddaughter of Benjamin Lockwood, who was apparently John Hammons’ business partner back in the pre-Jurassic Park days. A difference of beliefs separated the two and is our “convenient” explanation for why we have never heard of Lockwood before. Maisie is about 10-11 years old. She’s sweet, playful, curious, and has the beautiful sense of wonder that all of the child characters bring to the Jurassic series. The themes of the Jurassic franchise are never more clear than when we see how they affect children.
One thing we discover about Mr. Lockwood that is different than John Hammond is what Lockwood does with genetic technology. Lockwood decided to use genetic cloning technology to create a clone of his beloved daughter, who was tragically killed in a car crash. Maisie is not actually Lockwood’s granddaughter, but a genetic recreation of his daughter. The ethical questions involved there raise the roof to a whole new level. As I said in Part 1, every Jurassic installment is always engaging with the important theme of how we value life.
Maisie discovers Eli Mill’s evil plan to exploit the dinosaurs instead of saving them. She is caught by Mills when trying to investigate further, and he locks her away in her room and then murders her grandfather. Maisie finds her dead grandfather and has to escape where she blessedly crosses paths with the good guys, Owen and Claire. During the evening they are hunted by Eli’s latest pet project – the Indoraptor (your worst nightmare of a dinosaur). To put the cherry on top, Eli drops the bombshell that Maisie was created the same way the dinosaurs were. She’s a genetic clone that he had hoped to maintain control over. God only knows what he might have done with her if she hadn’t escaped! This revelation trumps any birds and bees or puberty talks any of us have ever had. Try processing that kind of information when you’re having the worst day ever!
The day ends in the control room where Claire has to make a horrible choice between letting the dinosaurs die, or setting them loose on an unsuspecting population. She wants to, but she cannot, so she walks away from the button in tears as she watches the beautiful creatures in agony. It’s awful…but then…
The light goes green, and the doors open releasing the dinosaurs to the wilds of California outside. All adults in the room turn around to the control panel to spot a tearful Maisie, her hand on the button. She has let the dinosaurs go.
Maisy I had to. They’re alive, like me.
Imagine having just learned you were created the same way these dinosaurs were?
It’s a uniquely triumphant moment for every dinosaur lover watching, even as we know there will be consequences in the end. The beauty of this scenario is that the dinosaurs were let loose, but we cannot actually feel anger towards the person who released them. Why? Because she is innocent, and from her perspective we understand her decision.
Maisie is a young child who has been through the most traumatic day imaginable. Her grandpa was murdered. An evil man wanted to control her. She was almost eaten. Everything she thought she knew about her life was wrong. She doesn’t even have a biological mother and father. Can you imagine getting hit with all of that in one single day when you are only 10 years old?
Children have very straightforward and honest logic. Sometimes it makes more sense than adults’ logic. And sometimes it has the best of intentions and the worst of consequences. They’re alive, like me.
In Maisie’s mind, the only right and moral decision is to release the dinosaurs. If she is alive and has value, so do they. Her value for life is strong, untainted by greed or bitter life experiences. Her heart was in the right place, even if she doesn’t yet have the wisdom or maturity to think beyond this moment and understand what she has just done.
Claire could not push that button and maintain her character growth, she knows better. But Maisie had to push that button to explain and advance hers. It’s all understandable and we follow the emotions and motivations perfectly. The Big Bad Thing has happened without compromising the growth of the characters who knew better. But Maisie doesn’t know better, and in every way possible she believes this is the right choice.
And who can blame her? Who in her life has ever taught her otherwise? The writers get their cake and get to eat it too!
Sylvie is female Loki variant who was stolen from her happy life as a child.
Sylvie was probably about the same age (in Asgardian years) as Maisie when she was kidnapped. She was committing the terrible crime of being a happy little girl, playing with toys in her own bedroom when a door from the TVA opened up and a Hunter came through and stole her away. They gave a timeline reset charge, and just like that, Sylvie was erased from existence. Scheduled to be pruned – KILLED, IT’S CALLED KILLED, PEOPLE – Sylvie made a brave escape and has been on the run from the TVA ever since.
She is a powerful woman in her 30s now (in Asgardian years). Her entire growing-up experience was about trying to hide throughout the multiverse and stay one step ahead of her pursuers. Revenge is what raised her. On the outside, she is beautiful, intelligent, cunning, witty, and bitter. On the inside, she is still that little girl who is devastated, terrified, and asking the obvious question -WHY?
Why was she removed from her happy life? What had she done that was so wrong it was okay to try kill her? WHY???
Observe. This is a child. A CHILD! The TVA just grabbed this child from her own bedroom floor, shoved her around like a criminal, and judged her worthy to be pruned. Not a single tear shed, not a single person listening to her cries for help. This is sick!
Loki falls in love with this vulnerable and aching place in her. Not because he can exploit her, which would have been the old Loki’s approach, but because he has compassion for her. Because he wishes he could restore that sense of peace, safety, and beauty of life that was stolen from her. I think he also finds her fight for life refreshing. The odd contrast between them is that Loki actually had a semi-decent life and often squandered it. He missed what was right in front of him and held true relationship at arms length.
Sylvie dreamed of getting to have that life but it was stolen from her without any decision on her part. Loki kind of deserves a lot of the crap he gets, Sylvie deserved none of it.
One of the most devastating moments to me in all of Loki was when Sylvie confronts Ravonna Renslayer, the judge who ordered her to be pruned as a child.
Sylvie Do you remember me?
Ravonna Renslayer I do.
Sylvie Why did you bring me in?
Ravonna Renslayer What does it matter?
Sylvie It was enough to take my life away from me.
Ravonna I don’t remember.
Ravonna’s dismissal of the pain she’s caused Sylvie is sickening. But then when Sylvie and Loki fight back against their TVA captors, Ravonna faces off against Sylvie with bitterness in her face.
Ravonna Renslyer This time I finish the job!
This time. This time, as opposed to last time when Sylvie WAS A CHILD ABOUT TO BE MURDERED?!? Ravonna regrets she wasn’t able to kill Sylvie sooner. This scene makes me ill. Ravonna wishes she had succeeded in murdering an innocent child. That’s so sick.
And yet, this belief system is alive in our world today. People justify the killing of unborn children, the elderly, or the disabled for a variety of reasons. “You wouldn’t belong in our world”, “You don’t fit our definition of perfect”, “You will have problems and might have a hard life”, “You will get in the way of someone/something else more important,” “You didn’t belong on The Sacred Timeline.” Etc.
The same, sick, twisted justifications that we see with glaring clarity in Ravonna are fed to men and women in the real world every day. We are fooled into destroying precious lives (young and old) by the same evil logic.
I do not say this to condemn anyone, but to condemn the lies and root of the evil itself. Life is PRECIOUS, this is a theme we see upheld in both Loki AND the Jurassic series.
When Loki and Sylvie reach the End of All Time and see He Who Remains, it’s clear to the viewer that there really isn’t a nice or safe option. We can figure out that the story probably needs He Who Remains to die. We also can figure out that the Sacred Timeline and the measures taken to protect it are evil. But is there a right choice here? That Multiversal War, whew, that’s a hefty price! The enormity of the choice sounds just dreadful.
Sylvie is right, you have to set things free. You cannot control everyone and call it “love” or “compassion”. True love does not control, this is a truth from God Himself. Loki is also kind of right, freedom and free will is a two-edged sword and there are sometimes dark consequences for it. Our own world has startlingly clear evidence of both of these facts.
Sylvie’s motivation and the intended goal remain focused. She’s going to destroy this man who destroyed her life, and in doing so she’s going to protect others from enduring the same suffering she’s had. Sylvie has had one thing to keep her alive, one purpose in life for who knows how many centuries: revenge. Destroy the people before they destroy her.
After seeing the horrors of the TVA firsthand, I can totally understand her motivation. It’s a heck of a better motivation than Loki ever had.
When I look at Sylvie, I don’t just see a woman. I see a terrified little girl trying to survive. Every time I stare into her big eyes, I see that raw fear and torment. I see her saying, “Somebody help me!”
Nobody ever tried to help Sylvie, so she had to help herself.
If I were in her shoes, who knows, I might do the same thing and feel entirely justified in doing so. Even so, enough information is shared by He Who Remains to give Loki himself major pause. Hold the phone, sister, we should think BEFORE we stab!
Loki is “right” in what he is saying. Most importantly, the hesitation and restraint he shows with both finesse and compassion are RIGHT for his character arc. Loki says “no” and I couldn’t be prouder!
Sylvie is also right. Both characters sort of face a no-win scenario in this scene. You don’t know what is going to happen, but either way, it’s going to be awful and messy. I loved that Loki said no, and I also understood why Sylvie said “yes”. She first removed Loki from the situation, and then followed through on her intentions to destroy He Who Remains once and for all.
She sees this moment as saving lives while avenging her own. She’s seen the waste and destruction of human life, and the trampling of freedom across the universe as she’s waged this one-woman war. Sylvie never had someone to fight for her. But she believes she can fight for others and spare them the grief she has suffered.
It makes sense, and it needs to happen. Marvel needed a bigger problem than the Purple Abomination Himself. A multiversal war should do the trick, and Sylvie was the perfect choice to stab that door open.
And now? Well, now we watch all of our characters face the consequences of choices made in the past and in the present.
…..
Well-crafted characters who are “innocents” should not be stupid or consciously rebellious. Many stories have made use of foolish or stupid characters to create trouble for the smarter characters to solve, and it gets obnoxious very quickly. An example of this would be every single scene with Frances in Disney’s classic The Swiss Family Robinson. That kid is anything but innocent, he’s a brat who almost gets his family killed time and again. His reasons for getting into trouble are not compelling or defendible, they are just foolish.
No, a truly innocent character has a legitimate and “logical” reason for the decisions they make. They may be naive, uninformed on some things, or unaware of the full consequences of their choice – like Maisie Lockwood. She’s an orphan child with a great deal of courage and a very simple sense of morality. You understand her heart and love her for it even while you know she is wrong.
Some innocents like Sylvie began as helpless victims caught in a whirlwind that they now seek to undo. This type of character can easily morph into a monster who believes any and all means justify the ends. They can become as evil as the thing/person they seek to destroy. One of the saving graces of Sylvie’s story is that it’s so incredibly twisted up, complex, and confusing, that you really can’t find a firm ground beyond one thing – all lives matter. Sylvie does fight and sometimes kill, but that’s usually after she’s attacked first. When she enchants Hunters to use for her purposes, she leaves them with a clearer mind and a memory of who they were before. Is every choice Sylvie makes good? No, I wouldn’t say that. But I understand many of them.
