Maisie Lockwood and Sylvie: How to Advance Plot Without Sacrificing Character Growth (Part 2 of 2)

In Part 1, I showed how two franchises advanced the growth of two main protagonists, Claire Dearing (Jurassic World) and Loki Odinson (Marvel) while still ushering in terrible world events. These two characters grew while still maintaining active participation in the story moving forward. The growth required from both Claire and Loki was that they show restraint where they previously had not. Both characters passed the test and chose to limit themselves.

However, if they had been the only players on the board, the terrible events would have been stopped right then and there. Which is great in a real-life scenario, but not so great for a fictional story that requires conflict to keep moving. The storylines in both the Marvel and the Jurassic franchises needed terrible events to happen in order to move forward.

This is where Maisie Lockwood and Sylvie come in. They are what I like to call “the innocents”.

Maisie Lockwood takes the role of “the innocent” in Jurassice World: Fallen Kingdom. She also fills that vital child role that exists in every Jurassic installment.

Look at that face! So much sweetness and fresh life!

Maisie Lockwood is the granddaughter of Benjamin Lockwood, who was apparently John Hammons’ business partner back in the pre-Jurassic Park days. A difference of beliefs separated the two and is our “convenient” explanation for why we have never heard of Lockwood before. Maisie is about 10-11 years old. She’s sweet, playful, curious, and has the beautiful sense of wonder that all of the child characters bring to the Jurassic series. The themes of the Jurassic franchise are never more clear than when we see how they affect children.

One thing we discover about Mr. Lockwood that is different than John Hammond is what Lockwood does with genetic technology. Lockwood decided to use genetic cloning technology to create a clone of his beloved daughter, who was tragically killed in a car crash. Maisie is not actually Lockwood’s granddaughter, but a genetic recreation of his daughter. The ethical questions involved there raise the roof to a whole new level. As I said in Part 1, every Jurassic installment is always engaging with the important theme of how we value life.

Maisie discovers Eli Mill’s evil plan to exploit the dinosaurs instead of saving them. She is caught by Mills when trying to investigate further, and he locks her away in her room and then murders her grandfather. Maisie finds her dead grandfather and has to escape where she blessedly crosses paths with the good guys, Owen and Claire. During the evening they are hunted by Eli’s latest pet project – the Indoraptor (your worst nightmare of a dinosaur). To put the cherry on top, Eli drops the bombshell that Maisie was created the same way the dinosaurs were. She’s a genetic clone that he had hoped to maintain control over. God only knows what he might have done with her if she hadn’t escaped! This revelation trumps any birds and bees or puberty talks any of us have ever had. Try processing that kind of information when you’re having the worst day ever!

The day ends in the control room where Claire has to make a horrible choice between letting the dinosaurs die, or setting them loose on an unsuspecting population. She wants to, but she cannot, so she walks away from the button in tears as she watches the beautiful creatures in agony. It’s awful…but then…

The light goes green, and the doors open releasing the dinosaurs to the wilds of California outside. All adults in the room turn around to the control panel to spot a tearful Maisie, her hand on the button. She has let the dinosaurs go.

Maisy I had to. They’re alive, like me.

Imagine having just learned you were created the same way these dinosaurs were?

It’s a uniquely triumphant moment for every dinosaur lover watching, even as we know there will be consequences in the end. The beauty of this scenario is that the dinosaurs were let loose, but we cannot actually feel anger towards the person who released them. Why? Because she is innocent, and from her perspective we understand her decision.

Maisie is a young child who has been through the most traumatic day imaginable. Her grandpa was murdered. An evil man wanted to control her. She was almost eaten. Everything she thought she knew about her life was wrong. She doesn’t even have a biological mother and father. Can you imagine getting hit with all of that in one single day when you are only 10 years old?

Children have very straightforward and honest logic. Sometimes it makes more sense than adults’ logic. And sometimes it has the best of intentions and the worst of consequences. They’re alive, like me.

In Maisie’s mind, the only right and moral decision is to release the dinosaurs. If she is alive and has value, so do they. Her value for life is strong, untainted by greed or bitter life experiences. Her heart was in the right place, even if she doesn’t yet have the wisdom or maturity to think beyond this moment and understand what she has just done.

Claire could not push that button and maintain her character growth, she knows better. But Maisie had to push that button to explain and advance hers. It’s all understandable and we follow the emotions and motivations perfectly. The Big Bad Thing has happened without compromising the growth of the characters who knew better. But Maisie doesn’t know better, and in every way possible she believes this is the right choice.

And who can blame her? Who in her life has ever taught her otherwise? The writers get their cake and get to eat it too!

Sylvie is female Loki variant who was stolen from her happy life as a child.

Sylvie was probably about the same age (in Asgardian years) as Maisie when she was kidnapped. She was committing the terrible crime of being a happy little girl, playing with toys in her own bedroom when a door from the TVA opened up and a Hunter came through and stole her away. They gave a timeline reset charge, and just like that, Sylvie was erased from existence. Scheduled to be pruned – KILLED, IT’S CALLED KILLED, PEOPLE – Sylvie made a brave escape and has been on the run from the TVA ever since.

She is a powerful woman in her 30s now (in Asgardian years). Her entire growing-up experience was about trying to hide throughout the multiverse and stay one step ahead of her pursuers. Revenge is what raised her. On the outside, she is beautiful, intelligent, cunning, witty, and bitter. On the inside, she is still that little girl who is devastated, terrified, and asking the obvious question -WHY?

Why was she removed from her happy life? What had she done that was so wrong it was okay to try kill her? WHY???

Observe. This is a child. A CHILD! The TVA just grabbed this child from her own bedroom floor, shoved her around like a criminal, and judged her worthy to be pruned. Not a single tear shed, not a single person listening to her cries for help. This is sick!

Loki falls in love with this vulnerable and aching place in her. Not because he can exploit her, which would have been the old Loki’s approach, but because he has compassion for her. Because he wishes he could restore that sense of peace, safety, and beauty of life that was stolen from her. I think he also finds her fight for life refreshing. The odd contrast between them is that Loki actually had a semi-decent life and often squandered it. He missed what was right in front of him and held true relationship at arms length.

Sylvie dreamed of getting to have that life but it was stolen from her without any decision on her part. Loki kind of deserves a lot of the crap he gets, Sylvie deserved none of it.

One of the most devastating moments to me in all of Loki was when Sylvie confronts Ravonna Renslayer, the judge who ordered her to be pruned as a child.

Sylvie Do you remember me?
Ravonna Renslayer I do.
Sylvie Why did you bring me in?
Ravonna Renslayer What does it matter?
Sylvie It was enough to take my life away from me.
Ravonna I don’t remember.

Ravonna’s dismissal of the pain she’s caused Sylvie is sickening. But then when Sylvie and Loki fight back against their TVA captors, Ravonna faces off against Sylvie with bitterness in her face.

Ravonna Renslyer This time I finish the job!

This time. This time, as opposed to last time when Sylvie WAS A CHILD ABOUT TO BE MURDERED?!? Ravonna regrets she wasn’t able to kill Sylvie sooner. This scene makes me ill. Ravonna wishes she had succeeded in murdering an innocent child. That’s so sick.

And yet, this belief system is alive in our world today. People justify the killing of unborn children, the elderly, or the disabled for a variety of reasons. “You wouldn’t belong in our world”, “You don’t fit our definition of perfect”, “You will have problems and might have a hard life”, “You will get in the way of someone/something else more important,” “You didn’t belong on The Sacred Timeline.” Etc.

The same, sick, twisted justifications that we see with glaring clarity in Ravonna are fed to men and women in the real world every day. We are fooled into destroying precious lives (young and old) by the same evil logic.

I do not say this to condemn anyone, but to condemn the lies and root of the evil itself. Life is PRECIOUS, this is a theme we see upheld in both Loki AND the Jurassic series.

When Loki and Sylvie reach the End of All Time and see He Who Remains, it’s clear to the viewer that there really isn’t a nice or safe option. We can figure out that the story probably needs He Who Remains to die. We also can figure out that the Sacred Timeline and the measures taken to protect it are evil. But is there a right choice here? That Multiversal War, whew, that’s a hefty price! The enormity of the choice sounds just dreadful.

Sylvie is right, you have to set things free. You cannot control everyone and call it “love” or “compassion”. True love does not control, this is a truth from God Himself. Loki is also kind of right, freedom and free will is a two-edged sword and there are sometimes dark consequences for it. Our own world has startlingly clear evidence of both of these facts.

Sylvie’s motivation and the intended goal remain focused. She’s going to destroy this man who destroyed her life, and in doing so she’s going to protect others from enduring the same suffering she’s had. Sylvie has had one thing to keep her alive, one purpose in life for who knows how many centuries: revenge. Destroy the people before they destroy her.

After seeing the horrors of the TVA firsthand, I can totally understand her motivation. It’s a heck of a better motivation than Loki ever had.

When I look at Sylvie, I don’t just see a woman. I see a terrified little girl trying to survive. Every time I stare into her big eyes, I see that raw fear and torment. I see her saying, *“Somebody help me!”*

Nobody ever tried to help Sylvie, so she had to help herself.

If I were in her shoes, who knows, I might do the same thing and feel entirely justified in doing so. Even so, enough information is shared by He Who Remains to give Loki himself major pause. Hold the phone, sister, we should think BEFORE we stab!

Loki is “right” in what he is saying. Most importantly, the hesitation and restraint he shows with both finesse and compassion are RIGHT for his character arc. Loki says “no” and I couldn’t be prouder!

Sylvie is also right. Both characters sort of face a no-win scenario in this scene. You don’t know what is going to happen, but either way, it’s going to be awful and messy. I loved that Loki said no, and I also understood why Sylvie said “yes”. She first removed Loki from the situation, and then followed through on her intentions to destroy He Who Remains once and for all.

She sees this moment as saving lives while avenging her own. She’s seen the waste and destruction of human life, and the trampling of freedom across the universe as she’s waged this one-woman war. Sylvie never had someone to fight for her. But she believes she can fight for others and spare them the grief she has suffered.

It makes sense, and it needs to happen. Marvel needed a bigger problem than the Purple Abomination Himself. A multiversal war should do the trick, and Sylvie was the perfect choice to stab that door open.

And now? Well, now we watch all of our characters face the consequences of choices made in the past and in the present.

…..

Well-crafted characters who are “innocents” should not be stupid or consciously rebellious. Many stories have made use of foolish or stupid characters to create trouble for the smarter characters to solve, and it gets obnoxious very quickly. An example of this would be every single scene with Frances in Disney’s classic The Swiss Family Robinson. That kid is anything but innocent, he’s a brat who almost gets his family killed time and again. His reasons for getting into trouble are not compelling or defendible, they are just foolish.

No, a truly innocent character has a legitimate and “logical” reason for the decisions they make. They may be naive, uninformed on some things, or unaware of the full consequences of their choice – like Maisie Lockwood. She’s an orphan child with a great deal of courage and a very simple sense of morality. You understand her heart and love her for it even while you know she is wrong.

Some innocents like Sylvie began as helpless victims caught in a whirlwind that they now seek to undo. This type of character can easily morph into a monster who believes any and all means justify the ends. They can become as evil as the thing/person they seek to destroy. One of the saving graces of Sylvie’s story is that it’s so incredibly twisted up, complex, and confusing, that you really can’t find a firm ground beyond one thing – all lives matter. Sylvie does fight and sometimes kill, but that’s usually after she’s attacked first. When she enchants Hunters to use for her purposes, she leaves them with a clearer mind and a memory of who they were before. Is every choice Sylvie makes good? No, I wouldn’t say that. But I understand many of them.

We see the evidence of a tender heart in Sylvie in the candy that she gives to the small French child Mobius interrogates. Or the comments Sylvie makes regarding a woman who is in love with her husband. We see it in how she looks at Loki when she kisses him before shoving him through a portal. Sylvie believes 1000% that what she is doing will bring greater good to the universe, and she will follow through on that even if it means losing a relationship with Loki.

…..

Complex and well-crafted stories can be intimidating to storytellers. I guarantee you that these stories are not as out of reach or impossible to create as you might think. The best stories are grounded and driven by beautiful, human characters.

Claire, Maisie, Loki, and Sylvie are some prime examples of brilliant storytelling and character development that we all can learn a lot from. When you create characters like these, it’s not hard to have your cake and eat it too!

My Top 5 Marvel Movies

1. Captain America: The Winter Soldier

This isn’t just my top Marvel movie, this is one of my top 5 movie movies. It makes my very short list of “perfect” movies that I have seen. I’ll write about those another day. This is the one movie poster that I own, and I’m proud of that fact.

Everything about this movie is perfect. The character introductions and reveals. Seriously, Steve giving Sam Wilson “on your left” is the best character introduction ever. The pacing. The horror of realizing what is actually happening. The road trip Steve and Nat take. The combat sequences (oooh, so perfectly choreographed and executed). The jaw-dropping moments (Fury’s car chase, elevator scene, fighting the Winter Solider on the highway!!!). This movie just makes you tingle from head to toe!

This movie features my favorite 3 Avengers: Steve, Nat, and Sam, and has the political thriller genre running strongly in its veins. The build-up and payoff are satisfying on every level possible. The quiet moments of reflection and resolve perfectly complement the big moments of sudden horror and “eat your failure” moments that get shoved in the villains’ faces.

