Lost In Space: Storytelling Done Right

Is anyone else kind of obsessed with Netflix’ remake of the old 1960’s sci-fi show Lost in Space? *warning, slight spoilers ahead*

I didn’t know much about the show until I saw a preview at the movie theater. It looked shockingly interesting. As soon as I saw the first episode I was hooked. Lost in Space is one of the best TV shows I have come across in a long time, and I’ll tell you why.

Lost in Space is visually gorgeous, both the sets and the CGI are amazing. It nails the science/fiction part every single time. It has intrigue. A shadowy timeline. A colorful world. There is so much material for new plot threads that I am confident this show has a long and prosperous future ahead of it.

But none of the reasons I listed above are the core of why Lost in Space is such a phenomenal show. There’s another, more encompassing reason.

Lost in Space is storytelling done RIGHT!

The opening sequence of the pilot episode drops us into action almost immediately. We see the Robinson family seated around their “table” playing a game of Go-Fish. Sounds normal, right?

lost in space

Actually, no. The normalcy of a casual family game night is starkly contrasted by the fact that the family is wearing space suits and strapped to their seats in a ship that appears to be plummeting out of orbit onto some unknown planet’s surface.

How did they get there? Why is their ship crashing? Are they the only people in this corner of the galaxy? Is this just normal and terrifying landing procedure?

These immediate questions are grounded with a few layers of underlying tension that we are immediately shown between the characters. John Robinson is at odds with his children, especially his strong eldest daughter Judy. His wife Maureen is calm and collected, but there is a coolness in her manner towards him. Clearly, there is something going on in this family, but what is it?

We don’t have time for answers, because our ship is crashing, straight into an iceberg and cold, icy waters! The family makes it out into an ice cave, but their equipment is still inside their submerged ship and they are going to need extra help to survive the cold night.

lost in space ice cave

More family tension. The youngest Will (I adore this child) is the only one small enough to fit into the jammed hatch at the top of the ship. But he’s afraid, never fear! Brave big sister Judy is here! Judy plunges into the waters against her father John’s commands (again, what happened to this family) and attempts to retrieve equipment herself. Problem is, she is unable to get out of the icy water before it freezes over, trapping her in the thick ice just inches from the surface.

*cue panic attack* Claustrophobes know what I mean right here.

Maureen has a severely damaged leg, but her brilliant mind is still trying to work on behalf of her family. Still, her usefulness is compromised. Judy is trapped in the ice with several hours of air left in her suit, no amount of spunk or gumption is going to get her out of this mess. John is trying to keep himself to together while he attempts to free Judy, but he feels like he’s failing yet again. Will feels guilty that his beloved older sister is trapped because of his “weakness”, something you get the inkling he believes about himself a lot. Penny exhibits much of the lost behavior that is often attributed to middle children, she’s falling through the cracks yet again and doesn’t know how to contribute.

robinson family

This is a brilliant setup. Want to know why?

The best stories in any genre are always character driven. 

In just a few short moments, we already know important details about the Robinson family, the people who are the heart and soul of this show. We are given hints of their strengths, but we are more clearly shown their weaknesses in this beginning. We see how these weaknesses are not only affecting them as individuals but especially as a unit. We are put right there in their shoes, we feel their panic, their anger, their confusion. We feel the weight of every problem facing them right now, and at the same time, we have so many questions.

lost in space 10

 

This is how you tell a story without using the infamous “info dump” that so many storytellers make the mistake of using. An audience doesn’t need every detail to fall in love with a character and their story, they just need the right details and they are hooked. We were shown the heart of Lost in Space immediately as we are introduced to the Robinsons’ humanity and immediately given a chance to root for their success.

lost in space 7

 

I am pleased to say Lost in Space follows this pattern for the entire series. We are never given an information dump, we have to fight for the reveal of every piece of info we ever get, but we still don’t feel cheated in the waiting for those reveals.

Lost in Space strikes the perfect balance between the past and the present. We spend most of our time in the present, our immediate problems. Unknown robots. Fuel-eating eels. Mysterious characters who hide their true colors. Strange beasts. And above all, a need to get back on track.

lost in space 6

Much like real life, the Robinsons and all other characters have to stay in the moment, even as pieces of the past are revealed, and old wounds are dealt with.

lost in space 8

 

We already know that we are rooting for these Robinsons. We can’t help it. Not only are they our heroes, but we understand them on a human level. John aches over the time he missed with his family but really feels at a loss for how to repair that damage. Maureen is a red-headed Wonder Woman, is there anything she cannot do? But she’s lacking, there is something missing. Judy doesn’t know how to let herself fall apart, but she also knows she’s not fine. Penny is taking it one day at a time, but she still feels lost. Will wonders if he will ever be more than a failure and a weakling.