We see the evidence of a tender heart in Sylvie in the candy that she gives to the small French child Mobius interrogates. Or the comments Sylvie makes regarding a woman who is in love with her husband. We see it in how she looks at Loki when she kisses him before shoving him through a portal. Sylvie believes 1000% that what she is doing will bring greater good to the universe, and she will follow through on that even if it means losing a relationship with Loki.
…..
Complex and well-crafted stories can be intimidating to storytellers. I guarantee you that these stories are not as out of reach or impossible to create as you might think. The best stories are grounded and driven by beautiful, human characters.
Claire, Maisie, Loki, and Sylvie are some prime examples of brilliant storytelling and character development that we all can learn a lot from. When you create characters like these, it’s not hard to have your cake and eat it too!
This isn’t just my top Marvel movie, this is one of my top 5 movie movies. It makes my very short list of “perfect” movies that I have seen. I’ll write about those another day. This is the one movie poster that I own, and I’m proud of that fact.
Everything about this movie is perfect. The character introductions and reveals. Seriously, Steve giving Sam Wilson “on your left” is the best character introduction ever. The pacing. The horror of realizing what is actually happening. The road trip Steve and Nat take. The combat sequences (oooh, so perfectly choreographed and executed). The jaw-dropping moments (Fury’s car chase, elevator scene, fighting the Winter Solider on the highway!!!). This movie just makes you tingle from head to toe!
This movie features my favorite 3 Avengers: Steve, Nat, and Sam, and has the political thriller genre running strongly in its veins. The build-up and payoff are satisfying on every level possible. The quiet moments of reflection and resolve perfectly complement the big moments of sudden horror and “eat your failure” moments that get shoved in the villains’ faces.
But the best part is how this movie enables even the little guys to be the hero. That’s a big part of who Steve Rogers is, he believes in the little guy. He never sees himself as above someone else, and he’s all about using his gifts and strengths to lift others up. That’s true leadership, and his leadership brings Hydra to its knees. I love the throwing off of false morality and heroism, call crap what crap is and truth what truth is.
This movie is brilliant, unapologetic, heroic, and full of normal people doing amazing things because they believe in doing what’s right no matter the cost. It’s a movie of revelation, friendship, humor, glorious action sequences, and an extremely strong character heartbeat that keeps everything grounded.
2. Avengers
I never get tired of this one. The feeling I have when I watch it is something I haven’t felt so much with the more recent superhero movies. Things were simpler at this time, clearer, more fun.
And dang, if this movie isn’t just the most fun. Unlike DC (really? Justice League before the origin stories?) Marvel took the time required to properly develop a superhero team-up worth our while. We knew everyone, already loved them and wanted to see what would happen when we threw our favorite characters into the blender together.
Half of this movie is spent with everyone showing their worst side. They clash, misunderstand each other, or have their most vulnerable spots rubbed. It’s a hot mess. A beautiful hot mess. A hilarious hot mess. A delightful hot mess. I love this hot mess, and so does Agent Coulson.
Coulson. Y’all, Phil Coulson is enough of a reason to fall in love with this movie all on his own.
The hot mess almost completely falls apart (except Nat, she’s surprisingly put together minus that slight Hulk panic attack, but that’s Nat.). And then they come together with such a great show of humility, respect, and teamwork. It’s inspiring.
The pure glory and unabashed superhero swagger of this movie are unparalleled. From the soundtrack to the superhero poses and power moves, it’s just delicious. Absolutely delicious. And The Battle of New York is something I never tire of. Never ever. Never.
Even though it’s one giant glamor scene to the next, this movie still never sacrifices character development and interpersonal growth. Some of the best friendships, pairings, character clashes, and important Marvel moments are birthed in this movie.
And shawarma. Have you ever wondered how much shawarma sales spiked after this movie came out?
3. Ant-Man and the Wasp
If you just did a double-take, I ask that you rewatch this movie. See if you don’t finish your day feeling happier, fuller, and inspired to be a little bit more “out there”.
How can anyone spend time in the company of Paul Rudd for a few hours without coming out feeling happier? I’m also quite fond of Evangeline Lily and would like to see a LOT more of her. There’s not a single actor in this movie that I do not enjoy.
This movie arrived at a time in my life when I didn’t have as much to laugh about. It was a heavy time. This movie came right into the middle of my heavy, pulled me out of it, and gave me the gift of laughter that was grounded with heart. I literally felt like I’d gone through some healing for the 2+ hours I sat in the theater and laughed.
Scott Lang is one of my favorite characters. He’s an everyman. He’s us. He’s cool, but not so cool that he’s not also totally in awe of anything cool that comes his way. He wants to brag about knowing “Cap”. He’s going to learn online close-up magic sing karaoke and play a fake drumset.
Ahem, this is where I pause and I point out that Scott Lang lives in San Francisco and sings karaoke and is a cool dude. And Shang-Chi ALSO lives in San Francisco sings karaoke and is a cool dude. If these two don’t meet and team up I’m going to riot. I don’t care if people are worried that the combination of Luis and Katy might create a nuclear explosion, it’s worth it.
Infinity War (one of the 3 Marvel offerings in 2018) was a miserable watch. It had nice moments but mostly it was just echoing the heaviness and grief I was already dealing with in my own life. And while Black Pantherwas an absolute masterpiece, it was an extremely intense movie to watch. I wanted a break. I wanted to feel grounded again.Ant-Man movies are always more grounded (literally) and single-minded than other Marvel movies. Scott isn’t always trying to solve a whole world problem, sometimes he’s just trying to save one person. Hope and Hank just wanted to save their Janet. Bill Foster just wants to save Ava. Scott just wants to get his life together and to stop letting his loved ones down. Luis just wants their business to succeed and is willing to buy oatmeal packets to make it happen. Jimmy Woo just wants to be as cool as Scott (just wait a few years, Jimmy, then you’ll be cool all on your own).
Ant-Man and The Wasp takes a group of very sincere people who are flawed, sometimes dysfunctional, and throws them into a scenario that is both lighthearted, serious, and beautiful. It’s just about people loving people. There isn’t even a truly big “human” villain in this movie, the biggest battle is against Time. I love that even Ghost is redeemed.
This movie literally healed places inside of me and was salve on a very sad soul. I love it. I can watch it without feeling dragged down by larger Marvel events, it’s just perfect. The weight and enormity of the MCU has become a heavy burden at times, but Ant-Man and The Wasp never feels that way.
And who doesn’t need to see a hot wheels-sized car chase through the streets of San Francisco that also includes a larger-than-life Pez dispenser being hurled at the bad guy’s car? We all do, that’s who.
4. Guardians of the Galaxy Vol 2
I am not someone who likes or supports crass humor. I do not personally support every statement/joke/or attitude expressed in these movies. And I don’t recommend them for children. Morally gray characters are a line I think you have to walk very carefully and can easily take too far. But when they are done well they end up teaching you a lot.
The Guardians are definitely a mixed bag, but I learn a lot from watching them. Yondu is not someone I would hold up as a role model, neither would I hold Peter Quill up as a role model (Chris Pratt is another matter. Love him.) These people are desperately flawed, often annoying, and they know how to push each other’s buttons. They are not the crew you would invite to an elegant gathering or your child’s preschool show-and-tell.
Here’s the thing about the Guardians though, for how little sense they make, for how awkward and messy they are, I just love them. I saw Volume 1 and I was like…What. Is. Happening…oh crabapples! Suddenly I’m crying and have a huge lump in my throat. And that dang, that raccoon on screen worming his way past my emotional guard is in reality just a puppet. A PUPPET!
I kid you not, the characters most guaranteed to make me cry are the Guardians. I could see that special moment that was coming, the hand-holding that reminded Peter of his mom that was going to contain the Power Stone that followed the dance-off that was going to save Xandar! The fact that the previous sentence is the actual plot is really a thing of beauty.
But Vol. 2. Volume 2. Wow.
For the first 2/3s of the movie, I was like, “What are we doing here? Nothing means anything. Everyone is losing their mind, being a jerk, or all over the place. Sylvester Stallone is definitely still a knockout, but beyond that, why am I here?”
And then I hit the last 45 minutes, and it all came together and I saw it and was mindblown. Oh, wait! This whole movie has been all about meaning! It’s been about love, forgiveness, and healing. It’s been about friendship, sisterhood, fatherhood, giving yourself permission to love and be loved. Letting go of the things that keep people from getting close to you. It’s about loving people with their flaws and through their painful, vulnerable times. It’s about understanding what truly matters in life! It’s ordinary people loving each other, and that love creates an extraordinary strength that defeats the inflated, twisted agendas of those who think real meaning is about power and self.
Ego with his sick, twisted expansion missed the true meaning of everything that was right in front of his eyes. He could have stayed with Peter’s mom. They could have loved each other. He could have enjoyed being a dad. But he was blind to the meaning of anything, and he went so far as to destroy the beauty that did exist. He killed his children. He killed Peter’s mom. So Peter is gonna smash that perverted creep in the face with a giant Pac Man and doggone! I’m going to enjoy watching it!
I think the clincher moment for me in this movie was watching Peter mourn Yondu. I do not like Yondu. I still don’t “like” him. Yondu is unpleasant to me, but there are a lot of Yondu’s out there, and they are worth something and they need to be told so. They need to be seen and loved too. When Peter was grieving Yondu, I heard something in his voice. “I had a pretty cool dad.” I don’t think Chris Pratt was just being Peter Quill at that moment, I think he was being Chris Pratt. Chris lost his father far too soon, and I think at this moment he was being given the gift of feeling his own loss and love on screen. That was a very intimate moment that I felt lent gravity to the movie, and I felt honored that he was willing to share that with us.
I love the Guardians because on paper they make no sense, they are so messy, and yet they love so hard and they don’t quit. I can respect that. I learn so much from them that I don’t from other characters. I know the love they are learning to have comes less easy for them than it does for other characters. I was highly displeased with the Guardians’ portrayal in both Infinity War and a lot in (only Nebula and Rocket were handled well) Endgame. I felt they were not treated with the respect and growth their characters had earned. I’m hoping Vol 3 can fix some of these problems.
But yeah, I like my Guardians. I like them a lot.
5. Shang-Chi
It does not hurt that this was the first movie I’d seen in theaters since Far From Home in the summer of 2019. You know, a thousand years ago before the Dark Ages of Covid and everything else that has happened since. I didn’t mean to stay away from the theater so long, it just happened that way.