But the best part is how this movie enables even the little guys to be the hero. That’s a big part of who Steve Rogers is, he believes in the little guy. He never sees himself as above someone else, and he’s all about using his gifts and strengths to lift others up. That’s true leadership, and his leadership brings Hydra to its knees. I love the throwing off of false morality and heroism, call crap what crap is and truth what truth is.

This movie is brilliant, unapologetic, heroic, and full of normal people doing amazing things because they believe in doing what’s right no matter the cost. It’s a movie of revelation, friendship, humor, glorious action sequences, and an extremely strong character heartbeat that keeps everything grounded.

2. Avengers

I never get tired of this one. The feeling I have when I watch it is something I haven’t felt so much with the more recent superhero movies. Things were simpler at this time, clearer, more fun.

And dang, if this movie isn’t just the most fun. Unlike DC (really? Justice League before the origin stories?) Marvel took the time required to properly develop a superhero team-up worth our while. We knew everyone, already loved them and wanted to see what would happen when we threw our favorite characters into the blender together.

Half of this movie is spent with everyone showing their worst side. They clash, misunderstand each other, or have their most vulnerable spots rubbed. It’s a hot mess. A beautiful hot mess. A hilarious hot mess. A delightful hot mess. I love this hot mess, and so does Agent Coulson.

Coulson. Y’all, Phil Coulson is enough of a reason to fall in love with this movie all on his own.

The hot mess almost completely falls apart (except Nat, she’s surprisingly put together minus that slight Hulk panic attack, but that’s Nat.). And then they come together with such a great show of humility, respect, and teamwork. It’s inspiring.

The pure glory and unabashed superhero swagger of this movie are unparalleled. From the soundtrack to the superhero poses and power moves, it’s just delicious. Absolutely delicious. And The Battle of New York is something I never tire of. Never ever. Never.

Even though it’s one giant glamor scene to the next, this movie still never sacrifices character development and interpersonal growth. Some of the best friendships, pairings, character clashes, and important Marvel moments are birthed in this movie.

And shawarma. Have you ever wondered how much shawarma sales spiked after this movie came out?

3. Ant-Man and the Wasp

If you just did a double-take, I ask that you rewatch this movie. See if you don’t finish your day feeling happier, fuller, and inspired to be a little bit more “out there”.

How can anyone spend time in the company of Paul Rudd for a few hours without coming out feeling happier? I’m also quite fond of Evangeline Lily and would like to see a LOT more of her. There’s not a single actor in this movie that I do not enjoy.

This movie arrived at a time in my life when I didn’t have as much to laugh about. It was a heavy time. This movie came right into the middle of my heavy, pulled me out of it, and gave me the gift of laughter that was grounded with heart. I literally felt like I’d gone through some healing for the 2+ hours I sat in the theater and laughed.

Scott Lang is one of my favorite characters. He’s an everyman. He’s us. He’s cool, but not so cool that he’s not also totally in awe of anything cool that comes his way. He wants to brag about knowing “Cap”. He’s going to learn online close-up magic sing karaoke and play a fake drumset.

Ahem, this is where I pause and I point out that Scott Lang lives in San Francisco and sings karaoke and is a cool dude. And Shang-Chi ALSO lives in San Francisco sings karaoke and is a cool dude. If these two don’t meet and team up I’m going to riot. I don’t care if people are worried that the combination of Luis and Katy might create a nuclear explosion, it’s worth it.

Infinity War (one of the 3 Marvel offerings in 2018) was a miserable watch. It had nice moments but mostly it was just echoing the heaviness and grief I was already dealing with in my own life. And while Black Panther was an absolute masterpiece, it was an extremely intense movie to watch. I wanted a break. I wanted to feel grounded again. Ant-Man movies are always more grounded (literally) and single-minded than other Marvel movies. Scott isn’t always trying to solve a whole world problem, sometimes he’s just trying to save one person. Hope and Hank just wanted to save their Janet. Bill Foster just wants to save Ava. Scott just wants to get his life together and to stop letting his loved ones down. Luis just wants their business to succeed and is willing to buy oatmeal packets to make it happen. Jimmy Woo just wants to be as cool as Scott (just wait a few years, Jimmy, then you’ll be cool all on your own).

Ant-Man and The Wasp takes a group of very sincere people who are flawed, sometimes dysfunctional, and throws them into a scenario that is both lighthearted, serious, and beautiful. It’s just about people loving people. There isn’t even a truly big “human” villain in this movie, the biggest battle is against Time. I love that even Ghost is redeemed.

This movie literally healed places inside of me and was salve on a very sad soul. I love it. I can watch it without feeling dragged down by larger Marvel events, it’s just perfect. The weight and enormity of the MCU has become a heavy burden at times, but Ant-Man and The Wasp never feels that way.

And who doesn’t need to see a hot wheels-sized car chase through the streets of San Francisco that also includes a larger-than-life Pez dispenser being hurled at the bad guy’s car? We all do, that’s who.

4. Guardians of the Galaxy Vol 2

I am not someone who likes or supports crass humor. I do not personally support every statement/joke/or attitude expressed in these movies. And I don’t recommend them for children. Morally gray characters are a line I think you have to walk very carefully and can easily take too far. But when they are done well they end up teaching you a lot.

The Guardians are definitely a mixed bag, but I learn a lot from watching them. Yondu is not someone I would hold up as a role model, neither would I hold Peter Quill up as a role model (Chris Pratt is another matter. Love him.) These people are desperately flawed, often annoying, and they know how to push each other’s buttons. They are not the crew you would invite to an elegant gathering or your child’s preschool show-and-tell.

Here’s the thing about the Guardians though, for how little sense they make, for how awkward and messy they are, I just love them. I saw Volume 1 and I was like…What. Is. Happening…oh crabapples! Suddenly I’m crying and have a huge lump in my throat. And that dang, that raccoon on screen worming his way past my emotional guard is in reality just a puppet. A PUPPET!

I kid you not, the characters most guaranteed to make me cry are the Guardians. I could see that special moment that was coming, the hand-holding that reminded Peter of his mom that was going to contain the Power Stone that followed the dance-off that was going to save Xandar! The fact that the previous sentence is the actual plot is really a thing of beauty.

But Vol. 2. Volume 2. Wow.

For the first 2/3s of the movie, I was like, “What are we doing here? Nothing means anything. Everyone is losing their mind, being a jerk, or all over the place. Sylvester Stallone is definitely still a knockout, but beyond that, why am I here?”

And then I hit the last 45 minutes, and it all came together and I saw it and was mindblown. Oh, wait! This whole movie has been all about meaning! It’s been about love, forgiveness, and healing. It’s been about friendship, sisterhood, fatherhood, giving yourself permission to love and be loved. Letting go of the things that keep people from getting close to you. It’s about loving people with their flaws and through their painful, vulnerable times. It’s about understanding what truly matters in life! It’s ordinary people loving each other, and that love creates an extraordinary strength that defeats the inflated, twisted agendas of those who think real meaning is about power and self.

Ego with his sick, twisted expansion missed the true meaning of everything that was right in front of his eyes. He could have stayed with Peter’s mom. They could have loved each other. He could have enjoyed being a dad. But he was blind to the meaning of anything, and he went so far as to destroy the beauty that did exist. He killed his children. He killed Peter’s mom. So Peter is gonna smash that perverted creep in the face with a giant Pac Man and doggone! I’m going to enjoy watching it!

I think the clincher moment for me in this movie was watching Peter mourn Yondu. I do not like Yondu. I still don’t “like” him. Yondu is unpleasant to me, but there are a lot of Yondu’s out there, and they are worth something and they need to be told so. They need to be seen and loved too. When Peter was grieving Yondu, I heard something in his voice. “I had a pretty cool dad.” I don’t think Chris Pratt was just being Peter Quill at that moment, I think he was being Chris Pratt. Chris lost his father far too soon, and I think at this moment he was being given the gift of feeling his own loss and love on screen. That was a very intimate moment that I felt lent gravity to the movie, and I felt honored that he was willing to share that with us.

I love the Guardians because on paper they make no sense, they are so messy, and yet they love so hard and they don’t quit. I can respect that. I learn so much from them that I don’t from other characters. I know the love they are learning to have comes less easy for them than it does for other characters. I was highly displeased with the Guardians’ portrayal in both Infinity War and a lot in (only Nebula and Rocket were handled well) Endgame. I felt they were not treated with the respect and growth their characters had earned. I’m hoping Vol 3 can fix some of these problems.

But yeah, I like my Guardians. I like them a lot.

5. Shang-Chi

It does not hurt that this was the first movie I’d seen in theaters since Far From Home in the summer of 2019. You know, a thousand years ago before the Dark Ages of Covid and everything else that has happened since. I didn’t mean to stay away from the theater so long, it just happened that way.

Shang-Chi was a treat that I got to go see with my mom as a celebration for my 25th birthday. I’d had a really good feeling about it going in, but wow. Wow, was I ever right!

This movie is amazing. I mean, AMAZING! It’s been a while since we’ve seen a completely new character with no prior introduction in the MCU make their debut. Shang-Chi did it and did it so well I’m still amazed. Nothing about this story was wasted. Every aspect of the movie, from the script to the humor to the costuming to the martial arts was all working in harmony to tell a very fantastical, very human story.

I loved the fantasy elements. I loved the bright colors. I loved how Chinese legends and otherworldly elements were seamlessly blended with some very American-tasting characters/conversations. I LOVED the characters. Shaun and Katy are what got me out of movie blog retirement.

This movie was powerful in its messaging, handled flashbacks with fine dexterity, and never lost the momentum. It used visual symbolism as well as honest dialogue extremely well. You could see the character growth portrayed in multiple ways. The story had deep moments of trauma and darkness, but they were well-integrated alongside moments of hope and humor.

Also, I just think Shaun is really cute. Like, REALLY cute.

I also like where he landed at the ending. His choice to stay true to the beauty and light inside of him, while also acknowledging the skills and history from both sides of his family was a more sustainable, mature approach to life. A lot of people think in terms of black and white and they don’t take the time to pick through the pieces of what’s worth keeping vs what you throw away. Living with extremes is usually an exhausting and dead-end way to live. It’s certainly NOT how you successfully woo the magical rings away from your father in a one-on-one battle.

It was nice to see a new origin story that felt like a Marvel movie, but more like the old ones used to feel. Exciting, fresh, making you hungry for more.

I don’t know if you’ve picked up on this yet or not, but I have some MCU fatigue. Endgame was a big movie, no one can deny that, but I was disappointed in many regards. The need for the story to keep getting bigger and bigger than the last thing has caused a lot of complications and overwhelm. Some things have been done that can’t be undone and I’m not happy about it. Often when a story grows to this point, it can get out of control. I am not enjoying the MCU the way I used to when things were simpler and more defined. Perhaps it’s naive or silly to expect/want it to feel the same way it did when I first started. I’m not the same person I was in my teenage years any more than the MCU is the same “world” it once was. I would say where I am now is I try to focus on individual chapters/characters more than just the world as a whole.

And that’s why I loved Shang-Chi, it was a fresh start with someone new that I have no baggage with. He was a character I was 100% happy to root for, and even his introduction to other big characters like Wong, Captain Marvel, and Bruce Banner was far more honest. They told him what he was in for right up front. “Your life has just changed and it’s never going back.” “Welcome to the roller coaster.” That’s exactly how I feel about life in multiple areas, so I could relate with those statements a lot. I have 0 martial arts skills and a very normal human origin story, but on an emotional level, I connected deeply with large parts of Shaun’s story.

Honorable Mentions: Spider-Man Homecoming and Far From Home

I haven’t seen No Way Home yet. I’m honestly very sad at some (not all) of the choices made for the movie, I don’t see how leaving Peter friendless and family-less is beneficial. One of those things I could swallow even if it tastes bad, especially the death part because it was an unexpected thing for Peter. But to leave his friends in the dark? To lose them not just as Spider-man, but also as Peter Parker? To do both? Why??? How does that make sense? Why is that “necessary”? Why should he have to lose Happy after he lost his mother and father, his uncle, Tony Stark, and now Aunt May????

What are we learning here? It’s “safer” or “nobler” to be on your own? What people don’t know can’t hurt them and it’s better that way? That’s crap and we know it. Marvel has proven it time and again, together is better. Family is better. Stick together, make it out the other side or die protecting each other. It’s worth it. #avengersassemble

The only reasonable thing I can think of that would justify causing Peter separation from everyone is Sony is hoping for another trilogy. Otherwise, I think it’s inexcusable.

But yeah, I love Peter Parker. I love his humility and his kindness. His stories are so easy to learn from and he’s so endearing. That’s why the Spider-Man movies get an honorable mention from me.

These are my top 5 Marvel movies. I chose them because they are movies I still want to watch more frequently. They are ones that still echo in my mind and I know I will enjoy them. I watched them and had a uniquely warm experience, or, they came at a very pivotal moment in my life and touched me more deeply than other chapters of the MCU.

These movies are not necessarily my most nostalgic Marvel movies (Captain America: The First Avenger and Thor have that honor). I like many installments in this series (Age of Ultron is a highly underrated Avengers film). And Captain America: Civil War has some of the best footage in the MCU. And the Marvel Disney+ series is a whole other ball of wax. But when I sat down and I thought about it, these were the 5 that rose to the top. I found my answers both expected and unexpected.

So, what are your top 5 Marvel movies? Why are they your top 5?