Other characters throw in unique problems and questions. Dr. Smith still blows my mind, I never know what to expect next. I have never seen a character quite like her, and she scares me more than 85% of the villains on screen.

 

 

 

lis dr smith

Don West’s I-couldn’t-care-less facade is quickly derailed by his adorable acts of compassion. He grows more endearing by the episode, and I am a huge fan of his precious chicken Debbie.

LIS Episode 102

Among all of these questions, theories, hidden histories, and secrets, one thing is starkly clear to us. This family needs to fix the fault lines within their circle. They need each other to survive. We can see who they are, how much they love each other, and how powerful they are as a unit, therefore we root for unity to be restored.

robinson children

Season 1 ended perfectly. We saw the Robinsons overcome, and reunite, and we saw the power of that newfound strength and unity.

lost in space 5

Maureen is smart and powerful, but she is even better when she has other strong people like her husband John at her side. John has failed to be there for his family in the past, but he’s here now and he’s never leaving again. Judy learns that it is not a weakness to be human, to not be okay sometimes, and her experiences simply feed into her already fierce compassion. Penny is not falling through the cracks, she’s a glue that holds her family together. She has a place and a purpose. And Will, sweet, kind Will learns what we have seen since the very beginning, Will is incredibly brave.

As this family repairs itself, they make a difference not just for themselves, but for those around them. Every other character is delivered because the Robinsons are together again. We started this story seeing the Robinsons’ greatest weaknesses and broken places, and we end Season 1 seeing them thriving with their combined strengths.

Robinsons stick together.

Season 1 was tough for this family. They barely hung on, but in the end, they stuck together and it changed the story for everyone. Considering that cliffhanger we were left on, this united front is going to be vital for the family’s survival going into Season 2. They are up against some terrifying unknowns, but so long as they stick together, they are going to be okay.

The writers of Lost in Space made sure that no matter where this story takes us, we would have one solid thread, the Robinson family. They are our core, our heartbeat, our purpose. We are rooting for them all the way, and no matter what colorful, frightening, or bizarre events they face in future seasons, we know we can always count on one thing….

….Robinsons stick together.

lost in space family

 

That’s storytelling done right, my friends. Now, who else is ready for a Season 2?

Lost in Space Season 1 is Currently Streaming on NetflixIf you want a cleaner version for your family, Lost in Space is also available for filtered streaming on Vid-Angel

 

 

 

Advertisements

4 Commercials That Use Story to Sell

Commercials can get so run-of-the-mill, am I right?

Car commercials come in 3 categories. #singleandhot #flannelandrugged #puppyandkidsinacarseat

Then there are cosmetic commercials where women of impossible and unrealistic heights of “attractiveness” tell us about how great this makeup remover is (it can’t be that great because we all know they are still wearing makeup).

The drink commercials where we watch people’s Adam’s apples go up and down, and then they smile stupidly.

The teeth whitening commercials where actors with florescent white teeth complain about “yellowness” and “stains”.

Prescription drug commercials with laughably long lists of side affects such as turning into a T-Rex, randomly being transported to the Bermuda Triangle, and or death. If you or a loved one has died then here is the number to call to get in on the lawsuit.

Obviously there are exceptions to these. Geico can make a regular TV series or film as far as I am concerned, I would watch it. Jake from State Farm is more famous than some Founding Fathers. I adore Flo from Progressive, I love Farmer’s Insurance Commercials, and Lily for AT&T is adorable. Still, these ARE the exceptions to the millions of mind-numbing and annoying commercials that choke up our favorite TV shows.

However, I have found a few gems that really touched my heart and actually made me want to purchase the product advertised. This is because instead of flashing bright colors, these are not actors (when I KNOW they are), or singing about narwhals, these commercials decided to use the power of story to reach my heart and tickle my imagination. And since story is the most powerful way to connect with a person, these commercials were incredibly effective.

Here are a few of the best ones, enjoy.

1. Rock, Paper, Scissors (Android)

This is so incredibly cute and clever, it just tickles me!

2. A Love Story (Chipotle)

Life lessons on what really matters.

3. Best Buds (Budweiser)

Who else cried?

4. Lonely Pony (Amazon Prime)

This girl is me if I had a pony.

Using the power of story to sell, how can I get annoyed with that ad when I am wiping away tears?

Have you found any amazing commercials that touched your heart? Made you laugh? Tell me in the comments!