Shang-Chi was a treat that I got to go see with my mom as a celebration for my 25th birthday. I’d had a really good feeling about it going in, but wow. Wow, was I ever right!
This movie is amazing. I mean, AMAZING! It’s been a while since we’ve seen a completely new character with no prior introduction in the MCU make their debut. Shang-Chi did it and did it so well I’m still amazed. Nothing about this story was wasted. Every aspect of the movie, from the script to the humor to the costuming to the martial arts was all working in harmony to tell a very fantastical, very human story.
I loved the fantasy elements. I loved the bright colors. I loved how Chinese legends and otherworldly elements were seamlessly blended with some very American-tasting characters/conversations. I LOVED the characters. Shaun and Katy are what got me out of movie blog retirement.
This movie was powerful in its messaging, handled flashbacks with fine dexterity, and never lost the momentum. It used visual symbolism as well as honest dialogue extremely well. You could see the character growth portrayed in multiple ways. The story had deep moments of trauma and darkness, but they were well-integrated alongside moments of hope and humor.
Also, I just think Shaun is really cute. Like, REALLY cute.
I also like where he landed at the ending. His choice to stay true to the beauty and light inside of him, while also acknowledging the skills and history from both sides of his family was a more sustainable, mature approach to life. A lot of people think in terms of black and white and they don’t take the time to pick through the pieces of what’s worth keeping vs what you throw away. Living with extremes is usually an exhausting and dead-end way to live. It’s certainly NOT how you successfully woo the magical rings away from your father in a one-on-one battle.
It was nice to see a new origin story that felt like a Marvel movie, but more like the old ones used to feel. Exciting, fresh, making you hungry for more.
I don’t know if you’ve picked up on this yet or not, but I have some MCU fatigue. Endgame was a big movie, no one can deny that, but I was disappointed in many regards. The need for the story to keep getting bigger and bigger than the last thing has caused a lot of complications and overwhelm. Some things have been done that can’t be undone and I’m not happy about it. Often when a story grows to this point, it can get out of control. I am not enjoying the MCU the way I used to when things were simpler and more defined. Perhaps it’s naive or silly to expect/want it to feel the same way it did when I first started. I’m not the same person I was in my teenage years any more than the MCU is the same “world” it once was. I would say where I am now is I try to focus on individual chapters/characters more than just the world as a whole.
And that’s why I loved Shang-Chi, it was a fresh start with someone new that I have no baggage with. He was a character I was 100% happy to root for, and even his introduction to other big characters like Wong, Captain Marvel, and Bruce Banner was far more honest. They told him what he was in for right up front. “Your life has just changed and it’s never going back.” “Welcome to the roller coaster.” That’s exactly how I feel about life in multiple areas, so I could relate with those statements a lot. I have 0 martial arts skills and a very normal human origin story, but on an emotional level, I connected deeply with large parts of Shaun’s story.
Honorable Mentions: Spider-Man Homecoming and Far From Home
I haven’t seen No Way Home yet. I’m honestly very sad at some (not all) of the choices made for the movie, I don’t see how leaving Peter friendless and family-less is beneficial. One of those things I could swallow even if it tastes bad, especially the death part because it was an unexpected thing for Peter. But to leave his friends in the dark? To lose them not just as Spider-man, but also as Peter Parker? To do both? Why??? How does that make sense? Why is that “necessary”? Why should he have to lose Happy after he lost his mother and father, his uncle, Tony Stark, and now Aunt May????
What are we learning here? It’s “safer” or “nobler” to be on your own? What people don’t know can’t hurt them and it’s better that way? That’s crap and we know it. Marvel has proven it time and again, together is better. Family is better. Stick together, make it out the other side or die protecting each other. It’s worth it. #avengersassemble
The only reasonable thing I can think of that would justify causing Peter separation from everyone is Sony is hoping for another trilogy. Otherwise, I think it’s inexcusable.
But yeah, I love Peter Parker. I love his humility and his kindness. His stories are so easy to learn from and he’s so endearing. That’s why the Spider-Man movies get an honorable mention from me.
These are my top 5 Marvel movies. I chose them because they are movies I still want to watch more frequently. They are ones that still echo in my mind and I know I will enjoy them. I watched them and had a uniquely warm experience, or, they came at a very pivotal moment in my life and touched me more deeply than other chapters of the MCU.
These movies are not necessarily my most nostalgic Marvel movies (Captain America: The First Avenger and Thor have that honor). I like many installments in this series (Age of Ultron is a highly underrated Avengers film). And Captain America: Civil War has some of the best footage in the MCU. And the Marvel Disney+ series is a whole other ball of wax. But when I sat down and I thought about it, these were the 5 that rose to the top. I found my answers both expected and unexpected.
So, what are your top 5 Marvel movies? Why are they your top 5?
I’m about to admit something that may shock people to the core of their Christmas-movie-tradition centers.
Ahem!
I have not seen Home Alone beyond the first five minutes. No, I’m not talking about the sequels, I mean the first one. The famous one. The “Merry Christmas, you filthy animals!” one.
Also…
It’s A Wonderful Life gets really, really, really long for me. It’s not that I don’t appreciate the message, I absolutely do. I’m rather fond of Jimmy Stewart as well. I watched more black and white movies as a kid than movies with color, so that’s not stopping me. There’s nothing “wrong” with It’s A Wonderful Life, it just doesn’t move me that way it does for other people. I have watched it twice, and I’m done for another decade or two.
And another thing…
I didn’t fall in love with White Christmas. To be honest, most of the time I was staring in horror at how unhealthily thin the younger sister was. My sadness was deepened when I learned the actress starved herself in order to maintain her reputation as being ridiculously small. She ended up dying too young of cancer that was connected to malnutrition. I have much to say on the subject of Hollywood’s trail of bodies, but that’s for another time.
And just when you thought I was done…
My family and I got 15 minutes into the Jim Carrey version of The Grinch That Stole Christmas before we couldn’t do it anymore. We turned it off and didn’t care. My version of the Grinch is the recent animated one starring Benedict Cumberbatch in the voice role of Mr. Grinch. It’s beautiful, deep, light, and just really beautiful visually. It’s the perfect bite of a Christmas movie, and that is the version my future children will know of as “the Grinch movie”.
Aha! But there’s more!
I saw Miracle On 34th Street once. It was okay. Just okay.
Y’all doing okay with these shocking revelations?
I didn’t set out to be different from the rest of American society in this particular way. That’s not how I roll, I don’t “have to be different” just to feel special. Things just happen.
I do, however, have some favorite Christmas movies. Many favorites, but I’m going to feature 3 that are likely not as well known and definitely underappreciated. It’s time to refresh that Christmas watchlist, my friends. Branch out, try something new.
This movie is a hoot!
It Happened On 5th Avenue (1947)
Honestly, I don’t know why this one isn’t more acclaimed than Miracle On 34th Street. This gem of a movie absolutely fits the bill for a perfect Christmas watch. It has heart, humor, and a happy ending.
Taking place right after WWII, a group of homeless people finds shelter by squatting in a rich, unhappy millionaire’s home while he is away for the winter season. They are joined by the millionaire’s daughter, who pretends to be one of them in order to enjoy the fun and camaraderie of the situation. Before long, she drags her father into it, and he is forced to play another “poor man” who is squatting in his own home.
This movie is utterly hilarious. I mean, hilarious! The number of misunderstandings, the amount of times the millionaire is utterly flabbergasted, and the changes that result from his time with these people is a delightful journey, all taking place leading up to the Christmas season.
Another neat feature of this movie is showing the housing crisis faced by some of the GI’s and their families post-WWII.
This movie is one I can rewatch more often and not get bored. It’s a nice story with appeal to multiple ages and personalities. It makes use of verbal, situational, and physical humor. And the ending is tied with such a nice, neat bow, you genuinely feel like something beautiful was accomplished. It’s delightful!
Don’t let the cheaper cover fool you, this movie is fantastic!
The Man Who Saved Christmas (2002)
A made-for-TV movie about a whimsical toymaker during the WWI era. A.C. Gilbert and his brother Frank go out on a financial limb and start a toy company. They are wildly successful. A. C.’s inventive spirit and his brother’s practical mind create one of the foremost toy companies in the United States. It’s a wonderful place to create, to play, and to work.
Until the shadow of WWI comes looming…Frank enlists, and A.C. is approached by representatives from Woodrow Wilson who request him to turn his beautiful toy factory into a weapon and munitions factory.
I’ll sum up the whole movie with the movie’s own tagline – He couldn’t stop the war, but he wouldn’t let the war stop Christmas.
The historical setting is deeply intriguing as many more movies often focus on WWII. But WWI came first, and it shaped the world that birthed WWII. The characters are very engaging, particularly A.C. and his beautiful wife, Mary (who is a whole head taller than him which is adorable). I love watching the way this family faces sadness, loss, uncertainty. They go through a lot (everyone did back then) and yet, they continue to fight for the light, hope, and the oxygen that a whole country needs!
Christmas is necessary. Christmas brings healing. Christmas brings hope. Celebrating Christmas is warfare against the darkness of this fallen world. That’s the message of this movie, and it’s beautiful.
The power of this story comes with raw human emotion, whimsical invention, and a rich historical setting.
This movie has my utmost respect and admiration. I will learn something every time I watch it.
The Man Who Invented Christmas (2017)
I saved the best for last. If there was a team of people assigned to the promotion and recommendation of this movie, I would already be a senior member of said team.
This is the story behind the story of Charles Dicken’s A Christmas Carol. I’m already deeply in love with Dicken’s work, particularly A Christmas Carol. That story captured my heart during a very difficult Christmas season, and the Lord really used that story to breathe hope, wonder, and joy into my heart.
Charles Dickens is one of the authors I admire the most. He used the power of story to change the world. He saw his occupation as a sacred calling, and considered every story an opportunity to teach someone a truth.
The Man Who Invented Christmas is based upon the true story of the shockingly short deadline Charles Dickens had when he wrote, A Christmas Carol. It isn’t just about Charles writing a new book, or teaching the world something, it is also about facing his own past trauma and personal demons that are robbing him of the joy of his own life. In this movie we see it’s not just the Oliver Twists who need saving, but also the Ebenezer Scrooges.