Review of Disney+ Marvel 2021

2021 is almost over (holy cow!) and it’s been a busy year for Disney+ and the Marvel franchise. In order to try and be really relevant, I’m going to give my drive-by review and score of each show.

WandaVision (7/10)

I always felt that Wanda Maximoff was a character who was horrendously underused. She had been through so much and yet still had such a tender heart. Tenderhearted characters often get pushed to the background, especially if they are women, for fear that we might view these characters as “weak”. That’s a broken philosophy and the film industry/culture is suffering for it. Wanda is incredibly tender and incredibly strong. Tenderhearted women are often stronger than everyone else around them.

Vision as a character is one I’ve never focused on but always enjoyed. Back in the Civil War days of the Marvel, I wrote how Vision’s failure in Civil War when he accidentally shot War Machine was the doorway to him discovering what it means to be human. He’s only continued that trend since then, and grown more likable every time we see him.

The beauty and humanity of Wanda and Vision were shown quite briefly in Infinity War, but it made an impact. It made me hungry for more. On that note, WandaVision absolutely delivered. I had no idea that Paul Bettany and Elizabeth Olsen were so funny, I was constantly surprised by their incredible comedic delivery. However, their comedy wasn’t even paralleled by the depth of emotion and heart both leads brought to the table. They poured their guts out into the show and I felt it. Tears ran down my face multiple times as I watched them process love, fear, grief, curiosity, and hope. It was layers and layers of humanity unfolding and it was beautiful.

WandaVision was revolutionary in terms of TV-style. I’ve never seen anything like it before. I grew up watching sitcoms of much older decades, so I am right at home in a world influenced by The Dick Van Dyke Show, The Brady Bunch, and more. The architecture, clothing styles (Elizabeth Olsen was MADE for the 70s look), and pop culture references of WandaVision were like a love letter to American television and culture through the years. I enjoyed watching these larger-than-life, otherworldly characters interact with a world that I already felt at home in.

That being said, WandaVision got weird. Like, weird weird. Do y’all remember back in Spider-Man: Far From Home when Mr. Dell was asked his opinion on the strange happenings around them? His response

As a man of science? I think it’s witches.

was incredibly prophetic. The MCU has just gotten weird, and I’m not a fan of all of it. In full disclosure, I didn’t watch part of the second-to-last, and the final episode of WandaVision. Once we got into the territory of deeper witchery and dark magic, I was out for personal reasons (which I may share someday). I liked it better when we thought Wanda’s powers came from the Mind Stone. The show took her character to places I was not interested in going to.

*I do appreciate the fact that her new costume has more body coverage though. It’s about time!

I would be remiss in speaking on this show if I didn’t mention my favorite part. Or rather, my favorite character. Am I the only girl who walked away with a bit of a crush on Jimmy Woo? For real, he is the biggest surprise I have had in the MCU yet! How they took Jimmy Woo from being the funny but oblivious FBI agent in Ant-Man And The Wasp, to a dogged, smart, still hilarious character in WandaVision is close-up magic at its finest! I couldn’t wait for him to show up on screen and I want to see him so much more! And the pairing of Jimmy Woo with Darcy Lewis was yet another surprise. It’s like putting together two foods you think have nothing in common, and discovering that they were actually made for each other.

I’m 100% voting for a Jimmy Woo + Darcy show and I totally ship them. They were such a surprise and a delight. I enjoyed Monica Rambo’s character as well, though she didn’t hit me in a deep place. I admired the fact that she let her compassion and intuition drive her interaction with Wanda, even when Wanda pushed her away. That’s an important side of being a hero and Monica was worthy of that title.

All in all, I give WandaVision a 7/10. But I have no interest in delving deeper into the witch side, and I will not be a viewer of the newly announced show featuring Agatha. She played her role well, but no thank you! WandaVision was something incredibly unique, but not something I will watch again. It was a once and done for me.

This much handsomeness in one place is almost dangerous.

The Falcon And The Winter Solder (6/10)

I loved this show because Captain America: The Winter Soldier is my favorite Marvel movie. In fact, it’s not just my favorite Marvel movie, it’s one of my top 10 movies of all time. I think it’s one of the most perfect movies ever written and carried out. Steve Rogers was the character who carried my heart into this new world of Marvel that I first entered into as a teenager. Steve, Sam, and Nat were my favorite Avengers. Sam’s introduction into the MCU is my favorite character introduction.

All of that to say, I love this window into the Marvel world and this side of the story matters to me a lot. I was pleased that Steve chose Sam to carry the shield, even as I was grieving the loss of my Avenger. I was also angry at the huge lack of answered questions in Endgame regarding the details of Steve’s…I don’t know, return? Disappearance? Is he living on the moon? I’m happy for Peggy and Steve, but sad for me.

As I said above, the MCU has just gotten weird, and I don’t like all of it. Captain America stories were always very down to earth, very human. The trend continued in The Falcon And The Winter Soldier, and my heart just really needed it.

Here’s the funny thing, in terms of overall plot and story execution, I think large parts of TFATWS were actually terribly weak. The show struggled to gain traction for the first episodes. There were a few places that didn’t fit well with Sam and Bucky. It didn’t deliver well or clearly on the villain front. Neither Karli Morganthau or John Walker fully occupied that space. And once we broke Baron Zemo out all we cared about was that fabulous dance scene, so nevermind on him. I just kept waiting for the reveal, the hand holding the puppet strings behind the smaller characters. I thought that person was going to be The Power Broker, who would be revealed as a Big Bad from the comics. But no…

My biggest beef with the entire show was the very lazy (in my opinion) choice to make Sharon Carter The Power Broker. We got a big fakeout build-up “oh guys it’s probably Sharon but we’re gonna make you think that’s the red herring” and then it actually turned out to be Sharon! But the execution of her character wasn’t even done well. It was too harsh, jarring, and obvious. So obvious it seemed like the lie they wanted us to believe, and then just decided it would be so. As a Sharon Carter fan, I felt gypped. It’s not my fault that the entire MCU creator group forgot about her existence since Civil War, and it’s certainly not Emily Van Camps’ fault. In fact, I read that they intended to make The Power Broker the Big Bad for Captain America 4 (yay!), but after the poor fan reaction they may be reducing that role (internet rumor). Well, if that’s the case, then that’s on you, Marvel creators. The way you treated her character stinks and I didn’t even believe it while I was watching it unfold.

While I felt the overall plot elements were shaky and messy (potentially due to changes made after COVID hit), I think the nuances of this show were done really well. Like, really well. I was noticing everything and there was a lot to notice.

I need to address the Bucky elephant in the room. I’ve always liked Bucky, always rooted for him. But I wouldn’t say I ever loved him. And now? OH MY SEBASTIAN STAN, SWEET GLORY WOULD YOU LIKE TO STAY FOREVER? We’ve never gotten to see Bucky like we got to see him in this show. The layers and levels of emotion, humanity, and joy that this man displayed left me breathless every time! I just wanted to keep staring at his face when he smiled, or laughed, or made a breakthrough. I couldn’t get enough of Bucky and I want SOO much more of him!

The nuances of this show where character developmental storytelling happened was excellent. They made use of everything: body stance and choreography, the script, costuming, soundtrack, location, everything! Every layer and detail told you what a character was currently bringing, feeling, or needing. Even the props were used to tell a story behind the story. I don’t have time to jump into the details in this post, but in this regard The Falcon And The Winter Soldier excelled.

I found the ending (aside from the Sharon thing) very satisfying. It was nice to end a show where two characters are actually happier and at peace with long-standing issues. It’s not that every problem has been solved, every war won. But the personal war Bucky and Sam had going on inside of them / with each other is over. They’ve taken their places as brothers of the shield and have become family. I could watch the barbecue on the pier scene over and over and over again. That was something special and it needs to be protected. Despite the fact that I think that in many ways WandaVision was better executed, I don’t want to revisit that show. But I will be rewatching The Flacon And The Winter Soldier in days to come. Love can be forgiving like that. I wrote in-depth articles on each episode for my personal social media back when they were released. Some day I may clean those up and take you on a deep dive into this series, but for now I will end with this.

Ahem. #releasethebuckysarahcut

Loki 9/10

I was nervous about this series. I’ve been so disappointed by Loki in the movies over and over again. Every time it seemed like we took a step forward with Loki, something stupid made him slide two steps back and we started all over again. If Tom Hiddleston wasn’t so incredibly adorable I would have given up sooner.

I hated his ending in Infinity War. The movie just went downhill from that moment on. It felt incredibly meaningless and worthless. What a waste of talent and potential! Once we found out about Loki after Endgame, I waited with skepticism. Fool me once, shame on you. Fool me a bazillion more times with one of Britian’s finest, shame on me for thinking you had changed.

I didn’t watch Loki as it came out, I waited until I had more information. The reports I received plus the research I did gave me enough of a reason to give it a chance.

Wow, just wow.

Again, I have never, ever seen anything like this show. It was like the weirdest scifi/fantasy trip mixed with some sort of 70s show featuring a beaurocratic government agency, all while bringing game-changing plot elements to an entire franchise! It wrestled with questions involving the value of every life and free will. And above all, this show actually changed Loki for the good.

Storytelling-wise, I think this show did a bold thing by having so many “just talking” scenes. In book storytelling, a long conversation doesn’t raise as many eyebrows as it does in visual storytelling. Writers and directors can love these scenes, cinematographers can hate them. Many viewers can complain about them as well.

I’m a writer so I love talking scenes. But even more than that, a good conversation is something that will attract me more than anything else. I have talked with people for 5-8 hours before and not gotten bored. Conversation is a foundational layer of relationship and growth (with God or with people), and one reason we all are struggling so much is we don’t know how to converse well.

Loki embraced conversation wholeheartedly. And when someone as talented as Tom Hiddleston is the speaker, that conversation becomes like an action scene to me. The way he and Owen Wilson (Agent Mobius), or he and Sylvie tossed words back and forth felt like active, stirring story.

To cap it off, one of the scariest scenes I have ever witnessed in the entire MCU took place during a seemingly normal conversation. He Who Remains gave the worst download of information. It was like Gandalf telling Frodo how all of Middle Earth is about to go to hell in a handbasket if he doesn’t destroy that oh-so-normal looking ring his uncle left him. He Who Remains was so casual about life and death and the fate of the universes, it was awful.

Loki’s transformation throughout his show set the stage for some of the best storytelling to come. The introduction of characters like Sylvie and Agent Mobius (and He Who Remains) all gave such unique viewpoints. I cannot wait to see what happens next and I am still in awe of how well this show was made.

I think what we are discovering with both the Marvel and Star Wars Disney+ shows is that some stories are told better in a episodic format, where more time and attention can be given to details and subtle development. Loki was absolutely proof of this as it accomplished for the character of Loki in 6 episodes what 5 movies could not.

Despite my dislike for the show, I acknowledge the animation is quite beautiful.

What If 3/10

Whew! Harsh rating eh? Well, it’s my blog, I can do what I want to. Full disclosure here, I only made it through a few episodes. 4 to be exact and I didn’t even finish the zombie episode because it was terrible. I cannot believe that episode is the inspiration for a whole new series on Disney+.

I am likely not the target audience for this particular show, I’ll give them that much. This show is for deeper Marvel fans than I am, and for people who don’t mind the rearranging of their characters. I have a friend who absolutely loved this show and we have still remained friends despite our differing views.

The stars I do give here are in honor of T’Challa’s Starlord episode. That one I truly did enjoy, probably because it was actually an episode that had a happier outlook than the main MCU timeline. The other episodes I tried I just felt more depressed and found them dark. Also, it felt like the characters had no real emotions. They were cardboard cutouts of the characters we’ve come to know and love. I felt that things were done just for a cheap joke that were actually disrespectful to the characters. I also felt that some of the voices didn’t adapt well. Sebastian Stan’s voice acting left something to be desired. Hayley Atwell, on the other hand, fit it like a glove.

But T’Challa’s episode was beautiful (visually), happy, genuinely funny, and it made me feel really glad to know that Chadwick Boseman’s family gets to enjoy that episode in memorial of him.

Beyond that, I really have nothing to say. I may try a few more episodes and if I change my mind I’m not above updating a post with new info. I think this show was for a niche audience and that’s who enjoyed it.

The colors of this series already look amazing!

Hawkeye (Prediction) 11/10

I know, Hawkeye hasn’t even come out yet, but I have a feeling. I have pretty good instincts on these things, plus, I can read the room. Everything is aligned to make Hawkeye the most successful and beloved Marvel show yet.

Clint Barton has never gotten his day in the sun that he deserves. He’s been around in the MCU almost longer than anyone (who’s still alive that is), and he’s still been waiting for that spotlight. In fact, Jeremy Renner said that in the first 2 weeks of filming Hawkeye he had more lines than all of his previous movie appearances.

Clint Barton is our last original Avenger who hasn’t gone through radical physical changes, been killed, or travelled back in time to marry his sweetheart. Clint is also radically normal compared to every other superhero. He’s a family man (cheers for the family men!). He’s got a farm. He just oozes dad feels everywhere he goes, often taking in the strays and giving them a chance to succeed.

Clint Barton is a hero for the deaf community. He’s a hero to the normal people (which we all are). He’s a hero to those who have suffered grief and loss as well as regrets. He’s a member of the “cool movie dads” Hall of Fame. He’s also hilarious. Oh yeah, and this show has a DOG and IT HAPPENS AT CHRISTMAS TIME IN NEW YORK CITY!

The world is ready for this. We want some normal. We want a dad. We want a good guy who doesn’t have it figured out but is doing his best. We want a dog (okay, I want a dog). We NEED a little Christmas, right this very minute!

We. Need. Hawkeye.

And finally, we are being given Hawkeye.

This show is going to be incredible.

What are your thoughts? How would you rate the Marvel Disney+ shows so far?

Loki Odinson and Claire Dearing: How to Advance Plot Without Compromising Character Growth (Part 1 of 2)

As writers, we often face a challenge when trying to figure out how to usher in Big Bad plot elements, but do so in a way that does not also compromise character growth. Typically these game-changing plot elements take place in a larger narrative like a series or franchise where a story has been building up to this climactic point. Both Marvel and Jurassic Park/World are excellent examples of a continuing storyline where the single-story installments fit into a larger picture that is always building upon itself.

In recent years, some big changes needed to happen in both franchises. We’re talking huge, world-changing plot elements.

Ian Malcolm Welcome to Jurassic World… #fallenkingdom #jeffgoldblumforever

For the *Marvel Cinematic Universe,* we needed a bigger problem and evil than Thanos wiping out half of all life in the universe. 10 years had built up to *Endgame.* We needed something bigger. Enter…*the multiverse!*

Coincidence is not a strong plot mover, every good writer knows this. Neither is it good or honest storytelling to only have the villain characters be involved with dramatic and damaging events. We’re all flawed, broken people. Sometimes those with the best of intentions can create terrible scenarios *coughs* Tony Stark. The triumph of these deeply-human stories comes when a character grows and is able to face the new challenges with a fresh perspective that leads to victory.

Two protagonists for recent installments in the Jurassic and Marvel franchises are a perfect example of how to not compromise character growth for the sake of plot advancement.

Claire Dearing is the primary protagonist for Jurassic World and Jurassic World: Fallen Kingdom

Claire Dearing is all business, even at the expense of her own humanity. She’s not mean, she’s not visibly evil or a “villain”, but she has a broken perspective on life that blinds her to the dire consequences of her choices.

The protagonist is the character that changes the most throughout a story. While many characters have life-changing revelations throughout the two Jurassic World movies, Claire Dearing is without question the character that undergoes the most change.

The running theme of the entire Jurassic franchise is this question: how do we value life? We see characters and animals interact with this theme in both positive and negative ways in every movie. Even the short film Battle at Big Rock faithfully follows this theme. One day I will discuss this franchise and its message in depth.

When we first meet Claire Dearing she is the director of the larger-than-life theme park, Jurassic World. Finally! John Hammons’s original dream for Jurassic Park has been realized and it is magnificent!

Claire is a cold and removed person when it comes to human relationships, and she has zero connection to any of the animals under her care. In short, Claire does not have value for life. She fails to see its beauty, purpose, or hope. Her nephews come to visit and she cannot even spend more than five minutes with them. She’s got a disdain for the very human character of Owen Grady and disregards his good advice about understanding her own animals. Without thought, she is a party to the creation of the Indominus Rex, the chief animal antagonist of this story.

Throughout the beginning of the movie, we see Claire make choice after choice that is irresponsible and emotionally removed. The worst decision she makes in conjunction with the park’s owner, Mr. Masrani, is to send a containment team after the Indominus with non-lethal weapons. They ignore the warnings of Owen Grady – the character with the most accurate worldview – and send the team in any way. Claire’s hard shell begins to crumble as she watches one person after another get violently killed by the dinosaur.

Throughout the rest of Jurassic World we watch Claire change. Her attention turns from the park’s reputation to just saving lives. She goes running off into the dangerous forest (IN HEELS) with Owen in pursuit of her nephews. She lets herself feel the grief and pain of a dying brachiosaurus that is mauled for sport by the Rex. She does insane things to protect what matters – life! By the end of the movie, Claire is functioning as a fully engaged human being.

Claire throws everything she has into protecting her nephews and Owen from the Indominus Rex. She lets herself be touched by the pain, the beauty, and the wonder of life. Claire is fully awake by the end of *Jurassic World.*

Has she learned her lesson? Has she grown?

When we see Claire in the next installment, Fallen Kingdom, she is employing the same drive we saw in the first movie, only this time it’s about protecting the dinosaurs that are left. Isla Nublar is about to be destroyed by a volcano, and all of the dinosaurs will die, becoming extinct once more. Claire’s life mission is to try and ensure that doesn’t happen. It’s a noble goal, and it’s a joy to see Claire giving her energy towards preserving life instead of exploiting it (and this time she does it in boots like a sensible human).

But Claire still exhibits some of the same recklessness we saw her use at the beginning of Jurassic World. Her panic to make up for her past mistakes and guilt has caused her to pendulum to another extreme – a very common reaction among humans. She’s overcorrected too far, and this leaves her in a broken relationship with Owen Grady, and vulnerable to being manipulated and used by Eli Mills, the primary human antagonist.

Claire has thrown herself fully into the mission of saving the dinosaurs, but it’s gotten beyond her reach at this point.

Crazy things happen, and at the end of the movie a large collection of dinosaurs has ended up on the mainland in California. Multiple species have already been sold via an illegal auction and shipped around to world to be used for nefarious purposes. The dinosaurs that remain are trapped in a large facility that is filling up with toxic fumes. It’s a horrifying scene, dinosaurs wailing and trying desperately to get out as they are dying at the expense of greed.

Claire discovers she can free them with the push of a button, but to do so means they are set loose on the general population.

Owen Grady Claire, you press that button there is no going back.
A beat…Claire We can’t let them die.

Her hand hovers over the button…but then she steps away in tears. Finally! Claire Dearing has learned her lesson at a horrific cost. It’s a terrible decision to have to make, but her lack of restraint (along with others) has helped create this mess, pushing that button will only further it. It’s awful, but it’s solid proof – Claire Dearing has grown, her character arc is intact.

The agony of having to say no to pushing the button…

Aha! But for the overall story plot we still need the dinosaurs to get out…so what do we do now?

Loki is the primary protagonist for the show Loki. Obviously.

This character is only beloved because Tom Hiddleston IS SO CRAZY ADORABLE!

To say Loki is a stinker would be putting it mildly. He’s wild, unpredictable, violent, cunning, and constantly keeping you guessing as to whether he will help you, or betray you. Unlike Claire Dearing, Loki definitely fits into the villain category. If Tom Hiddleston wasn’t so everlastingly adorable, Loki would not have been the fan favorite he is. His character was brought to a tragic and emotional end at the very beginning of Infinity War. It was unsatisfactory and Loki fans were devastated. Then in Endgame, a freshly butt-kicked Loki managed to escape through time right after the first Avengers movie. This Loki is raw, unedited, and still the jerk that killed 80 people in just a few days + invaded New York because he’s Loki.

The running theme for the show Loki is this question: are we trapped by destiny or do we also have free will?

It’s a hard question to answer in a pretend universe that doesn’t have the true, gloriously good God in it. I don’t have time to dive into that topic today.

Loki finds himself quickly taken into custody by the TVA – Time Variance Authority – and taken to a place outside of time. He is shown the story of his whole life beginning to end, told that his entire life purpose is for his worst to bring out others’ best. He’s also told that as a Loki, he is “destined to fail”. Loki learns that he is just one of the thousands of other Loki’s from thousands of other universes. The TVA is the organization assigned to protect the “Sacred Timeline” and ensure that all events go according to the instructions of the Time Keepers, who somehow know more about everything than everyone else. It’s rather vague and full of bureaucratic red tape.

Also, now that Loki has stepped outside of the “Sacred Timeline” by escaping from his story, he has created a timeline branch and as a rogue variant, he could quickly be scheduled for pruning. A nice word for – execution. Loki, doing what he does best, negotiates for a chance to help Agent Mobius track down another Loki variant that’s been kidnapping TVA agents and wreaking havoc.

The best of Britain paired with the best of America on one screen. It was SOOO GOOD!

Loki’s initial desire and character goals are pretty standard for him. He wants to conquer the TVA and rule the timeline/worlds/everything/everyone.

The funny thing is how small Loki appears in the eyes of all he comes across. The only character who shows any interest in Loki as a person is Agent Mobius, the kindest person we run across at the TVA. And even Mobius isn’t overawed or impressed by Loki’s grand statements or drastic threats. A Loki is a Loki, they always lose, right?

Loki crosses paths with the other rogue Loki and discovers she’s actually a woman named Sylvie who, unlike other Loki’s, has zero desire for ruling anything. She wants to kill the Time Keepers and end the TVA once and for all as payback for them kidnapping her as a child. Apparently, she was a variant who didn’t “belong” on the Sacred Timeline and therefore was scheduled for pruning. It’s horrific but shows something true that happens in our real world. More on that another day.

A very sad little girl is now a very angry grown woman.

Loki has not previously been known for quick character growth, but in the course of just 6 episodes, he is confronted with the ugliest, darkest, most vulnerable parts of himself. He’s drunk on his own selfish ambition. He hurts other people in order to appear powerful. He’s self-obsessed, angry, scared, and doesn’t know how to create healthy relationships. And the worst part is this, according to everyone he comes in contact with besides Sylvie, this is just his destiny. He’s destined to never be happy, to never succeed at anything, to always be this terrible person.

Throughout one of the craziest and most brilliant shows I’ve ever seen, Loki finds himself pushing back against this empty version of himself, which is actually his own antagonist. Loki, as he’s always been, IS Loki’s own worst enemy! What if he can be more? Who says he has to be the villain in everyone else’s story? As the show progresses, Loki begins to care more about the needs and well-being of characters like Mobius and Sylvie even more than he thinks about his own selfish needs.

Watching layer after layer of Loki unfold as he spends more time with Sylvie was a joy. THIS is the Loki we have been hoping for! Not the petty, selfish, angry Loki. No! The Loki who uses his brilliant mind, witty humor, and genuine strength to protect, uplift, and do good. It was always possible, but now we *see* him fighting for this better version of himself.

Loki and Sylvie reach the End of All Time and discover He Who Remains. In a quiet discussion held in an office, we hear the most frightening story yet revealed in the MCU. This man is from the future. He is a scientist who discovers the multiverse and connects with other variants of himself. Things are great for a while and the multiverse enjoys travel and communication among the universes. Until, of course, a variant of He Who Remains decides he wants to rule all, and multiverse wars ensue. It’s apparently so awful that He Who Remains decided the best way to solve the problem was to create the Sacred Timeline and control everyone’s lives. He created the TVA to protect this timeline and quickly prune and reset any timeline where something gets out of line. He has been doing this for millenniums. But now he’s tired. He gives Loki and Sylvie two options (1) kill him and unleash the timeline and the multiverse (2) take over his job and rule.

Sylvie still wants to kill He Who Remains as he is responsible for her kidnapping and erasing her life. She believes he is lying just to save his own skin. She is about to kill him when Loki stops her. A back and forth of passionately emotional dialogue, magic, and fighting ensues where Silvie is trying to reach He Who Remains, and Loki is trying to intervene.

Sylvie Ah, you want the throne.

Loki No, that’s not it, no. Sylvie, the universe is in the balance, everything we know to be true. Everything. I know that the TVA has hurt us both, but what if by taking him out, we risk unleashing something even worse? I promise you from my heart, this isn’t about a throne.

More fighting.

Loki Sylvie, the cost of getting this wrong is too great.

Sylvie Fine, then kill me and take your throne.

Loki Stop. I’ve been where you are. I’ve felt what you feel. *crying* Don’t ask me how I know. All I know, is I don’t want to hurt you. I don’t want a throne. I just…I just want you to be okay.

NO ONE IS SOBBING HERE! NEVER MIND, WE ARE FINE! IT’S TOTALLY OKAY THAT LOKI IS LOOKING AT HER SO SOFTLY WITH SO MUCH COMPASSION AND TENDERNESS! WE ARE FINEEEE!!!

They kiss, it’s gorgeous and no one is sobbing on the floor. We’re fine!!! And then Sylvie shoves him through a portal back to the TVA, removing him from the situation entirely. Determined and dreading what is coming, Loki runs to find Mobius to fill him in on the drastic changes that are about to take place.

Loki He’s terrifying. He planned everything. He’s seen everything. He knows everything. It’s complicated, okay. But someone is coming. Countless different versions of a very dangerous person. And they’re all set on war. We need to prepare.

Loki went from rampaging around the universe, causing wreck and ruin all because he was burdened with glorious purpose, to suddenly only caring about others’ needs and future. He now only says “I” in reference to his selfless feelings for someone else. He uses the term “we” when speaking of himself and Sylvie, or himself and his allies/friends at the TVA. Loki is no longer alone and no longer seeking a throne. His life actually is burdened with glorious purpose now. He’s free, Loki won over Loki.

The ironclad proof of Loki’s character growth was his attempt to restrain Silvie from destroying He Who Remains. Whether that was the right choice for the future of the universe or not, it was the right choice for Loki’s character arc. He said no to the throne, and yes to what he believed someone else needed. Loki has grown.

I love that turned-up collar, it’s so him.

Aha, but we still need the timeline to be unleashed…so what do we do?

The answer is simple, we bring in the “innocents”. We solve our plot problems with the innocents. I’ll explain in Part 2.

Katy and Shaun, Shang-Chi’s Real Superpower

Marvel’s recent origin story Shang-Chi and the Legend of the Ten Rings was good enough to pull me out of movie blogging retirement.