The magic of this movie is meeting Charles (Dan Stevens knocks it out of the ball park), but also seeing his writing process. As a writer myself, I connect so much with how Charles draws inspiration from the world around him. A stray name that catches his fancy, the sounds of a busy market street, a ghost story he hears his children’s nanny telling them. The characters of A Christmas Carol come alive and speak to Charles as real characters in the story. We also see how personal Charles’ writing is, how much of himself he puts into his stories. The griefs he feels, the hopes he carries, the brokenness he is trying to heal. Good writers do this, we bare our souls and the souls of others in our stories in order to make something beautiful out of them. This movie is such a beautiful blending of fantasy mixed with raw human reality.
The ending is my favorite. For Ebenezer Scrooge is saved, and we learn why he is allowed to be redeemed. But the very best part is the information shared at the beginning of the ending credits. We learn about the real life impact that A Christmas Carol had on the world. My friends, this story truly change the world and changed the way people saw Christmas and each other. God used Charles Dickens’ writing to bring more of His heart to humankind.
This movie shows the power of story and what it can do in full force. And I loved it, absolutely loved it. It’s a deeper watch than It Happened On Fifth Avenue, and definitely more British than The Man Who Saved Christmas, but this one is my favorite.
I highly recommend all of these movies to those who are looking to change up their Christmas watchlist and enjoy the layered beauty and meaning of this holiday. Obviously Jesus is the reason for this whole season, and He is my favorite part of it. Though none of these stories focus on Jesus specifically, they echo pieces of life, beauty, hope, and redemption born from the truth of Jesus. These stories are produced organically from a world that has Jesus in it, He is the source and stories like these show us His heart in multiple ways.
If you’ve seen any of these movies, or choose to watch them after reading my article, what did you think? Merry Christmas!
2021 is almost over (holy cow!) and it’s been a busy year for Disney+ and the Marvel franchise. In order to try and be really relevant, I’m going to give my drive-by review and score of each show.
WandaVision (7/10)
I always felt that Wanda Maximoff was a character who was horrendously underused. She had been through so much and yet still had such a tender heart. Tenderhearted characters often get pushed to the background, especially if they are women, for fear that we might view these characters as “weak”. That’s a broken philosophy and the film industry/culture is suffering for it. Wanda is incredibly tender and incredibly strong. Tenderhearted women are often stronger than everyone else around them.
Vision as a character is one I’ve never focused on but always enjoyed. Back in the Civil War days of the Marvel, I wrote how Vision’s failure in Civil War when he accidentally shot War Machine was the doorway to him discovering what it means to be human. He’s only continued that trend since then, and grown more likable every time we see him.
The beauty and humanity of Wanda and Vision were shown quite briefly in Infinity War, but it made an impact. It made me hungry for more. On that note, WandaVision absolutely delivered. I had no idea that Paul Bettany and Elizabeth Olsen were so funny, I was constantly surprised by their incredible comedic delivery. However, their comedy wasn’t even paralleled by the depth of emotion and heart both leads brought to the table. They poured their guts out into the show and I felt it. Tears ran down my face multiple times as I watched them process love, fear, grief, curiosity, and hope. It was layers and layers of humanity unfolding and it was beautiful.
WandaVision was revolutionary in terms of TV-style. I’ve never seen anything like it before. I grew up watching sitcoms of much older decades, so I am right at home in a world influenced by The Dick Van Dyke Show, The Brady Bunch, and more. The architecture, clothing styles (Elizabeth Olsen was MADE for the 70s look), and pop culture references of WandaVision were like a love letter to American television and culture through the years. I enjoyed watching these larger-than-life, otherworldly characters interact with a world that I already felt at home in.
That being said, WandaVision got weird. Like, weird weird. Do y’all remember back in Spider-Man: Far From Home when Mr. Dell was asked his opinion on the strange happenings around them? His response
As a man of science? I think it’s witches.
was incredibly prophetic. The MCU has just gotten weird, and I’m not a fan of all of it. In full disclosure, I didn’t watch part of the second-to-last, and the final episode of WandaVision. Once we got into the territory of deeper witchery and dark magic, I was out for personal reasons (which I may share someday). I liked it better when we thought Wanda’s powers came from the Mind Stone. The show took her character to places I was not interested in going to.
*I do appreciate the fact that her new costume has more body coverage though. It’s about time!
I would be remiss in speaking on this show if I didn’t mention my favorite part. Or rather, my favorite character. Am I the only girl who walked away with a bit of a crush on Jimmy Woo? For real, he is the biggest surprise I have had in the MCU yet! How they took Jimmy Woo from being the funny but oblivious FBI agent in Ant-Man And The Wasp, to a dogged, smart, still hilarious character in WandaVision is close-up magic at its finest! I couldn’t wait for him to show up on screen and I want to see him so much more! And the pairing of Jimmy Woo with Darcy Lewis was yet another surprise. It’s like putting together two foods you think have nothing in common, and discovering that they were actually made for each other.
I’m 100% voting for a Jimmy Woo + Darcy show and I totally ship them. They were such a surprise and a delight. I enjoyed Monica Rambo’s character as well, though she didn’t hit me in a deep place. I admired the fact that she let her compassion and intuition drive her interaction with Wanda, even when Wanda pushed her away. That’s an important side of being a hero and Monica was worthy of that title.
All in all, I give WandaVision a 7/10. But I have no interest in delving deeper into the witch side, and I will not be a viewer of the newly announced show featuring Agatha. She played her role well, but no thank you! WandaVision was something incredibly unique, but not something I will watch again. It was a once and done for me.
This much handsomeness in one place is almost dangerous.
The Falcon And The Winter Solder (6/10)
I loved this show because Captain America: The Winter Soldier is my favorite Marvel movie. In fact, it’s not just my favorite Marvel movie, it’s one of my top 10 movies of all time. I think it’s one of the most perfect movies ever written and carried out. Steve Rogers was the character who carried my heart into this new world of Marvel that I first entered into as a teenager. Steve, Sam, and Nat were my favorite Avengers. Sam’s introduction into the MCU is my favorite character introduction.
All of that to say, I love this window into the Marvel world and this side of the story matters to me a lot. I was pleased that Steve chose Sam to carry the shield, even as I was grieving the loss of my Avenger. I was also angry at the huge lack of answered questions in Endgame regarding the details of Steve’s…I don’t know, return? Disappearance? Is he living on the moon? I’m happy for Peggy and Steve, but sad for me.
As I said above, the MCU has just gotten weird, and I don’t like all of it. Captain America stories were always very down to earth, very human. The trend continued in The Falcon And The Winter Soldier, and my heart just really needed it.
Here’s the funny thing, in terms of overall plot and story execution, I think large parts of TFATWS were actually terribly weak. The show struggled to gain traction for the first episodes. There were a few places that didn’t fit well with Sam and Bucky. It didn’t deliver well or clearly on the villain front. Neither Karli Morganthau or John Walker fully occupied that space. And once we broke Baron Zemo out all we cared about was that fabulous dance scene, so nevermind on him. I just kept waiting for the reveal, the hand holding the puppet strings behind the smaller characters. I thought that person was going to be The Power Broker, who would be revealed as a Big Bad from the comics. But no…
My biggest beef with the entire show was the very lazy (in my opinion) choice to make Sharon Carter The Power Broker. We got a big fakeout build-up “oh guys it’s probably Sharon but we’re gonna make you think that’s the red herring” and then it actually turned out to be Sharon! But the execution of her character wasn’t even done well. It was too harsh, jarring, and obvious. So obvious it seemed like the lie they wanted us to believe, and then just decided it would be so. As a Sharon Carter fan, I felt gypped. It’s not my fault that the entire MCU creator group forgot about her existence since Civil War, and it’s certainly not Emily Van Camps’ fault. In fact, I read that they intended to make The Power Broker the Big Bad for Captain America 4 (yay!), but after the poor fan reaction they may be reducing that role (internet rumor). Well, if that’s the case, then that’s on you, Marvel creators. The way you treated her character stinks and I didn’t even believe it while I was watching it unfold.
While I felt the overall plot elements were shaky and messy (potentially due to changes made after COVID hit), I think the nuances of this show were done really well. Like, really well. I was noticing everything and there was a lot to notice.
I need to address the Bucky elephant in the room. I’ve always liked Bucky, always rooted for him. But I wouldn’t say I ever loved him. And now? OH MY SEBASTIAN STAN, SWEET GLORY WOULD YOU LIKE TO STAY FOREVER? We’ve never gotten to see Bucky like we got to see him in this show. The layers and levels of emotion, humanity, and joy that this man displayed left me breathless every time! I just wanted to keep staring at his face when he smiled, or laughed, or made a breakthrough. I couldn’t get enough of Bucky and I want SOO much more of him!
The nuances of this show where character developmental storytelling happened was excellent. They made use of everything: body stance and choreography, the script, costuming, soundtrack, location, everything! Every layer and detail told you what a character was currently bringing, feeling, or needing. Even the props were used to tell a story behind the story. I don’t have time to jump into the details in this post, but in this regard The Falcon And The Winter Soldier excelled.
I found the ending (aside from the Sharon thing) very satisfying. It was nice to end a show where two characters are actually happier and at peace with long-standing issues. It’s not that every problem has been solved, every war won. But the personal war Bucky and Sam had going on inside of them / with each other is over. They’ve taken their places as brothers of the shield and have become family. I could watch the barbecue on the pier scene over and over and over again. That was something special and it needs to be protected. Despite the fact that I think that in many ways WandaVision was better executed, I don’t want to revisit that show. But I will be rewatching The Flacon And The Winter Soldier in days to come. Love can be forgiving like that. I wrote in-depth articles on each episode for my personal social media back when they were released. Some day I may clean those up and take you on a deep dive into this series, but for now I will end with this.
Ahem. #releasethebuckysarahcut
Loki 9/10
I was nervous about this series. I’ve been so disappointed by Loki in the movies over and over again. Every time it seemed like we took a step forward with Loki, something stupid made him slide two steps back and we started all over again. If Tom Hiddleston wasn’t so incredibly adorable I would have given up sooner.
I hated his ending in Infinity War. The movie just went downhill from that moment on. It felt incredibly meaningless and worthless. What a waste of talent and potential! Once we found out about Loki after Endgame, I waited with skepticism. Fool me once, shame on you. Fool me a bazillion more times with one of Britian’s finest, shame on me for thinking you had changed.
I didn’t watch Loki as it came out, I waited until I had more information. The reports I received plus the research I did gave me enough of a reason to give it a chance.
Wow, just wow.
Again, I have never, ever seen anything like this show. It was like the weirdest scifi/fantasy trip mixed with some sort of 70s show featuring a beaurocratic government agency, all while bringing game-changing plot elements to an entire franchise! It wrestled with questions involving the value of every life and free will. And above all, this show actually changed Loki for the good.