I could spend article after article talking about the depth, meaning, and symbolism of this movie. Everything from the costuming to the scenery was full of purpose and interest. The character work was excellent. Shang-Chi carried a balance of sadness, triumph, humor, and potential.

But what actually got me to put words on the page is the relationship between Shaun (Shang-Chi) and his best friend Katy. They are probably one of the best things the MCU has created in a long while. Here’s why – warning, spoilers ahead.

Katy and Shaun are the defining relationship of the movie.

That may sound funny given how many other turbulent and dominating relationships we see Shaun experience throughout this story. But Katy and Shaun’s relationship is the most important one in the entire movie; and every other relationship (good or bad) can be contrasted or compared to it.

His relationship with his father is a twisted one. It’s defined by abuse, sick expectations, deep desire for something genuine, broken heartedness, and whatever true love is left in his father’s heart. It’s turbulent, nauseating, angering, and aggressive.

His relationship with his sister is one of broken promises, a broken heart, bitterness, coldness. At the root is a little girl who lost everything/everyone. It’s sad.

His relationship with his mother is one of remembered sweetness and meaning and beauty that he once had. He can’t reach her, he can’t get her back, and he couldn’t save her. It’s full of guilt and longing. It’s tragic.

Shaun’s new relationship with his aunt brings back some of the light he’s had hidden inside of him from his mother. It helps remind him of who he is, but it’s still much more of a mentor relationship.

And then there’s Katy. Quirky, witty, adorably awkward, forever faithful Katy. Katy is Shaun’s defining relationship throughout this entire movie. He deals with every demon (literally) of his past and present. From the bus fight in San Francisco to a magical valley in China where a dungeon full of soul-eaters exists, Katy is there. She’s Shaun’s reference point, his only constant, the anchor. He orbits around her as he faces everything else.

Unlike his father, Katy isn’t always about what Shaun has to do for her in order to earn her love. Unlike his sister, their friendship has been one of constants. Unlike his mother, Katy is very real and in the present. And unlike his aunt, Katy is facing some of the same struggles he is when it comes to being grounded in her identity and life direction.

We see Shaun experience many relationships in this story. We meet many layers and versions of Shang-Chi/Shaun, but we always return to Katy and Shaun. The way they laugh together, the way they tackle problems, the fears they both have, the way they listen to one another. It’s a healthy, life-on-life kind of relationship that keeps Shaun from jumping off of a character cliff. Katy grounds him even as she helps him fly. For a character with no superpowers, Katy is one of the most powerful characters in this movie.

It’s subtle, well-written, and woven logically and beautifully into the story. It feels real. Katy and Shaun are forever even if other things/people are not.

Katy saved Shaun

No, I’m not just talking about when she jumped in between him and the bully (honestly, she saved that jerk’s life). I’m talking about Shaun. He’d been through horrific things and had no where to land – until Katy showed up. She gave him a home, a family, a friend, and a sense of normal he lost the moment his mother was killed.

We see just how much this one friendship has defined Shaun when we see the contrast between him and his sister – Xialing. Where Shaun is warm, Xialing is cold. Shaun is gentle, Xialing is harsh. Shaun is normal, Xialing is very much abnormal.

You can’t really hold it against her. Shaun got to spend more years nurtured by their mother. Once their beautiful mother was gone, their father didn’t just see Xialing as a neutral presence, he treated her like a negative. She became someone lesser, someone to step over. He looked away from her in pain for something that wasn’t her fault. Even though his relationship with Shaun was perverted and full of abuse, he still affirmed Shaun in a twisted way. Xialing never got any of that. The only place where she found affirmation was in the gross underworld of using force to gain respect and admiration. For how much she hates her father, she has learned to be very much like him.

At the end of the movie, Shaun goes back to his normal life of karaoke and storytelling over drinks and appetizers with Katy – until Wong comes along with what is essentially a gold-lettered invite to the Avengers. Shaun has maintained the ground he’s gained and grown a few sizes larger as well. But he’s still Shaun. He’s a pretty amazing knight-in-shining-armor character.

Xialing isn’t as far along as he is. While at her father’s compound (where Shaun thinks she’s cleaning up the mess) we see Xialing uncovering the wall in her room. It’s full of angry, dark, violent pictures/posters/images. Half of the wall is uncovered, revealing a beautiful painting of a sad little girl. Xialing sits in normal clothes on the floor (the first time we see her this way) clutching a beautiful drawing of her mother. It’s symbolic – half of her heart has been uncovered – but the other half is still caught in darkness.

Her scene ends where we see that she is actually taking over the Ten Rings name and running the thug group on her own. The black leather is back, she’s still chasing affirmation and identity through force. She hasn’t learned as many lessons as her brother has, her future is still more in question.

What’s the difference between the two siblings? Shaun had a Katy, Xialing didn’t. Katy’s tiny family apartment in an old corner of San Francisco represents more genuine wealth than the entire stone compound Xialing possesses. The life that Shaun has where he gets to argue with Katy’s grandma about where the whiskey went, gulp down cereal before taking the bus to their shared valet job is more real, beautiful, and genuine than anything Xialing has. For a movie about the child of a 1000 year old warlord and his magical, soul-sucker fighting wife, Shang-Chi gave a place of great honor and value to the everyday beauty of a normal, loving family.

When Katy stepped in between Shaun and that bully she was saving his life. She was bringing in beauty, truth, life, warmth, hope, and a future. She didn’t know that, she doesn’t overthink it, she’s just herself and that’s what he needs.

Shaun’s mama used to sit at a table with him and make construction paper dragons and tell him stories from her homeland. That kind of beauty is what had literally caused his evil father to put the rings away and act normal for a while. It’s magic – powerful magic woven into ordinary, extraordinary, everyday kind of love. I finally found something worth growing old for – Xu Wenwu

Shaun lost that life the moment his mama died, but he was given it anew the moment he met Katy. It didn’t matter if his mama was from a magic corner of China with fantastical creatures, and Katy is the self-described “Asian Jeff Gordon”. It’s the same magic presented differently, but the fruit produced is just as good.

Katy and Shaun are a perfect team.

Are they perfect as people? No, they are beautifully flawed and that makes the story that much more enjoyable. But they are a perfect team.

A mistake many people make is they create a normal character like Katy, and a super-character like Shang-Chi, but then they don’t know how to keep the two together throughout a story. The Katy’s of the world get pushed off to the sidelines to ooh and ahh at the wonders of the Shaun character.

Shang-Chi didn’t do that once. Katy was always as relevant and important to the storyline as Shaun was. It isn’t because she is crazy brilliant, superpowered, rich, famous, etc. She’s just a good friend who doesn’t give up, and that’s an overlooked and under-utilized power. Her loyalty and faithfulness to Shaun is what made her the perfect boom to his pow. They need each other and they give to each other.

Shaun gets attacked on the bus and fights back – so Katy drives the bus.

Shaun has to go face his deadly family – Katy buys a plane ticket. So what if we are going to a seedy corner of Macau? Girl’s got a fanny pack, she ready.

They have to escape his father’s compound – Katy drives full speed towards a cement door trusting that Shaun is gonna get a henchman’s bio print on the screen in time to open it.

Shaun admits to murdering someone at the age of 14 – Katy is the first person to point out what a bad situation he was in and how he needs to be kinder to himself.

Shaun is about to lose to the soul-eater as it’s sucking the soul out of the dragon – Katy fires an arrow at the soul-sucker’s throat and causes a pivotal interruption.

Shang-Chi (Simu Liu) and Katy (Awkwafina)

Shaun and Katy are a one-two punch, on and off the battlefield. They fill in each others gaps, listen to each other’s problems, and have each other’s backs. They develop together, something that many movies struggle to portray. Their friendship naturally produces growth in both of them even if they take turns supporting each other. They are a both and kind of relationship, not an either or.

The director of the film (Destin Daniel Cretton) said very clearly that Katy and Shaun are just friends for the majority of this movie. Shang-Chi is going through a lot and Katy’s friendship is what he needs, there isn’t room for anything else….But now? Who knows?

I could easily see (and let’s be real, AM TOTALLY ROOTING FOR) them becoming more in the future. Shaun and Katy are one of those legendary kind of relationships that are quite simply, best friends forever that slide smoothly from one phase of friendship into another. They are never gonna find someone else to connect with at the level they connect with each other, and they don’t need to. What they have is powerful and the world needs more of it.

The friendship of Katy and Shaun created this base rhythm for the rest of the movie to build off of. Their humanity and love for each other gave a heart and soul to a story that without that human base could have felt very bizarre. But with them in the center of it, it was just perfect. The strength and health of their friendship created a measuring mark for every other character interaction. As a writer and a fan who is always looking for character-first stories, I was incredibly pleased.

What did you think of Shang-Chi and the Legend of the Ten Rings?

Miracle At Midnight – Awesome Things You Didn’t Know Were On Disney+

It’s kind of a crazy time in the world right now. Almost no one alive today can remember the last time the word “pandemic” was applicable to our everyday lives.

With so many people at home right now, I know everyone is looking for something fresh to do with their time. And many parents are looking for ways to educate their children and keep them engaged.

Let me tell you about a lesser-known gem available on Disney+.

Miracle At Midnight

miracle at midnight

A made-for-TV movie from the 90s that tells the incredibly inspiring story of how the Danes saved over 90% of their Jewish population from the Holocaust during WWII.

Yes, you read that correctly. Over 90% of the Danish Jewish population was saved during WWII thanks to the incredible efforts of the Danish people.

This happened over 80 years ago and it still feels like good news.

And it happened in the course of just a few weeks.

germans plotting

The year is 1943, and the German occupying government is planning to crack down hard upon the Jews. They will round up over 7,000+ Jews on the night of Rosh Hashanah (Jewish New Year). They will stamp out the Jews in Denmark as they have so many other countries in Europe.

It is a brilliant plan…a plan destined to fail.

Word reaches the Danish people, and an act of God takes place over the next several days.

It’s an incredible story, the central characters created to tell this story are Dr. Karl Koster and his wife Doris (Mia Farrow), teenage son Henrik, and daughter Else.

Through the eyes of Dr. Koster we understand the incredible efforts and coordination that took place among every member of the Danish population to save their Jewish friends and neighbors. People of all walks of life came together and provided hiding places, money, transportation, and information to protect the lives of Danish Jews.

Through the eyes of Henrik we experience the young Danish Resistance and their fearlessness in facing down the evil the Nazis presented.

Through the eyes of Doris we feel the fear and strength of a woman who has to walk the line of caring for her neighbors while carrying the weight of protecting her family as well.

Through the eyes of Else we understand what it must be to be a child growing up in a terrifying time.

It’s inspiring. It’s beautiful. It’s encouraging.

The same historical event is the setting for the classic book by Lois Lowry Number The Stars where a young Danish girl and her family save their Jewish neighbors. I highly recommend the book as well.

number the stars

So many countries failed to protect the Jews. We find stand-out heroes in every nation who stood up and said “No” when everyone else said nothing. But to see an entire country of people who not only worked together but were so completely successful is something else entirely. What might have happened if other nations had done the same thing?

Thousands upon thousands of people exist in the world today because those 7000+ Danish Jews were saved. They are a living testimony to the righteous courage of the Danes and their efforts to protect their fellow human beings. Not only were most of the Jews saved, but only 500 Jews were caught by the Nazis and taken to a ghetto. Out of those only 51 died.

When the Jews returned to Denmark after the war had ended the Jews found that their friends and neighbors had also protected their homes and businesses for them so they would have something to return to.

To quote a line from the history article I have included in the links, historian Leni Yahil said the Danish Jews were protected by

“a living wall raised by the Danish people in the course of one night.”

This is life as it should be. This is brotherhood. This is God’s heart. And it is something we can all learn from today, whatever our circumstances or difficulties are.

War is plague just as coronavirus is a plague. Hatred is a plague, and hatred and evil killed millions of people during WWII. It’s important to recognize the heroes and find stories where good men and women decided that doing nothing was not an option.

We are not fighting Nazis today. That word gets thrown around a lot in the media and by ignorant people who have no idea what Nazis actually were. This movie tells the true story of Nazis, and the people who opposed them. And it does it well.

To sum up, I’ll quote a beautiful speech from the movie that is delivered by Georg Duckwitz. He truly was an ally in this situation and shared information with Danish people that allowed them to outwit the Germans and save the Jews.

werner best

At the end of the movie when asked why he, a German, did what he did, Duckwitz replies with this beautiful speech that we can all learn from.

I came to this country (Denmark) as a young man, ambitious, a little homesick as young men are, and the Danes welcomed me. And some of them were Jews. It’s easy to persecute the nameless and the faceless, but these people are not faceless to me. I could have walked away…but…you know, a man must live with himself a long time. And if he can do something to ease a little of the terrible ache in this world…he must. I love Denmark. It’s my home now, and when your home is on fire you want to save it. That’s all it was. My home was on fire. Miracle At Midnight

In these days where we feel like the world is upside down and we do not know what to expect, we can learn so much from the beautiful Danish people and how they responded to their time of crisis.

*Parental warning, this movie contains shooting, at few on-screen deaths, implied suicides (a shadow of a hanging man’s legs is shown on the wall), and blood from injuries. Characters are shown being terrified and in danger. A young man and woman lie down in the woods (fully clothed) and pretend to be making out to distract German soldiers. Some characters are separated.

This movie can spur on so many lessons. If you are looking for a neat way to educate and engage your children, I highly recommend this movie. I will include a few links to get you started.

This movie is a gem about a story that I hope none of us ever forget.

Check it out on Disney+ today!

And here are few resources to get you started!

Number The Stars on Amazon by Lois Lowry!

A Rescuer in Copenhagen Georg Duckwitz

Miracle At Midnight on Disney+

The Young Underground Series by Robert Elmer

Why 90% of Danish Jews Survived the Holocaust on history.com

Rosh Hashanah at museumofthebible.org

Fatherhood Feature: The Mandalorian

Fatherhood is such an important topic in today’s culture.

It always has been. Thousands of children grow up every year without fathers, absent or neglectful fathers, and even abusive ones. Every single one of us has a need for a dad literally built into the way we develop and function.

When someone is faced with a lack of a good father it definitely creates many extra layers of struggle.

There are thousands of incredible single moms out there who are doing both the job of dad and mom, they deserve all the praise and recognition they can get, and I look forward to writing a series celebrating mothers as well.

We are also blessed with some pretty amazing kick-butt dads who remind us those good men do exist and we should be celebrating the guys who are giving it their all to be good dads.

Whenever I see an example of a great dad on screen I sit up straighter and take notice. I want to highlight a few of the best I have seen on the big and small screen.

The Mandalorian

Disney+’s The Mandalorian was already on track to become a success before the world ever knew that Baby Yoda existed.

Jon Favreau made a brilliant move when he chose to add a baby and an adoptive relationship to this series.

At first glance, it merely looked like a shiny shoot-em-up about a Mandalorian warrior. Cool, but not exactly deep.

What began as really cool became unbelievable overnight!

Baby Yoda has become the heart of the series, and his introduction turned the Mandalorian into a character with a full range of emotions and deeply personal motivations that we can all connect with.

What Makes the Mando a Great Dad?

The biggest thing of all…sacrifice.

He lost his complete freedom to go wherever he wanted and do whatever he wished.

He lost his career and Guild membership.

He became enemies with multiple dangerous groups of people.

He has committed to an entire life on the run. As was evidenced by Chapter 4, stopping and settling down with a family doesn’t appear to be in the cards for Mando or his new son.

He has no idea what the lifespan of this child is or how long Baby will need him. 50 years old…still a baby who toddles and cannot yet speak. That’s some serious commitment.

He takes on a responsibility to care for someone that could well cost him his life.

Parents sacrifice for their children in countless ways every single day.

To be a parent is to lay your life down daily for someone else who is smaller and more vulnerable, who may not ever be able to repay you.

It’s a selfless, sacrificial kind of love.

It’s a 24/7 job that never lets up, especially if you are a single parent and, oh yeah, people are trying to kill you AND your kid!

The Mando has shown this kind of selfless love for a child who isn’t even his own blood. Not even his own species!

The Mandalorian is giving a beautiful place of honor to adoptive/foster relationships, fatherhood, and single parenting. And it’s stinkin’ awesome.

Mando on his own is really just another warrior with a bag of skills and shiny armor.

Mando as a father putting himself on the line for a tiny little Person?

That’s about as macho and cool as it gets!

Fatherhood is one of the most masculine and awesome things in this world, and I could not be more pleased that Mr. Favreau chose to make the theme of fatherhood the beating heart of a show that is one of the most breathtaking things I have ever seen on screen.

For all of the horror, violence, and evil that is created and consumed by millions of people, it’s really nice to enjoy a show that gives honor to that which is truly honorable.

Here’s a shout-out to all of the awesome dads, step-dads, foster dads, adoptive dads, single-dads, grandpas, surrogate dads, teachers, mentors, coaches, pastors, big brothers, uncles, friends, and guys who are stepping up to the plate and raising the precious people that are our future. You guys are MVPs and we love you.

And I’d say you are in good company…

The Rise of Skywalker Trailer – 9 Things

Did you all catch The Rise of Skywalker trailer during the football game tonight?

So, our final trailer leading up to the movie premiere in December. In honor of it being the 9th and final movie in the Skywalker Saga, here are 9 things I noticed about it – for better or worse.

1. Finn…and Rey?

I’ve not been shy about how much I want Finn and Rey together. Their immediate connection and relationship in The Force Awakens are one of the things that made me fall in love with the movie instantly.

They are two broken people who have come together and are helping each other heal. Rey gives Finn something to believe in, Finn is the first person who comes back for Rey in her entire life – showing her that she is indeed valued and loved.

The first voice we hear in this trailer is Finn’s.

I am so glad, I felt like Finn took a bit more of a backseat in The Last Jedi and FinnRey wasn’t even a feature of that movie at all! I deeply missed their dynamic of being together, but that ending hug we got on Crait was a huge indicator that none of the love between them had grown cold.

Not only are all of our characters back together, but I get the feeling that we will get to see once again that Finn and Rey dynamic that we fell in love with from Moment 1. I can’t help but believe Finn’s stirring line,

It’s an instinct, a feeling. The Force brought us together.

is likely aimed at none other than Rey. He’s speaking with a softer tone, as you might if you were talking to just one person or perhaps a small group of people.

Whether this line is aimed at Rey or not, it’s a beautiful testimony to the entire heart of this Saga as well as how far Finn has come as a character.

He’s a believer, 100%.

Excuse the blurry image, but even with the lower image quality, it’s not hard to read what Finn is saying here (plus you can hear it in the trailer). This image is almost an exact copy of his face and body language in The Force Awakens when Kylo takes off in his ship with a kidnapped Rey. Finn is screaming her name in desperation.

Given that this appears to be the same place we have seen Kylo and Rey clashing in a lightsaber duel, I imagine whatever follows this image is pretty dramatic. #bringiton

This character wears his heart on his sleeve, and I love him for it.

Finn and Rey are right back where they belong – together.

2. The Ghost

As a big Star Wars Rebels fan, I would be remiss if I didn’t give this a shoutout – The Ghost is actually flying directly to the back right of The Falcon. This is huge for the Rebels’ storyline!

Ezra disappeared right at the beginning of the Original Trilogy timeline. It’s 30+ years later, so he would be in his late 40s. Other characters will be even older.

Is this a much older Hera still flying her ship with the Resistance? She’s just the type of warrior to stay in the fight for the long haul.

Is it her son flying his mother’s famous ship? Did Sabine and Ahsoka find Ezra like he asked and are they the ones piloting the ship????

It’s a really, really big reveal, and I’ll just bet we get Dave Filoni to weigh in on it before long.

3. This Movie Is Beyond Gorgeous

Would you just take a moment to soak in the number of textures, landscapes, colors, and movement of this movie??? There are about 3 different things happening in this image below.

This iceberg planet is one of the most beautiful things I have ever seen in Star Wars.

Even the “getaway” device is filled with bright, colorful yellow powder! It’s almost like the filmmakers are celebrating the joy that is this Star Wars story all throughout this movie!

4. C3PO

I think Anthony Daniels is about as adorable as they come – C3PO? Not so much.

I’ve never been a huge 3PO fan (although I do have a pair of 3PO socks that I love). He always seemed to be bumbling his way through situations (or slowing everyone down) while R2D2 did the actual heavy lifting.

Seriously, if R2D2 had been taken out a long time ago the Emperor would still be ruling and every one of the heroes would have died.

But over time I have come to appreciate this incredibly “British” droid. He was made to be a human companion and helper, far more suited for aiding a senator (as he does Padme Amidala in The Clone Wars) than he is for fighting in a scrappy Rebellion.

But he’s made it this far, he’s done his best, and it would appear in this trailer that our old and sometimes annoying Gold Friend may be saying his final goodbye.

And I cried. Dadgum it, 3PO! I. CRIED! Han SOLO would have cried at that! #manytissueswillbeharmedintheviewingofthismovie

5. The People of the Resistance

One thing I deeply appreciated about The Last Jedi is there were scenes with “background” characters such as Paige Tico’s brave sacrifice that made sideline characters feel like the feature character for their moment.

Rogue One was an entire movie made about the “little people”, the behind-the-scenes heroes who lived, loved, fought, and died for this cause of freedom. They are the foundation our bigger heroes stand upon, without them none of this exists.

It is my great hope that in this movie that theme will be continued.

Rebellions are built on hope…

And they are built on beautiful, normal people who stepped up and said, “Count me in.”

Shoutout to whoever gave Rose this fantastic new hair look (I couldn’t stand her old one even though I liked her). Also, it looks like we have Billie Lourde’s character as well as Dominic Monaghan’s character shown in the background. I am anticipating awesome things!

6. Palpatine Is STILL Being A Huge Drama Queen

Isn’t this throne just a bit…extra?

Not really. For all his evilness, Palpatine has a work ethic even I have to respect. Plus he’s been sitting in the shadows somewhere, scheming and planning for 30+ years. A guy’s gotta have a hobby.

But what’s his angle here? I suspect he’s interested in bringing Rey and Kylo together, this line seems to point to that idea,

Your coming together is your undoing…

Did you notice that it appears both Rey and Kylo are searching for something in the shell of this ancient Death Star? What are they hoping to find?

It also appears that Rey and Kylo have laid their differences aside for a moment to join forces to destroy the Emperor?

Hmm, given that this creepy little old man has the stamina of a cockroach with a rotten life insurance policy, I find his easy demise hard to believe.

This floating chair throne is giving me major Thinker vibes (Season 4 of The Flash). The dark stillness of the room and the slow floating towards Rey is somehow the creepiest thing ever and her body language says that she agrees 100%.

I don’t know what Palpatine’s game plan is, but he is fascinating and an extremely cunning villain, so a final takedown of this menace will be beyond satisfying.

It’s time. Your day has come, Palpatine. We will get the last cackle.

7. Poe Dameron and The Spark

We’re not alone, good people will fight if we lead them.

The purpose and meaning of the Rebellion/Resistance have never been put into words and ideas more clearly than in the Sequel Trilogy. Despite the huge setbacks of the Original Trilogy, the numbers have never been lower for the heroes than they were at the end of of The Last Jedi.

And yet, they flew away from Crait with their shattered band of 7.5 people with a hope burning in their hearts because they knew the truth.

Star Wars may be a fictional world, but it is based upon reality. There is a gem here that we all need to hold onto.

Friends, we aren’t alone! Good people will fight if we lead them! So many people in this world are just waiting for someone to be brave enough and step up and say, “Let’s do this.”

That potential is inside all of us, regardless of the odds. We love Star Wars because it reminds us that no shadow, no Empire, no First Order can keep us from standing up and fighting back…and winning.

Light will always win over Dark, Light has the victory. The very music of this trailer is the music generations of us have been in love with for decades, but it has never sounded more hopeful than it does in this movie.

8. Rey And Her Identity

Everyone keeps telling me they know me, but no one does.

I do.

Seriously, Kylo? Are we still on this?

One of my absolute favorite things about Rey is that she doesn’t stay under a Lie for long.

It’s an old and tired song, but an effective one.

I know who you are…and it totally fits my evil agenda for you to believe everything I tell you.

Palpatine did it to Anakin. Maul tried to do it to Ezra. Palpatine tried to do it to Luke. Kylo tried to do it to Rey.

Our identity is everything. If we don’t know who we are then we get nowhere. We need to know who we are, why we are here, and where we belong.

Rey’s background makes her terribly vulnerable in this area, and Kylo tried to prey upon this vulnerability in The Last Jedi.

You come from nothing, you’re nothing…

…but not to me.

He tried desperately to get Rey to place her entire sense of purpose and value in him.

And she said no.

Rey always says no.

Confronting fear, it’s the destiny of a Jedi.

Rey’s biggest fear is that she is worthless. Everyone in her entire world until BB-8 and Finn arrived cemented the Lie that she was the dirt beneath people’s feet.

But the fire, the spirit inside of her knows better.

And rather than running from this fear, rather than hiding from the world and her life, she has embraced it and jumped in with both feet.

I am worth something. I do have a purpose. I can make a difference. I won’t give up. I don’t have to believe what anyone says.

I know who I am…

Rey is can be a role model to all of us. She’s stunningly beautiful in her vulnerable and confident humanity.

9. So. Much. Joy.

Can you feel it?

Can you hear it?

The heartbeat of hope. And hope and joy often hold hands.

Star Wars has always been about hope. But joy has not always been present. We’ve seen beautiful moments of celebration.

Han and Luke returning to Leia after they destroy the Death Star.

The triumphant parade in The Phantom Menace.

The bonfire and dance in the Ewok Village.

But we have had some pretty horrible lows.

“You were my brother, Anakin, I loved you.”

Han’s death.

Losing Caleb Dume.

Ahsoka leaving the Jedi Order.

Luke’s final kiss to his sister.

We have faced devastating grief in this story.

But the way this trailer made me feel?

Just look at the characters, look at their faces.

Han used to look at Chewie like that. #iamfeelingsomanythings

They are still fighting for freedom, for survival. They still might die.

But they are doing it together.

They are going to enjoy the ride for however long it lasts. They are going to celebrate the victories, no matter how small.

They are going to live to the fullest in every moment.

They are going to find strength in each other.

And they are going to charge into the battle strengthened by the truth of what they believe in.

The gift that Star Wars has been to the world is immeasurable. The joy, the connection, the hope, and the delight it has brought people is beautiful.

Star Wars is timeless because it is the story of us, told in a galaxy far far away.

I love it. I am so excited. I’ll see you all in the theaters.

I can hardly wait for December to arrive, but in the meantime, we have a nice little consolation prize in The Mandalorian that will be available on Disney + November 12th.