Storytelling-wise, I think this show did a bold thing by having so many “just talking” scenes. In book storytelling, a long conversation doesn’t raise as many eyebrows as it does in visual storytelling. Writers and directors can love these scenes, cinematographers can hate them. Many viewers can complain about them as well.
I’m a writer so I love talking scenes. But even more than that, a good conversation is something that will attract me more than anything else. I have talked with people for 5-8 hours before and not gotten bored. Conversation is a foundational layer of relationship and growth (with God or with people), and one reason we all are struggling so much is we don’t know how to converse well.
Loki embraced conversation wholeheartedly. And when someone as talented as Tom Hiddleston is the speaker, that conversation becomes like an action scene to me. The way he and Owen Wilson (Agent Mobius), or he and Sylvie tossed words back and forth felt like active, stirring story.
To cap it off, one of the scariest scenes I have ever witnessed in the entire MCU took place during a seemingly normal conversation. He Who Remains gave the worst download of information. It was like Gandalf telling Frodo how all of Middle Earth is about to go to hell in a handbasket if he doesn’t destroy that oh-so-normal looking ring his uncle left him. He Who Remains was so casual about life and death and the fate of the universes, it was awful.
Loki’s transformation throughout his show set the stage for some of the best storytelling to come. The introduction of characters like Sylvie and Agent Mobius (and He Who Remains) all gave such unique viewpoints. I cannot wait to see what happens next and I am still in awe of how well this show was made.
I think what we are discovering with both the Marvel and Star Wars Disney+ shows is that some stories are told better in a episodic format, where more time and attention can be given to details and subtle development. Loki was absolutely proof of this as it accomplished for the character of Loki in 6 episodes what 5 movies could not.
Despite my dislike for the show, I acknowledge the animation is quite beautiful.
What If 3/10
Whew! Harsh rating eh? Well, it’s my blog, I can do what I want to. Full disclosure here, I only made it through a few episodes. 4 to be exact and I didn’t even finish the zombie episode because it was terrible. I cannot believe that episode is the inspiration for a whole new series on Disney+.
I am likely not the target audience for this particular show, I’ll give them that much. This show is for deeper Marvel fans than I am, and for people who don’t mind the rearranging of their characters. I have a friend who absolutely loved this show and we have still remained friends despite our differing views.
The stars I do give here are in honor of T’Challa’s Starlord episode. That one I truly did enjoy, probably because it was actually an episode that had a happier outlook than the main MCU timeline. The other episodes I tried I just felt more depressed and found them dark. Also, it felt like the characters had no real emotions. They were cardboard cutouts of the characters we’ve come to know and love. I felt that things were done just for a cheap joke that were actually disrespectful to the characters. I also felt that some of the voices didn’t adapt well. Sebastian Stan’s voice acting left something to be desired. Hayley Atwell, on the other hand, fit it like a glove.
But T’Challa’s episode was beautiful (visually), happy, genuinely funny, and it made me feel really glad to know that Chadwick Boseman’s family gets to enjoy that episode in memorial of him.
Beyond that, I really have nothing to say. I may try a few more episodes and if I change my mind I’m not above updating a post with new info. I think this show was for a niche audience and that’s who enjoyed it.
The colors of this series already look amazing!
Hawkeye (Prediction) 11/10
I know, Hawkeye hasn’t even come out yet, but I have a feeling. I have pretty good instincts on these things, plus, I can read the room. Everything is aligned to make Hawkeye the most successful and beloved Marvel show yet.
Clint Barton has never gotten his day in the sun that he deserves. He’s been around in the MCU almost longer than anyone (who’s still alive that is), and he’s still been waiting for that spotlight. In fact, Jeremy Renner said that in the first 2 weeks of filming Hawkeye he had more lines than all of his previous movie appearances.
Clint Barton is our last original Avenger who hasn’t gone through radical physical changes, been killed, or travelled back in time to marry his sweetheart. Clint is also radically normal compared to every other superhero. He’s a family man (cheers for the family men!). He’s got a farm. He just oozes dad feels everywhere he goes, often taking in the strays and giving them a chance to succeed.
Clint Barton is a hero for the deaf community. He’s a hero to the normal people (which we all are). He’s a hero to those who have suffered grief and loss as well as regrets. He’s a member of the “cool movie dads” Hall of Fame. He’s also hilarious. Oh yeah, and this show has a DOG and IT HAPPENS AT CHRISTMAS TIME IN NEW YORK CITY!
The world is ready for this. We want some normal. We want a dad. We want a good guy who doesn’t have it figured out but is doing his best. We want a dog (okay, I want a dog). We NEED a little Christmas, right this very minute!
We. Need. Hawkeye.
And finally, we are being given Hawkeye.
This show is going to be incredible.
What are your thoughts? How would you rate the Marvel Disney+ shows so far?
As writers, we often face a challenge when trying to figure out how to usher in Big Bad plot elements, but do so in a way that does not also compromise character growth. Typically these game-changing plot elements take place in a larger narrative like a series or franchise where a story has been building up to this climactic point. Both Marvel and Jurassic Park/World are excellent examples of a continuing storyline where the single-story installments fit into a larger picture that is always building upon itself.
In recent years, some big changes needed to happen in both franchises. We’re talking huge, world-changing plot elements.
For the Jurassic series, we needed dinosaurs to be set loose on the mainland and to begin mixing with people on a global scale.
Ian Malcolm Welcome to Jurassic World… #fallenkingdom #jeffgoldblumforever
For the Marvel Cinematic Universe, we needed a bigger problem and evil than Thanos wiping out half of all life in the universe. 10 years had built up to Endgame. We needed something bigger. Enter…the multiverse!
Coincidence is not a strong plot mover, every good writer knows this. Neither is it good or honest storytelling to only have the villain characters be involved with dramatic and damaging events. We’re all flawed, broken people. Sometimes those with the best of intentions can create terrible scenarios *coughs* Tony Stark. The triumph of these deeply-human stories comes when a character grows and is able to face the new challenges with a fresh perspective that leads to victory.
Two protagonists for recent installments in the Jurassic and Marvel franchises are a perfect example of how to not compromise character growth for the sake of plot advancement.
Claire Dearing is the primary protagonist for Jurassic World and Jurassic World: Fallen Kingdom
Claire Dearing is all business, even at the expense of her own humanity. She’s not mean, she’s not visibly evil or a “villain”, but she has a broken perspective on life that blinds her to the dire consequences of her choices.
The protagonist is the character that changes the most throughout a story. While many characters have life-changing revelations throughout the two Jurassic World movies, Claire Dearing is without question the character that undergoes the most change.
The running theme of the entire Jurassic franchise is this question: how do we value life? We see characters and animals interact with this theme in both positive and negative ways in every movie. Even the short filmBattle at Big Rock faithfully follows this theme. One day I will discuss this franchise and its message in depth.
When we first meet Claire Dearing she is the director of the larger-than-life theme park, Jurassic World. Finally! John Hammons’s original dream for Jurassic Park has been realized and it is magnificent!
Claire is a cold and removed person when it comes to human relationships, and she has zero connection to any of the animals under her care. In short, Claire does not have value for life. She fails to see its beauty, purpose, or hope. Her nephews come to visit and she cannot even spend more than five minutes with them. She’s got a disdain for the very human character of Owen Grady and disregards his good advice about understanding her own animals. Without thought, she is a party to the creation of the Indominus Rex, the chief animal antagonist of this story.
Throughout the beginning of the movie, we see Claire make choice after choice that is irresponsible and emotionally removed. The worst decision she makes in conjunction with the park’s owner, Mr. Masrani, is to send a containment team after the Indominus with non-lethal weapons. They ignore the warnings of Owen Grady – the character with the most accurate worldview – and send the team in any way. Claire’s hard shell begins to crumble as she watches one person after another get violently killed by the dinosaur.
Throughout the rest of Jurassic World we watch Claire change. Her attention turns from the park’s reputation to just saving lives. She goes running off into the dangerous forest (IN HEELS) with Owen in pursuit of her nephews. She lets herself feel the grief and pain of a dying brachiosaurus that is mauled for sport by the Rex. She does insane things to protect what matters – life! By the end of the movie, Claire is functioning as a fully engaged human being.
Claire throws everything she has into protecting her nephews and Owen from the Indominus Rex. She lets herself be touched by the pain, the beauty, and the wonder of life. Claire is fully awake by the end of Jurassic World.
Has she learned her lesson? Has she grown?
When we see Claire in the next installment, Fallen Kingdom, she is employing the same drive we saw in the first movie, only this time it’s about protecting the dinosaurs that are left. Isla Nublar is about to be destroyed by a volcano, and all of the dinosaurs will die, becoming extinct once more. Claire’s life mission is to try and ensure that doesn’t happen. It’s a noble goal, and it’s a joy to see Claire giving her energy towards preserving life instead of exploiting it (and this time she does it in boots like a sensible human).
But Claire still exhibits some of the same recklessness we saw her use at the beginning of Jurassic World. Her panic to make up for her past mistakes and guilt has caused her to pendulum to another extreme – a very common reaction among humans. She’s overcorrected too far, and this leaves her in a broken relationship with Owen Grady, and vulnerable to being manipulated and used by Eli Mills, the primary human antagonist.
Claire has thrown herself fully into the mission of saving the dinosaurs, but it’s gotten beyond her reach at this point.
Crazy things happen, and at the end of the movie a large collection of dinosaurs has ended up on the mainland in California. Multiple species have already been sold via an illegal auction and shipped around to world to be used for nefarious purposes. The dinosaurs that remain are trapped in a large facility that is filling up with toxic fumes. It’s a horrifying scene, dinosaurs wailing and trying desperately to get out as they are dying at the expense of greed.
Claire discovers she can free them with the push of a button, but to do so means they are set loose on the general population.
Owen Grady Claire, you press that button there is no going back.
A beat…Claire We can’t let them die.
Her hand hovers over the button…but then she steps away in tears. Finally! Claire Dearing has learned her lesson at a horrific cost. It’s a terrible decision to have to make, but her lack of restraint (along with others) has helped create this mess, pushing that button will only further it. It’s awful, but it’s solid proof – Claire Dearing has grown, her character arc is intact.
The agony of having to say no to pushing the button…
Aha! But for the overall story plot we still need the dinosaurs to get out…so what do we do now?
Loki is the primary protagonist for the show Loki. Obviously.
This character is only beloved because Tom Hiddleston IS SO CRAZY ADORABLE!