Flynn Rider: Reimagining the Disney Prince

The 2010 Rapunzel story Tangled was an instant classic and remains in a place of high honor.

Much of this is due to the charming and roguish Flynn Rider, adorable crown thief- turned into the adventure partner and harmonizing prince we ladies dream about.

Was it his gorgeous face that caught our attention? Uh, well, yeah, that certainly helped.

His sense of humor? Mmmhhmm.

The smolder? It certainly did not damage his cause.

the smolder

As much as we love his charming exterior, what really sold us all on Flynn Rider was the way he changed the “face” and expectations for the classic “Disney Prince”.

The character that came closest to Flynn Rider before he hit the screen was most definitely Aladdin. Not only was he also an adorably mischevious thief, but rather than just a pretty face with a castle we were given a more 3-dimensional character who had his own backstory, own dreams, and own failures.

Still, Flynn Rider, or shall we say Eugene Fitzherbert took it to the next level.

Flynn Rider started out as a self-seeking jerk.

You are talking to a girl who loves the good guys. I have only fallen for the “bad boy” twice in my life and those two bad boys ended up becoming the best of the good boys. #edmundpevensie #captainhook (Apparently I go for dark good looks as well? Hmm…)

But it is wise to admit to ourselves that everyone is human, male or female.

We have imperfections, we have broken places, we have pockets of selfishness or places of retained anger. There are things about ourselves we would like to change and things in others we find hard to overlook. We’re really messy, and sometimes kind of ugly.

Flynn Rider is something of a scoundrel. He double-crosses his own partners-in-crime in order to keep the crown for himself.

When Flynn arrives at Rapunzel’s castle, he has an initial moment of awe over her beauty, but it passes like a cloud over the sun and then he’s back to scheming again.

Can I just say how much I love the fact that Flynn and Rapunzel broke the “love at first sight” Disney couple trope?

I 100% believe in love at first sight. It happens all the time in real life. I just think it’s a good idea to present more than one way for a couple to fall for each other. Many couples discover each other over time, building one step upon another. Such is the case for Flynn and Rapunzel.

Flynn Rider has eyeballs, anyone with eyeballs can see how beautiful Rapunzel is. He has a normal human reaction to her appearance and then he starts trying to pull one over on her. His own selfish needs and desires trump whatever reaction she just created in him.

#canayoneelserelatetothis

Let’s be honest, people, we’ve all been Flynn Rider before (maybe even like 2 minutes ago). Humanity, apart from Jesus, is inheritently sinful, broken, and definitely selfish!

Flynn's agenda.png

Flynn’s plan to frighten Rapunzel at The Snuggly Duckling ends up placing them in a situation of danger where Rapunzel’s indomitable spirit and open heart earns Flynn’s respect.

She takes a roomful of gross and scary (and anatomically incorrect) men and turns them all into mush by seeing beneath the surface and touching their hearts.

Follow that up with an epic escape from multiple foes that succeeds when it shouldn’t…

…yeah, Flynn looks at Rapunzel with new eyes.

He is impressed, there is more to her than he at first thought. The sweetest thing is that Rapunzel does all of this without the intention of winning someone’s approval or respect. She is merely being herself and is entirely guileless. It’s refreshing, tantalizing, and touches a long-hidden part of Flynn Rider.

Enter, Eugene Fitzherbert.

First respect, next we go to a new level. Vulnerability.

Flynn and Rapunzel find themselves in a dark cave with water rising. #thisismyworstnightmareminussomesharks

The idea that they are facing death gives Flynn the courage to reveal one of the most precious and tender parts of himself…his true name.

Eugene Fitzherbert. It’s soft and sweet. Rapunzel listens with such kind respect. She proves to Flynn that not only is she someone he can rely on in a pinch, but she is also a safe person to trust himself with. His true self.

The theme of revealing their inner selves continues by the fireside where Rapunzel reveals the story of her magic hair. Then Flynn tells her about a special book that gave him oxygen to dream during the tragedy of his childhood as an orphan.

Whoa, a sad orphan who used to read this book to the younger orphans? A kid who grew up and took on the name of his literary hero to try and build a life of plenty for himself to replace the history of lack and lovelessness?

I. Am. Intrigued.

We begin by seeing Flynn through the mask he has invented for himself – a careless and debonair thief who needs no one. #funnybutnotmarriagematerial

Within the course of about two scenes of tender and revealing moments, our perception is entirely changed to match what is this character’s truth.

eugene fitzherbert

Flynn is not a typical Disney prince. He is just as broken and in need as the princess is. He needs her as much or more than she needs him. They need each other in different ways.

It’s a beautiful picture of so many real-life relationships where you take two extraordinary individuals who each bring something neat to the table, but together they create something wonderful.

Together they end up helping each other heal.

Together, they dream a new dream.

We started with respect, leveled up at vulnerability, and now we bring in attraction.

Flynn is sooooo attracted to Rapunzel. She has had a deprived life in a way that is different from his, but no less real. However, her deprivation has made her kind, patient, and eager to enjoy every little thing.

The word that best describes Rapunzel is “wonder”.

The biggest dream of her life has just been to go and see these beautiful lights that fill the night sky on her birthday.

Flynn has been everywhere and thinks he’s done everything, it was all old news to him until he met her.

Rapunzel reintroduces Flynn to the idea of wonder, and during that process, he finds himself deeply attracted to her.

I love the montage of this glorious day in the town that leads up to one of Disney’s best romantic songs in existence. It shows Eugene and Rapunzel falling for each other in such a sweet, specific way that celebrates life.

Falling in love with Rapunzel doesn’t just bring stars to Flynn’s eyes, we get to go so much deeper into the why behind his love for Rapunzel that we do with many other Disney princes.

Rapunzel reawakens the Eugene within him, reminds him of who he is, and gives him the courage to dream something far bigger than just a castle of his own.

Rapunzel and Flynn’s story reminds us the power of human connection to create change as well as the healing capability that true love can bring.

And what is true love? It has been said in passing in so many stories, but we actually get to see it lived out in Tangled in a way that blew my mind.

True love is a sacrifice.

Flynn first respected her, then he allowed himself to be vulnerable with her. His attraction grew alongside hers, but Flynn’s love was proven to be real when he sacrificed himself for her without a single selfish thought…

…he actually dies for her.

Flynn’s sacrifice is not pretty, he gets stabbed in the back and is bleeding out on the floor. #thisscaredmesobad #disneybrokealltherules

There were no grandiose words or declarations of valor. There was no masterful sword fight against a dragon (the dude lost a frying pan duel to a horse, y’all), no sweeping in on a vine to rescue the girl. No magic shoe to gallantly slip on her foot.

He is weak and bleeding out on the floor. In hoarse tones he calls her to come close to him, and in one swift motion he uses the last of his strength to take a shard of glass and cut off all of her hair! Freeing her forever from her lifelong bondage.

The shock of that moment hit me like a tidal wave in the same way it does for the other characters. Rapunzel can’t even comprehend the fact for a moment that her hair, the source of her magical strength as well as her hideous bondage, is gone. Mother Gothel dies a very disgusting/ugly death, and then Flynn DIES!

As Rapunzel cradles a dying Eugene in her arms, they have such a broken and tender moment where they tell each other “You were my new dream.”

eugene dying

I love this! The word “dream” gets thrown around so often in our stories and our real world. It gets watered down, misused, abused. So many people practically kill themselves in the pursuit of what they believe to be their “dreams” only to reach the end and find themselves with no one.

Flynn Rider, or rather, Eugene Fitzherbert thought he knew what a dream was, and then he met Rapunzel. And she became his new dream.

The word “dream” is redefined for both of them as they realize that the true dream to is share a lifetime of meaning and purpose with someone you love. Together you create something bigger than yourself.

Flynn’s entire life has been about achieving his “dreams”. He actually finds out what his true dream is, and he gives it all up without hesitation in order to ensure that the woman he loves is safe.

This is pure love. This kind of dream and this kind of love make so many other cheap fakes called “love” seem so empty compared to the rich potential of Rapunzel and Flynn’s love for each other.

It makes the moment when Rapunzel’s teardrop heals him all the more amazing as yet again, she does the impossible by simply being herself. The payoff of this movie is incredible.

We went deeper, therefore we celebrated bigger.

flynn and rapunzel rescued gif

Respect. Vulnerability. Attraction. Sacrifice. Joy.

flynn and rapunzel in tower

He’s the “perfect” man, physically the man has 0 faults. But Disney secreted a real-life, 3D human in a perfect package.

Flynn Rider completely reinvented the way we looked at Disney men and opened the door for characters like Kristoff, Kit (Prince Charming), Prince Adam (live-action Beauty and the Beast), Finn (Star Wars: Sequel Trilogy) Aladdin (live-action Aladdin), and so many more to come.

Flynn was so perfect it wasn’t even real, and yet, they managed to take the “perfect man” and teach us the beauty of imperfection as well as the depth and meaning of a true dream and the true definition of love.

To one of the greatest Disney characters ever created.

Flynn Rider, we love you.

flynn rider kind face

Aladdin

One Jump Ahead

“Riffraff,” “Street rat”
I don’t buy that
If only they’d look closer
Would they see a poor boy?
No, sirree
They’d find out
There’s so much more to me…

Speechless

Here comes a wave meant to wash me away
A tide that is taking me under
Swallowing sand, left with nothing to say
My voice drowned out in the thunder…

…I won’t be silenced
You can’t keep me quiet
Won’t tremble when you try it
All I know is I won’t go speechless
‘Cause I’ll breathe
When they try to suffocate me
Don’t you underestimate me
‘Cause I know that I won’t go speechless

To be heard.

To be seen.

To be known.

This, my friends, was the purpose of Aladdin.

I want to discuss a few scenes that stood out to me as hugely important for the story, but even more than that, they rang true for the world we live in.

Scene 1: Aladdin giving up his dates for the starving boy. Aladdin intervening on Jasmine’s behalf in the marketplace. Aladdin saving the girl from being trampled by Prince Ander’s entourage.

A combination of many small moments that clearly define Aladdin’s heart. He is a colorful character with large helpings of mischief and insecurities, but there is one overwhelming fact about who he is.

He is the diamond in the rough. Aladdin essentially lives hand to mouth, but he is not completely self-focused. He sees the needs of those around him and intervenes on their behalf.

It is this heart that wins Jasmine over. She’s seen enough glittery people to last a lifetime, what she longs for is substance. She finds substance in this street boy with a big smile and kind eyes.

Substance over style. Style fades, substance grows.

Scene 2: The Best First Date Ever

Likely the most iconic Aladdin scene in existence, the magic carpet ride where Jasmine and Aladdin get a chance to connect is beautiful.

In the animated movie, we see our two lovebirds fly around well known worldwide landmarks such as the Sphinx in Egypt or the Great Wall of China.

In this version, the landscape is far less defined or varied. I believe this was done for the purpose of enabling the audience to focus in more on the two people in the scene and their intentional interaction with each other.

One moment Jasmine is holding onto Aladdin’s arm as he makes a steep turn, another moment he’s handing her the “reins” so she can have a turn flying. They are singing together, he’s looking at her with pure delight because of her joyful response. She is enthralled with the opportunity he has given her to be 100% herself at this moment.

He loves conversing with her and he wants to hear what she has to say.

They communicate.

You can see the power created by these two. Aladdin’s life experience and mingled with Jasmine’s authority and education make them the perfect couple to lead Agrabah into the future. They share a similar heart that points them both in the same direction.

So many people are struggling with communication. So many people are involved in power struggles with one another that not only cause them harm, but also those around them who depend upon them.

Jasmine and Aladdin struggle, just like anyone else, but they persevere, and when the credits roll they have reached a strong place of connection.

Jaladdin communicating

Scene 3: Jasmine’s confrontation with Jafar. Jasmine’s almost wedding to Jafar.

The new song “Speechless” is one that brought tears to my eyes. We need to be paying attention right here. The two cultures represented in this fictional world are the Arab/Middle Eastern culture, and the Indian culture. Jasmine represents both.

These two cultures are among the worst in the world for how horribly they abuse and oppress their women. Many Middle Eastern women are wrapped up from head to toe, they cannot drive, they cannot be educated, they cannot work, they cannot even go places without a male escort.

They are not to be seen and certainly not to be heard! Women are treated like despised objects or pretty toys to be used on a whim.

*This may not be the case for every woman or family in these countries, it is not in any way my intention to claim that or disrespect those who are from these places but not living this way. But the injustice I speak of is a true reality for millions, and we need to be willing to stand up and acknowledge that without fear of “offending” someone. These women deserve more courageous actions on their behalf.

In India, millions of women have been downtrodden for centuries. Many of the old traditions are harsh on women. If a woman cannot produce children (which is often the result of abuse or malnutrition), she is often scorned and abused by either her husband and or her in-laws. Women fear to walk to someplace as necessary as the village well for fear of being raped or murdered on the way. Oh yes, rape often isn’t even treated as a crime. Thousands of women have died from starvation, abuse, murder, malnutrition, or working themselves to death.

These silenced, abused, downtrodden women are crying out for a voice.

Jasmine essentially a prisoner in a golden cage.

Jafar takes personal pleasure in controlling and silencing Jasmine.

The look of glittering delight in Jafar’s eyes as he forces her to speak vows of marriage to him turned my stomach. I saw that scene in horror, as I can imagine just how many precious women throughout history have found themselves in the same situation. Unlike Jasmine, however, there was no one coming on a magic carpet to give them a way of escape.

This scene was a cry for justice. A cry for the women Jasmine represents who are precious and beautiful, who have amazing things to share with the world. These women who remain unseen, unheard, buried.

I know I went out of order here, but let’s talk about Jasmine’s confrontation with Jafar that happened before her forced almost-marriage.

She is being led away by the guards who were her own servants but a moment before. Her beloved father and handmaiden are unable to help her. She had to silence Rajah (who was glorious) to keep him safe.

In her mind’s eye, she pictures everyone else disappearing, every person who is an obstacle to what she knows is right. She cannot be silent, not this time!

Rather than just swallowing it again, Jasmine makes her stand.

She speaks out in a strong voice. She ignores the degrading words of Jafar and focuses all of her energy on speaking to Hakim, the noble lead guard who truly desires to do what is right.

Jasmine speaks to him personally, she knows his story and she cares about it. She appeals to his integrity and deepest desire to do the right thing. She exposes her deep heart of love and compassion for “my people”. And she gives him an opportunity to change his course of action. At this moment with the information they have, Hakim is a pivotal character for what happens next.

Jasmine sees him, she calls him by name. She knows his story and his heart, which means she has heard him. Jasmine does not speak on her behalf but rather on the behalf of her people, he and his people are her priority. And Jasmine gives him an opportunity to make a different choice, she gives him a chance to be his best self.

Jasmine true, sacrificial leadership.

Jafar may as well be a shadow in the back of the room, all of Jasmine’s focus is on Hakim and the future of Agrabah. She doesn’t attack, she doesn’t tear Hakim down, she builds him up with truth and calls the good man out of him.

It’s a beautiful, powerful, encouraging scene. While it seemed to do little good at the moment, it does truly change everyone’s future as Jasmine unconsciously opens her father’s eyes to her true worth as a strong and virtuous leader for Agrabah.

Scene 4: Aladdin Selflessly Walks Away

Both Aladdin and Jasmine are given opportunities to be heroic in the climax of this movie, but it is called Aladdin for a reason. When it comes down to it, Aladdin is the one who has to defeat Jafar.

Aladdin is not a brawny warrior like Hercules. He’s not a gallant and gorgeously arrayed prince like Phillip or Charming or even Beast once he’s been declawed. Aladdin is very simple and straightforward.

The reason Aladdin became “Prince Ali” and got himself involved in this mess was a noble one, he loved a girl and wanted to win her heart. During that time he has been stripped down to the core of his deepest longings and hurts, and he almost loses focus on who he is because of it.

Aladdin humbled

But here is where the diamond comes out.

Aladdin has the humility to recognize his mistakes and turn them into life experience. He sees the flaw in Jafar’s arrogant plan and manipulates Jafar into a natural course of actions and consequences. Jafar’s own pride and ambition lead him to the prison he chose for himself. #poeticjustice

Aladdin just saved the day. He could reason out that he deserves another wish, a wish that could elevate him in the eyes of the world and especially the eyes of the woman he loves. Instead, he again shows that selfless spirit and keeps his promise to free Genie even though it gains him nothing materially.

Aladdin just saved the royal family, an arrogant “hero” would demand recompense.

He does not. He looks at Jasmine, still loving her as much as the first day he met her, and he apologizes. He looks at everyone with humility and respect and walks away. #thisissosexy #jaladdinforever

As Aladdin walks out of the palace to return to Agrabah’s streets, he looks down at Jasmine’s hair barret with deep tenderness. He loves her and treasures her, and he always will. But because he loves her he is willing to walk away because he believes that is what is best for her.

True love Jaladdin

Jasmine has been treated as a pretty bird in a cage. Not a person.

A mere prize to be won, not a heart to fall in love with.

An obstacle to control or crush (I’m lookin’ at you, Jafar).

A child who must remain hidden for her protection. Not a mature young woman.

It’s all about what someone can get from her, or keep from her, or keep her from.

Jaladdin giving her his best. It was humble, it was peaceful, it was confident. Somehow Aladdin walks out of that gate with his head held high because he now knows his own worth, and he stayed true to his noble heart.

Yeah, I’d run after him too, Jasmine. #substanceoverstyle #diamondintherough #putaringonit #jaladdin

I loved that Jasmine runs to him on the street by herself. No guards, no entourage, no handmaiden or father. She may be the sultan now (a quick line that she uses to tease him) but she truly comes to him as herself. He heard her, he knew her for who she was when no one else did.

It’s humble, it’s normal, it’s sweet. And they have a beautiful kiss among their people, in the streets where they came together, in the streets of the place they both love. jladdin kiss

Jasmine knew her own worth but struggled to be heard. Aladdin doubted his own worth, he struggled to be seen.

Jasmine saw Aladdin, and Aladdin heard Jasmine.

And God saw that it was good, people. It was good.

Genie

Holy cow! Y’all, what? Robin Williams created Genie, and no one can ever replace him! Will Smith not only honored the character Williams created but he also didn’t try to replace him, he became his own Genie.

Genie took me by surprise multiple times, while he was not anywhere near as spastic as Robin’s Genie, he was regularly unexpected.

The Genie/Dalia romance was brilliantly used to fill in the story/characters and add a lighter balance to the romance scale. Jaladdin was dealing with heavy-duty issues that held kingdoms in the balance, Denie was talking about goats and boats. We needed both. #denie #jaladdin

Denie I can’t imagine being trapped and forced to do the will of whatever jerk happened to grab your lamp and give it a rub. If you actually consider Genie’s life, it’s pretty horrible.

Genie fell in love with Dalia, and he desired a normal life. He has all the power in the world and yet he’s as much a prisoner as someone in a dungeon. Dalia increased my longing for Genie’s freedom. When Dalia was being pressed down by Jafar’s dark power Genie’s sorrowful face for the woman he loves made my heart hurt. He was helpless to protect her.

This isn’t funny anymore, this is real.

The look of pure shock and deep emotion on Genie’s face when he realizes he is free was a beautiful moment. I loved the hug he gave Aladdin. The hug+his face spoke volumes.

genie and aladdin

I wasn’t overly fond of how the movie began, I felt it had a weak opening, but by the end, I was in love.

I did enjoy the first shot that skimmed over Jafar in the desert, Jasmine in her palace, and the torchlit houses of Agrabah.

But I felt that they rushed through the iconic scene of Aladdin weaving his way through the streets, stealing and smirking aka making a nuisance of himself. And since they made the decision to combine Aladdin’s first introduction with him and Jasmine meeting for the first time, I think they should have given it a less choppy, sped-up rhythm. It was an unnecessary sacrifice that bought them nothing.

I recognize that the filmmakers wanted to flesh out other parts of the story more, and I respect that. I just do not think they made the right call in how to carry that out.

Let’s talk Jafar.

I heard some people complaining that Jafar was too weak. He didn’t look or sound as scary as the animated one.

Ahem…have y’all seen the animated one? The animated Jafar is not anatomically correct. Animated characters are often exaggerated for effect or to bring across a specific message.

So please, drop that argument. This is supposed to look real, this is a real human playing this character.

And Jafar? Jafar was savage.

Jafar was a perfect villain

Real villains aren’t always weirdly shaped with angry eyebrows and menacing voices. They are often normal-looking people with dark hearts. Jafar was a villain who was all too real, he reminded me of some true villains from history. Jafar was also supposed to be a dark reflection of Aladdin, someone who Aladdin could have been. Jafar even makes the comparison to Aladdin outside of The Cave of Wonders.

Jafar made my blood boil. 10/10 villain status.

This is the first live-action Disney Prince(ess) movie that I feel could actually support a sequel.

I have loved all of the live-action remakes up to this point. But I do not think that all of them need sequels. Cinderella was a very intimate, self-contained story. It was perfect. Beauty and the Beast was a more complicated tale, but it finished itself well at the ending. You feel whole by the end of both films.

While Aladdin also leaves you feeling deeply satisfied, you also have room for more.

REASONS ALADDIN CAN ACTUALLY SUPPORT A SEQUEL

I was utterly delighted in this movie, they got the big things correct and made room for fleshing out the story and characters. They delivered big moments and characters while also filling in a thousand tiny details (magic carpet building a sandcastle, anyone?)

Aladdin is my favorite old prince(ss) movie. I was so excited for this live-action version and I was not disappointed. I am enjoying myself immensely and I cannot wait for more!

a whole new world gif

Disney Live-Action Remakes: Not Losing What We Have, But Becoming More of Who We Are

Disney: Why Disney+ is a Good Thing

Frozen II

FinnRey Is True, Sacrificial Love

Maisie Lockwood takes the role of “the innocent” in Jurassice World: Fallen Kingdom. She also fills that vital child role that exists in every Jurassic installment.

Sylvie is female Loki variant who was stolen from her happy life as a child.

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1. Captain America: The Winter Soldier

2. Avengers

3. Ant-Man and the Wasp

4. Guardians of the Galaxy Vol 2

5. Shang-Chi

Honorable Mentions: Spider-Man Homecoming and Far From Home

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WandaVision (7/10)

The Falcon And The Winter Solder (6/10)

Loki 9/10

What If 3/10

Hawkeye (Prediction) 11/10

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A made-for-TV movie from the 90s that tells the incredibly inspiring story of how the Danes saved over 90% of their Jewish population from the Holocaust during WWII.

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Fatherhood is such an important topic in today’s culture.

The Mandalorian

What Makes the Mando a Great Dad?

He lost his complete freedom to go wherever he wanted and do whatever he wished.

He lost his career and Guild membership.

He became enemies with multiple dangerous groups of people.

He has committed to an entire life on the run. As was evidenced by Chapter 4, stopping and settling down with a family doesn’t appear to be in the cards for Mando or his new son.

He has no idea what the lifespan of this child is or how long Baby will need him. 50 years old…still a baby who toddles and cannot yet speak. That’s some serious commitment.

He takes on a responsibility to care for someone that could well cost him his life.

The Mando has shown this kind of selfless love for a child who isn’t even his own blood. Not even his own species!

The Mandalorian is giving a beautiful place of honor to adoptive/foster relationships, fatherhood, and single parenting. And it’s stinkin’ awesome.

Fatherhood is one of the most masculine and awesome things in this world, and I could not be more pleased that Mr. Favreau chose to make the theme of fatherhood the beating heart of a show that is one of the most breathtaking things I have ever seen on screen.

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1. Finn…and Rey?

It’s an instinct, a feeling. The Force brought us together.

2. The Ghost

3. This Movie Is Beyond Gorgeous

4. C3PO

5. The People of the Resistance

Rebellions are built on hope…

6. Palpatine Is STILL Being A Huge Drama Queen

Your coming together is your undoing…

7. Poe Dameron and The Spark

We’re not alone, good people will fight if we lead them.

8. Rey And Her Identity

Everyone keeps telling me they know me, but no one does.

I do.

You come from nothing, you’re nothing…

…but not to me.

Confronting fear, it’s the destiny of a Jedi.

9. So. Much. Joy.

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Was it his gorgeous face that caught our attention? Uh, well, yeah, that certainly helped.

His sense of humor? Mmmhhmm.

The smolder? It certainly did not damage his cause.

As much as we love his charming exterior, what really sold us all on Flynn Rider was the way he changed the “face” and expectations for the classic “Disney Prince”.

Flynn Rider started out as a self-seeking jerk.

Flynn Rider is something of a scoundrel. He double-crosses his own partners-in-crime in order to keep the crown for himself.

When Flynn arrives at Rapunzel’s castle, he has an initial moment of awe over her beauty, but it passes like a cloud over the sun and then he’s back to scheming again.

Can I just say how much I love the fact that Flynn and Rapunzel broke the “love at first sight” Disney couple trope?

#canayoneelserelatetothis

Flynn’s plan to frighten Rapunzel at The Snuggly Duckling ends up placing them in a situation of danger where Rapunzel’s indomitable spirit and open heart earns Flynn’s respect.

Enter, Eugene Fitzherbert.

First respect, next we go to a new level. Vulnerability.

Whoa, a sad orphan who used to read this book to the younger orphans? A kid who grew up and took on the name of his literary hero to try and build a life of plenty for himself to replace the history of lack and lovelessness?

Flynn is not a typical Disney prince. He is just as broken and in need as the princess is. He needs her as much or more than she needs him. They need each other in different ways.

It’s a beautiful picture of so many real-life relationships where you take two extraordinary individuals who each bring something neat to the table, but together they create something wonderful.

Together they end up helping each other heal.

Together, they dream a new dream.

We started with respect, leveled up at vulnerability, and now we bring in attraction.

Rapunzel reawakens the Eugene within him, reminds him of who he is, and gives him the courage to dream something far bigger than just a castle of his own.

Rapunzel and Flynn’s story reminds us the power of human connection to create change as well as the healing capability that true love can bring.

“Riffraff,” “Street rat”
I don’t buy that
If only they’d look closer
Would they see a poor boy?
No, sirree
They’d find out
There’s so much more to me…

Here comes a wave meant to wash me away
A tide that is taking me under
Swallowing sand, left with nothing to say
My voice drowned out in the thunder…

…I won’t be silenced
You can’t keep me quiet
Won’t tremble when you try it
All I know is I won’t go speechless
‘Cause I’ll breathe
When they try to suffocate me
Don’t you underestimate me
‘Cause I know that I won’t go speechless