To say Loki is a stinker would be putting it mildly. He’s wild, unpredictable, violent, cunning, and constantly keeping you guessing as to whether he will help you, or betray you. Unlike Claire Dearing, Loki definitely fits into the villain category. If Tom Hiddleston wasn’t so everlastingly adorable, Loki would not have been the fan favorite he is. His character was brought to a tragic and emotional end at the very beginning of Infinity War. It was unsatisfactory and Loki fans were devastated. Then in Endgame, a freshly butt-kicked Loki managed to escape through time right after the first Avengers movie. This Loki is raw, unedited, and still the jerk that killed 80 people in just a few days + invaded New York because he’s Loki.
The running theme for the show Loki is this question: are we trapped by destiny or do we also have free will?
It’s a hard question to answer in a pretend universe that doesn’t have the true, gloriously good God in it. I don’t have time to dive into that topic today.
Loki finds himself quickly taken into custody by the TVA – Time Variance Authority – and taken to a place outside of time. He is shown the story of his whole life beginning to end, told that his entire life purpose is for his worst to bring out others’ best. He’s also told that as a Loki, he is “destined to fail”. Loki learns that he is just one of the thousands of other Loki’s from thousands of other universes. The TVA is the organization assigned to protect the “Sacred Timeline” and ensure that all events go according to the instructions of the Time Keepers, who somehow know more about everything than everyone else. It’s rather vague and full of bureaucratic red tape.
Also, now that Loki has stepped outside of the “Sacred Timeline” by escaping from his story, he has created a timeline branch and as a rogue variant, he could quickly be scheduled for pruning. A nice word for – execution. Loki, doing what he does best, negotiates for a chance to help Agent Mobius track down another Loki variant that’s been kidnapping TVA agents and wreaking havoc.
The best of Britain paired with the best of America on one screen. It was SOOO GOOD!
Loki’s initial desire and character goals are pretty standard for him. He wants to conquer the TVA and rule the timeline/worlds/everything/everyone.
The funny thing is how small Loki appears in the eyes of all he comes across. The only character who shows any interest in Loki as a person is Agent Mobius, the kindest person we run across at the TVA. And even Mobius isn’t overawed or impressed by Loki’s grand statements or drastic threats. A Loki is a Loki, they always lose, right?
Loki crosses paths with the other rogue Loki and discovers she’s actually a woman named Sylvie who, unlike other Loki’s, has zero desire for ruling anything. She wants to kill the Time Keepers and end the TVA once and for all as payback for them kidnapping her as a child. Apparently, she was a variant who didn’t “belong” on the Sacred Timeline and therefore was scheduled for pruning. It’s horrific but shows something true that happens in our real world. More on that another day.
A very sad little girl is now a very angry grown woman.
Loki has not previously been known for quick character growth, but in the course of just 6 episodes, he is confronted with the ugliest, darkest, most vulnerable parts of himself. He’s drunk on his own selfish ambition. He hurts other people in order to appear powerful. He’s self-obsessed, angry, scared, and doesn’t know how to create healthy relationships. And the worst part is this, according to everyone he comes in contact with besides Sylvie, this is just his destiny. He’s destined to never be happy, to never succeed at anything, to always be this terrible person.
Throughout one of the craziest and most brilliant shows I’ve ever seen, Loki finds himself pushing back against this empty version of himself, which is actually his own antagonist. Loki, as he’s always been, IS Loki’s own worst enemy! What if he can be more? Who says he has to be the villain in everyone else’s story? As the show progresses, Loki begins to care more about the needs and well-being of characters like Mobius and Sylvie even more than he thinks about his own selfish needs.
Watching layer after layer of Loki unfold as he spends more time with Sylvie was a joy. THIS is the Loki we have been hoping for! Not the petty, selfish, angry Loki. No! The Loki who uses his brilliant mind, witty humor, and genuine strength to protect, uplift, and do good. It was always possible, but now we see him fighting for this better version of himself.
Loki and Sylvie reach the End of All Time and discover He Who Remains. In a quiet discussion held in an office, we hear the most frightening story yet revealed in the MCU. This man is from the future. He is a scientist who discovers the multiverse and connects with other variants of himself. Things are great for a while and the multiverse enjoys travel and communication among the universes. Until, of course, a variant of He Who Remains decides he wants to rule all, and multiverse wars ensue. It’s apparently so awful that He Who Remains decided the best way to solve the problem was to create the Sacred Timeline and control everyone’s lives. He created the TVA to protect this timeline and quickly prune and reset any timeline where something gets out of line. He has been doing this for millenniums. But now he’s tired. He gives Loki and Sylvie two options (1) kill him and unleash the timeline and the multiverse (2) take over his job and rule.
Sylvie still wants to kill He Who Remains as he is responsible for her kidnapping and erasing her life. She believes he is lying just to save his own skin. She is about to kill him when Loki stops her. A back and forth of passionately emotional dialogue, magic, and fighting ensues where Silvie is trying to reach He Who Remains, and Loki is trying to intervene.
Sylvie Ah, you want the throne.
Loki No, that’s not it, no. Sylvie, the universe is in the balance, everything we know to be true. Everything. I know that the TVA has hurt us both, but what if by taking him out, we risk unleashing something even worse? I promise you from my heart, this isn’t about a throne.
More fighting.
Loki Sylvie, the cost of getting this wrong is too great.
Sylvie Fine, then kill me and take your throne.
Loki Stop. I’ve been where you are. I’ve felt what you feel. *crying* Don’t ask me how I know. All I know, is I don’t want to hurt you. I don’t want a throne. I just…I just want you to be okay.
NO ONE IS SOBBING HERE! NEVER MIND, WE ARE FINE! IT’S TOTALLY OKAY THAT LOKI IS LOOKING AT HER SO SOFTLY WITH SO MUCH COMPASSION AND TENDERNESS! WE ARE FINEEEE!!!
They kiss, it’s gorgeous and no one is sobbing on the floor. We’re fine!!! And thenSylvie shoves him through a portal back to the TVA, removing him from the situation entirely. Determined and dreading what is coming, Loki runs to find Mobius to fill him in on the drastic changes that are about to take place.
Loki He’s terrifying. He planned everything. He’s seen everything. He knows everything. It’s complicated, okay. But someone is coming. Countless different versions of a very dangerous person. And they’re all set on war. We need to prepare.
These two were just the greatest.
Loki went from rampaging around the universe, causing wreck and ruin all because he was burdened with glorious purpose, to suddenly only caring about others’ needs and future. He now only says “I” in reference to his selfless feelings for someone else. He uses the term “we” when speaking of himself and Sylvie, or himself and his allies/friends at the TVA. Loki is no longer alone and no longer seeking a throne. His life actually is burdened with glorious purpose now. He’s free, Loki won over Loki.
The ironclad proof of Loki’s character growth was his attempt to restrain Silvie from destroying He Who Remains. Whether that was the right choice for the future of the universe or not, it was the right choice for Loki’s character arc. He said no to the throne, and yes to what he believed someone else needed. Loki has grown.
I love that turned-up collar, it’s so him.
Aha, but we still need the timeline to be unleashed…so what do we do?
I could spend article after article talking about the depth, meaning, and symbolism of this movie. Everything from the costuming to the scenery was full of purpose and interest. The character work was excellent. Shang-Chi carried a balance of sadness, triumph, humor, and potential.
But what actually got me to put words on the page is the relationship between Shaun (Shang-Chi) and his best friend Katy. They are probably one of the best things the MCU has created in a long while. Here’s why – warning, spoilers ahead.
Katy and Shaun are the defining relationship of the movie.
That may sound funny given how many other turbulent and dominating relationships we see Shaun experience throughout this story. But Katy and Shaun’s relationship is the most important one in the entire movie; and every other relationship (good or bad) can be contrasted or compared to it.
His relationship with his father is a twisted one. It’s defined by abuse, sick expectations, deep desire for something genuine, broken heartedness, and whatever true love is left in his father’s heart. It’s turbulent, nauseating, angering, and aggressive.
His relationship with his sister is one of broken promises, a broken heart, bitterness, coldness. At the root is a little girl who lost everything/everyone. It’s sad.
His relationship with his mother is one of remembered sweetness and meaning and beauty that he once had. He can’t reach her, he can’t get her back, and he couldn’t save her. It’s full of guilt and longing. It’s tragic.
Shaun’s new relationship with his aunt brings back some of the light he’s had hidden inside of him from his mother. It helps remind him of who he is, but it’s still much more of a mentor relationship.
And then there’s Katy. Quirky, witty, adorably awkward, forever faithful Katy. Katy is Shaun’s defining relationship throughout this entire movie. He deals with every demon (literally) of his past and present. From the bus fight in San Francisco to a magical valley in China where a dungeon full of soul-eaters exists, Katy is there. She’s Shaun’s reference point, his only constant, the anchor. He orbits around her as he faces everything else.
Unlike his father, Katy isn’t always about what Shaun has to do for her in order to earn her love. Unlike his sister, their friendship has been one of constants. Unlike his mother, Katy is very real and in the present. And unlike his aunt, Katy is facing some of the same struggles he is when it comes to being grounded in her identity and life direction.
We see Shaun experience many relationships in this story. We meet many layers and versions of Shang-Chi/Shaun, but we always return to Katy and Shaun. The way they laugh together, the way they tackle problems, the fears they both have, the way they listen to one another. It’s a healthy, life-on-life kind of relationship that keeps Shaun from jumping off of a character cliff. Katy grounds him even as she helps him fly. For a character with no superpowers, Katy is one of the most powerful characters in this movie.
It’s subtle, well-written, and woven logically and beautifully into the story. It feels real. Katy and Shaun are forever even if other things/people are not.
Katy saved Shaun
No, I’m not just talking about when she jumped in between him and the bully (honestly, she saved that jerk’s life). I’m talking about Shaun. He’d been through horrific things and had no where to land – until Katy showed up. She gave him a home, a family, a friend, and a sense of normal he lost the moment his mother was killed.
We see just how much this one friendship has defined Shaun when we see the contrast between him and his sister – Xialing. Where Shaun is warm, Xialing is cold. Shaun is gentle, Xialing is harsh. Shaun is normal, Xialing is very much abnormal.
You can’t really hold it against her. Shaun got to spend more years nurtured by their mother. Once their beautiful mother was gone, their father didn’t just see Xialing as a neutral presence, he treated her like a negative. She became someone lesser, someone to step over. He looked away from her in pain for something that wasn’t her fault. Even though his relationship with Shaun was perverted and full of abuse, he still affirmed Shaun in a twisted way. Xialing never got any of that. The only place where she found affirmation was in the gross underworld of using force to gain respect and admiration. For how much she hates her father, she has learned to be very much like him.
At the end of the movie, Shaun goes back to his normal life of karaoke and storytelling over drinks and appetizers with Katy – until Wong comes along with what is essentially a gold-lettered invite to the Avengers. Shaun has maintained the ground he’s gained and grown a few sizes larger as well. But he’s still Shaun. He’s a pretty amazing knight-in-shining-armor character.
Xialing isn’t as far along as he is. While at her father’s compound (where Shaun thinks she’s cleaning up the mess) we see Xialing uncovering the wall in her room. It’s full of angry, dark, violent pictures/posters/images. Half of the wall is uncovered, revealing a beautiful painting of a sad little girl. Xialing sits in normal clothes on the floor (the first time we see her this way) clutching a beautiful drawing of her mother. It’s symbolic – half of her heart has been uncovered – but the other half is still caught in darkness.
Her scene ends where we see that she is actually taking over the Ten Rings name and running the thug group on her own. The black leather is back, she’s still chasing affirmation and identity through force. She hasn’t learned as many lessons as her brother has, her future is still more in question.
What’s the difference between the two siblings? Shaun had a Katy, Xialing didn’t. Katy’s tiny family apartment in an old corner of San Francisco represents more genuine wealth than the entire stone compound Xialing possesses. The life that Shaun has where he gets to argue with Katy’s grandma about where the whiskey went, gulp down cereal before taking the bus to their shared valet job is more real, beautiful, and genuine than anything Xialing has. For a movie about the child of a 1000 year old warlord and his magical, soul-sucker fighting wife, Shang-Chi gave a place of great honor and value to the everyday beauty of a normal, loving family.
When Katy stepped in between Shaun and that bully she was saving his life. She was bringing in beauty, truth, life, warmth, hope, and a future. She didn’t know that, she doesn’t overthink it, she’s just herself and that’s what he needs.
Shaun’s mama used to sit at a table with him and make construction paper dragons and tell him stories from her homeland. That kind of beauty is what had literally caused his evil father to put the rings away and act normal for a while. It’s magic – powerful magic woven into ordinary, extraordinary, everyday kind of love. I finally found something worth growing old for – Xu Wenwu
Shaun lost that life the moment his mama died, but he was given it anew the moment he met Katy. It didn’t matter if his mama was from a magic corner of China with fantastical creatures, and Katy is the self-described “Asian Jeff Gordon”. It’s the same magic presented differently, but the fruit produced is just as good.
Katy and Shaun are a perfect team.
Are they perfect as people? No, they are beautifully flawed and that makes the story that much more enjoyable. But they are a perfect team.
A mistake many people make is they create a normal character like Katy, and a super-character like Shang-Chi, but then they don’t know how to keep the two together throughout a story. The Katy’s of the world get pushed off to the sidelines to ooh and ahh at the wonders of the Shaun character.
Shang-Chi didn’t do that once. Katy was always as relevant and important to the storyline as Shaun was. It isn’t because she is crazy brilliant, superpowered, rich, famous, etc. She’s just a good friend who doesn’t give up, and that’s an overlooked and under-utilized power. Her loyalty and faithfulness to Shaun is what made her the perfect boom to his pow. They need each other and they give to each other.
Shaun gets attacked on the bus and fights back – so Katy drives the bus.
Shaun has to go face his deadly family – Katy buys a plane ticket. So what if we are going to a seedy corner of Macau? Girl’s got a fanny pack, she ready.
They have to escape his father’s compound – Katy drives full speed towards a cement door trusting that Shaun is gonna get a henchman’s bio print on the screen in time to open it.
Shaun admits to murdering someone at the age of 14 – Katy is the first person to point out what a bad situation he was in and how he needs to be kinder to himself.
Shaun is about to lose to the soul-eater as it’s sucking the soul out of the dragon – Katy fires an arrow at the soul-sucker’s throat and causes a pivotal interruption.
Shang-Chi (Simu Liu) and Katy (Awkwafina)
Shaun and Katy are a one-two punch, on and off the battlefield. They fill in each others gaps, listen to each other’s problems, and have each other’s backs. They develop together, something that many movies struggle to portray. Their friendship naturally produces growth in both of them even if they take turns supporting each other. They are a bothand kind of relationship, not an eitheror.
The director of the film (Destin Daniel Cretton) said very clearly that Katy and Shaun are just friends for the majority of this movie. Shang-Chi is going through a lot and Katy’s friendship is what he needs, there isn’t room for anything else….But now? Who knows?
I could easily see (and let’s be real, AM TOTALLY ROOTING FOR) them becoming more in the future. Shaun and Katy are one of those legendary kind of relationships that are quite simply, best friends forever that slide smoothly from one phase of friendship into another. They are never gonna find someone else to connect with at the level they connect with each other, and they don’t need to. What they have is powerful and the world needs more of it.
The friendship of Katy and Shaun created this base rhythm for the rest of the movie to build off of. Their humanity and love for each other gave a heart and soul to a story that without that human base could have felt very bizarre. But with them in the center of it, it was just perfect. The strength and health of their friendship created a measuring mark for every other character interaction. As a writer and a fan who is always looking for character-first stories, I was incredibly pleased.
What did you think of Shang-Chi and the Legend of the Ten Rings?
Resistance is a bit of a tough story to place on the timeline as it begins in the six months leading up to the events of The Force Awakens, and wraps up around the events of The Rise Of Skywalker.
This show has a lighter touch in some ways than the very-heavy Clone Wars series or Star Wars Rebels. Still, it’s provides an hugely important perspective to the story line as a whole, especially for the new territory covered in The Sequel Trilogy.
A thought that was begun in Rebels, given a spotlight in Rogue One, and then extended into a primary theme in the Sequel Trilogy is this:
This fight belongs to everyone, and we all have something to contribute.
Resistance plugs directly into that theme with the main character of Kazuda Xiono. He’s a skilled pilot from the New Republic Navy and the son of a wealthy senator. He’s a nice kid but horribly naive and inexperienced.
Still, he’s got potential, potential that is recognized by everyone’s favorite hotshot, Poe Dameron, who recruits Kaz to become a spy for the Resistance. He is assigned to The Colossus, a large oil platform on a water-covered planet. Intrigue and shenanigans ensue, but the shadow of The First Order and the grievous events that are about to take place slowly move into the show’s plot.
The beauty of this series is that we get some new perspectives on a story where we, the audience, have far more information than the characters themselves. We know how all of the dots connect. We know what we believe about the Empire, the Jedi, The First Order, the Resistance, etc. Not all of our characters know where they stand on these issues. Most of them only have half of the story.
Watching the oh-so-normal character of Kaz progress from a raw recruit to someone who is suddenly thrust into a place of leadership under heartbreaking circumstances is actually rather encouraging. It’s a reminder of what each of us is capable of given the chance. We also see other characters that could easily be underestimated using whatever gifts, talents, and experiences they have to pool together into a common goal.
The key to defeating the Empire, and then The First Order was always one thing above everything else. This HAD to become everyone’s battle, the Rebels/Resistance could only keep this evil at bay for so long. Eventually, all kinds of people across the galaxy were going to have to rise up and do their part.
Star Wars Resistance does an excellent job of showing us how that kind of a movement begins, and how it feeds into a New Age of Resistance in Star Wars.
Everyone’s Battle.
The Force Awakens : Awakening, Old And New
I think this is my favorite Star Wars movie.
It was the first one I saw in theaters, it was an unforgettable experience and the wealth of emotions I walked away with were intense.
It’s an aptly named movie. The job that this movie had to fulfill was to blend into an already established story line but cover new territory. It had to give us a sense of nostalgia while also laying a path for new plots and characters. J.J. Abrams had to awaken a whole lot of stuff.
He was successful. This movie reminded me of the best parts of what I loved from the Original Trilogy, especially in how he brought back the physical elements of the settings, props, and alien characters.
Story-wise, we experience an awakening on multiple levels.
Finn discovers that the life of a Stormtrooper sucks and he isn’t okay with the job requirements. While we now know that he is Force-sensitive, so that makes him stronger in his will and choice to change, this was a big decision for Star Wars.
The Stormtroopers had been faceless minions for so long, I have wondered since I was a kid if they had any feelings or thoughts of their own. Finn proved the stereotype otherwise.
Finn instantly became a delight to me as I saw him not only fly in the face of brainwashing and discipline, but he also opens himself up to caring about another person (Rey) and facing his biggest fears to protect her.
Poe Dameron is a vital plot-mover in this chapter but he doesn’t experience his biggest challenges and growth until the following two movies.
Han Solo, Leia, Chewbacca, and Luke Skywalker. This movie is described as “Han’s” movie as he is the Original trio-member most featured here.
Clearly some poop has hit the fan in the past 30 years and Han hasn’t been at his best in a long time. Grief can do a lot of things to a person. But while we are saddened to discover how many things have gone wrong, we also see Han again decide to be the man we know and love. The guy who runs into a mess because he’s just crazy enough to think he can make a difference. He still loves deeply, and his actions still change lives around him. Even in death, Han’s presence still lingers in the air.
Chewie is Chewie forever and we love him to pieces.
General Leia is probably the OT character doing best right now, but even she has her regrets. I found the conversations she and Han share about their son and the choices they made honest and humble. They both made mistakes, they’ve both been hurting, but their love is still strong, and they want to fix it.
Luke Skywalker. He’s kind of a disaster. But at least we found him.
Clearly the strongest awakening that happens in this story is for Rey and Kylo Ren.
Rey was just minding her own business, scavenging in the highly-sought after resort location of the deserts of Jakku. She had a thriving community of fellow scavengers and people getting more than enough to eat, and her boss was in the running for Galactic Boss of The Year. Or…not.
The whirlwind of events that catch Rey up out of her lonely life and pull her into a world of myth-turned-reality, new friends, old emotions, and the awakening of her Force abilities is incredible. I love how Rey works her way through this movie, she responds well (mostly) to each thing; but it’s not like she planned for any of this. Everything is a surprise! She’s flying by the seat of her pants this whole movie. It’s kind of nice, she has no expectations and very little pride, so her reactions are genuine. It makes her victories sweeter.
In contrast, Kylo Ren’s awakening is a bit ruder and definitely more uncomfortable for him. He is reprimanded multiple times by his mentor, Snoke, he fails many of the tasks given him, and his family issues are all up in his throat. He discovers someone new who he is both drawn to and afraid of, because he can sense her power.
He kills his dad (not his finest moment) and then gets his butt kicked by a little lady who grew up in a junkyard.
It’s not exactly a fun few days for him, but the truth is something had to be stirred in order for him to advance as a character. We walk into his life and immediately see the amount of daily turmoil he exists in. Kylo Ren is not exactly a likable character in this installment, but we had to start somewhere.
Loss and victory, new friendships, old problems, and a whole bunch of X-wing fire make this movie both a familiar song and a new dance. It awakened the Star Wars fandom and reinvigorated the big screen story that had been silent for well over a decade.
I have parts I love, and parts I’m not overly impressed with. But I think the real purpose of this movie and the strongest theme was this :
Challenge the status quo.
This plot of this movie has some very definable holes. Admiral Holdo’s BIG SECRET PLAN and Finn and Rose’s sideline mission are among the very worst.
Although, Holdo’s brilliant purple hair is definitely something to write home about.
Still, I think this movie did accomplish something important for the Star Wars universe.
Poe and Leia’s relationship. We have seen the mentor/trainee role played out with Jedi and their padawans multiple times, but rarely have we gotten to experience this relationship in a different context.
Leia’s disgust with Poe’s reckless behavior almost seems contradictory in the face of how many sacrifices we’ve seen her and other Rebels make. But perhaps that’s a part of the bigger picture, she’s matured enough to know what missions are worth giving your all, and when it’s time to live to fight another day. An idea that Rose Tico echoes. Perhaps it’s hitting close to home for her since we saw her sister Paige die in Poe’s reckless mission.
Obviously sacrifice and commitment is a part of any endeavor like this, but it’s wise to challenge the idea that we always must go as far as we can, especially when talking about how many casualties you incur. This new approach saves the Resistance’ bacon at the end of the movie where Poe proves he’s been listening by readjusting his mentality, and leading the Resistance out the back door to freedom.
The Force
Sometimes people over-complicate the problem. I’ve been one of those people before so I get it, but still. The Jedi are notorious for over-complicating the problem, and unfortunately Luke himself fell into that trap.
Did anyone else notice in the Sequel Trilogy that as soon as Han Solo contradicts Finn’s adorably naive “misconceptions” about the Force, suddenly everything about the Force changed?
That’s not how the Force works.
Uh, wait, maybe it does.
From Leia’s amazing space flight, Rey and Kylo’s strange “Force Time” calls, to Luke’s Force-projection of himself across the galaxy, some pretty wacky stuff happened with the Force.
I guess that sometimes the Force is more mysterious and bizarre than we think. And then again, sometimes you just use it to pick up rocks.
I know this offended some people, but I don’t see why it should. Just because something has been known about for thousands of years doesn’t mean it’s always understood, or used properly. We’ve seen that time and again throughout real human history, it actually adds realism to incorporate it into this fictional universe.
Sometimes mentors are wrong.
The status quo of wise older mentor training the overeager trainee was upheld with Leia and Poe, but it was contradicted with Luke and Rey. Rey earnestly seeks guidance and aid from Luke, but he has little to offer her. By the end of her stay on Ahch-to, Rey is the one schooling Luke. Her wisdom comes from her heart, much like he lived in his younger years. He’s been spending too much time in his head, and he’s tasted the bitter results.
Luke has the maturity and humility to admit his mistakes at the end of this movie and actually help Rey from making the same ones later on. But it was her example that helps to inspire him to action.
No, the good girl can’t always change the bad boy.
Rey and Kylo’s interaction throughout this whole movie gives you a hope that she might be getting through to them. They are tender and vulnerable with each other, Kylo’s betrayal of Snoke and their teamwork to defeat Snoke’s Praetorian Guards makes you believe he will change. It would seem the old belief that “good girls can save the bad boys” is real.
It’s not, Kylo isn’t ready to change yet, Rey can’t get him there. It’s a broken concept that is exposed here for its dangerous flaws. She does her best, it doesn’t work, so she leaves. #timetowipeyourownnosebuster
Even in the next movie when Kylo does change, he makes that choice on his own. Rey was definitely a positive influence on him, but she does not change him. He chooses to change.
You can lose everything and still win.
Failure is not an option. Does that thought ever echo in your mind?
Do or do not, there is no try. What the heck does that mean and does it even make sense? I’m not sure it does.
The Resistance is a disaster at the end of this movie. It’s the lowest point our hero characters have been at since Order 66 and Revenge of The Sith. Sometimes you think you’ve gone as low as you can go, and then you find out there is a sub-basement under the regular one.
That’s where the Resistance is at. Broken, but not beaten. This is a challenge to the status quo that we as humans carry as a great burden on our shoulders.
I can’t lose my house. I’ll die without this relationship. I’ve put everything into this business, it can’t end. I need my car to be okay. Etc.
We have people holding onto things for dear life with the belief that failure is not an option. And a lot of them are missing the bigger picture, holding the wrong priorities, and burning themselves up.
Losing things, relationships, jobs, etc, it’s not fun. But it’s not the end of the world, and you can come back from something like this. You are still alive and that is a gift. We would do well to recognize how many things do not actually define our success or our ability to go on. We would do well to be carriers of hope instead of fear.
The Last Jedi challenged many status quos for Star Wars and wrongful culture in general. Like it, hate it, you have to admit it accomplished that much.
Challenging The Status Quo.
The Rise Of Skywalker : Endings And Beginnings
The Rise of Skywalker was many, many things. Seriously, so much happened in that movie. Some of it was well done and some of it was half-baked. I neither love it to death nor do I hate its guts. I’m not going to try to unpack every detail of the movie, I’m gonna stick to a few specific things.
Endings
Leia’s Legacy Is Complete
This was “Leia’s movie”. The devastating death of Carrie Fisher a few years ago caused some major difficulties in giving Leia the ending she richly deserved. But with the miracle of modern technology and people who would not quit, Leia was honored properly.
Leia held on to hope when others lost it. She stayed in the fight when others ran. Leia forgave herself for her mistakes even while she felt the grief of them. Leia worked hard to instill good values and wise judgment into another generation.
Leia absolutely succeeded. She poured herself into people who were willing to receive what she had to offer. Poe was practically a second son to her. His love for Leia and respect for her leadership made him the right person to become her successor.
Rey had raised herself up to this point and did a decent job. But she was so, so hungry for some parenting! Both Han and Luke contributed to her growth, but Leia gave an entire year of her life to training Rey. She was the mother Rey had never gotten to experience.
Both for the Rebels and the Jedi, Leia kept the fire lit and passed on the torch to the next generation.
And even with her dying breath, she called out to her wayward son, and his mother’s voice brought him home.
Princess General Leia Organa Skywalker Solo is a legend, and the legend was honored well. Her legacy lives on in the hearts of those she loved and nurtured.
Chewbacca got a medal. It’s about time.
Palpatine was destroyed by his own flesh and blood, and she was saved from death by the very family line he’d spent decades controlling. #poeticjustice
Kylo Ren is dead, Ben Solo is alive. Ben’s final choice to change and become the person he was made to be was triumphant and honest. He made selfless choices to do the right thing, he gave his own life to save another, and he helped repair much of the damage he had caused. He was forgiven, and he forgave himself. The son of Leia Skywalker and Han Solo was restored and put to rest.
The Voices of the Jedi Returned
It was a stunning moment when beloved voices from Jedi friends of the past were heard in Rey’s head. This nod to all the heroes who had come before her and done their best was a great way to bring this saga to a close. They’d done their part, now it was her turn, and they had her back. It was a nice fan moment that tied in all previous Eras of Star Wars.
Ships from every era of Star Wars could be seen when the mismatched fleet from across the galaxy arrived. I’m sure the super nerds have already torn that scene apart and you can find multiple YouTube videos on the subject. It was a great place to celebrate the larger universe.
Beginnings
Finn and Jannah both represented a group of people that have largely been viewed in one way – unchangeable, evil minions. But their transformations from Stormtrooper to Rebel warriors has proven that change is possible. Just like The Clone Wars series dove into the lives, ideas, and destinies of the clones as individuals, it’s possible that this move could open up new stories about redeemed Stormtroopers.
Finn is Force-sensitive. I’m kind of a Finn fangirl, I’m gonna talk about this a lot. Finn represents a character we’ve seen little of, someone who is Force-sensitive but does not have Jedi training. His growth from a scared deserter to a calm military leader was epic, and honestly, it feels somewhat unfinished. The potential that this character alone represents for future stories and Star Wars storytelling is immense.
The Galaxy is owning this battle for freedom for the first time. It’s no longer just a fight between Rebels vs Baddies, it’s everyone’s fight. I don’t even have to go into detail on this one, the potential speaks for itself.
Poe is a general. As we have learned the hard way from the Galactic Civil War and New Republic Aftermath, victory over an enemy doesn’t always mean life is easy. You have to have strong leaders in place to help with the messy rebuilding process. It would be neat to explore how someone rebuilds a galaxy and does it right.
Rey Skywalker. I’ve seen some complaints about this moment. One person who replied to my positive comment about this character choice said,
Right, because we can now just say a name and its ours.#sarcasm
Uh, yeah, buddy, that’s kind of how adoption works.
Part of the point of Rey’s entire character arc is that her family line and heritage should not define her, for good or bad. When she was an unknown she feared her own worthlessness. When she discovered she was a Palpatine, she feared her own power and importance.
Everyone kept telling her who and what she was and what that had to mean for her.
But Rey made a choice, and that choice was opposite of her blood, and in line with the people she had chosen to call her own: the Skywalkers and their Rebel family.
Rey taking the name Skywalker was her way of adopting herself into her chosen family, her chosen path, and her identity. It’s not like Luke and Leia were available to sign adoption papers, but an adoption it was.
This isn’t stupid, it’s beautiful. It was redemptive to the Skywalker line because their legacy will live on with this beautiful woman who took their name. The future of the Jedi will be directed by someone who has seen and tasted both the Dark and the Light, and she still chose the Light.
Rey carries herself with a humility and wisdom that is just what the doctor ordered. Her identity can not be blown away in the next sandstorm, she’s rooted in something bigger than herself.
The potential for what Rey could create, should anyone choose to continue her story, is something very fresh and inviting. She could create a whole new generation of Jedi who are far less trapped by useless tradition, and more involved with relationship and choice. She could help others who feel lost find a home and a family.
The Rise of Skywalker ended a saga that has stretched over 5 decades. It worked to try and bring a satisfying ending to many of those story lines, but also left us with a few tantalizing threads to discover in the future.
reellifebygrace 