#disney – reellifebygrace

Is Tech Dead? Star Wars The Bad Batch

Is Tech really dead? Maybe yes, and maybe no.

Season 2 of Star Wars The Bad Batch was very much an Empire Strikes Back ending…Omega is in the hands of the Empire (the extra creepy Empire because “science” is involved), the Batch are down a brother, Crosshair is recovering from his torture sessions, and oh yeah, a random “sister” of Omega’s got thrown in.

Also, both Dr. Royce Hemlock and Cid are walking around without a single blaster hole in them, a major oversight on everyone’s part.

For a season that started slow and appeared to have multiple “filler” episodes, the ending was a total rip-roaring gut punch of action, emotion, and high stakes. I don’t doubt that we will get Omega back (though I hope it doesn’t take a whole season to reunite our beloved clone family), and I think Crosshair is gonna make it.

But the biggest question I have hanging over my head right now is this: is Tech really dead? I have thoughts from both perspectives, read on and see which one you agree with.

Answer 1: yes

Tech was already an amusing character in Season 1, but in Season 2, he became a beloved character. His emotional growth was both stirring and delightful. In the season opener, we watched him grow in his perspective on formerly Separatists worlds–he learned to see them in a new way. He also proved what a tough cookie he is by kicking butt and saving the day while limping around on a broken femur and barely complaining about it. Intriguing.

Tech’s ability to think on his feet and think creatively caused him to utterly dominate the riot races. It was a wild and reckless side of him that was even more delightful because of his methodical and mathematical approach. Somehow even the simplest action or word spoken by Tech has a way of taking on new meaning or even humor.

Tech’s difficulty in conversing with Omega and understanding her heart’s need surrounding Echo’s temporary exit from the team made for one of my favorite episode interactions this season. His acknowledgment of the losses they have suffered, as well as the fact that they are not just a squad, but a family…well, that got me. It got me good.

One of my favorite actions in the entire season was when Omega fell down the mine shaft, and without hesitation, Tech dropped his pack and dove after her. I loved that so much. He didn’t know what would happen, he didn’t know if he could even help her or improve the situation, all he knew is he was going after her. Once in the water, Tech grabs hold of her and doesn’t let go, even if they drown they will drown together. That powerful visual spoke of a love that was so powerful and unquestionable, to see it come from him just really drove home what a remarkable individual he is.

Even the small momentof Tech noticing Omega’s laugh at Pabu, and his comment, “I have not heard her laugh like that in a very long time” was such a powerful detail. He knows what her laugh sounds like, and he can tell when there is a deeper joy in it. He’s paid attention in a way only someone who loves you can.

Crosshair was the logical choice for an expected casualty for the Bad Batch, but Tech was the one they set up for it, aside from Hunter or Omega–who occupy roles that really cannot be replaced or removed–Tech was going to give audiences the greatest emotional impact. They built him up, just to take us down, and I’m still smarting over it.

Answer 2: no

There is such a thing as a cheap fake–out death, and this should not be done regularly. Death is pretty intense, y’all, and should not be treated lightly. But I believe that it is okay to bring a character back whom everyone thought was dead–you just have to do it the right way.

Tech’s death was implied, but it was also never confirmed. All that piece of rat poop with legs named Dr. Royce Hemlock said is that he was only able to recover Tech’s goggles. So, he found the goggles. Or Tech’s fractured body. Or maybe he has Tech in a bacta tank somewhere on ice, and he intends to keep Tech around for nefarious purposes. After all, Tech isn’t just muscle and skill, his brain is breathtaking in its abilities…what crazed and dehumanized genetic scientist wouldn’t get excited about that? It’s also possible Tech is roaming around on the planet below, having come up with a way to not only survive the fall but also plan his escape to regroup with his family. Anything is possible.

Here’s another thing, Star Wars is pretty consistent about confirming a death. The body count for this galaxy far, far away is pretty high. We watch everyone from soldiers to beloved OG characters (NO, HAN, NO!!!) die right in front of us. The Clone Wars became an absolute bloodbath in the later seasons as the approach of the Sith’s triumph and Palpatine’s reign grew nearer. We watch Jedi after Jedi fall over and over again (because Star Wars is convinced we want to see Order 66 from every angle possible). The only character you are allowed to have any confidence in seeing survive in Andor is Cassian himself and that’s because you know he can’t die until Scarif (a mere few years later). You’ve got a limited amount of time with this guy, but at least you know he won’t kick the bucket on screen like the dozens of other characters that die with more or less ceremony. Star Wars: Rebels killed their beloved mentor Jedi, Kanan Jarrus/Caleb Dume several episodes before the series finale.

Star Wars is pretty okay with killing off characters and they have never apologized for it.

But what do all of these deaths have in common?

You always know for a fact that they are dead. You see it happen, whether it happens fast or slow, you can always know that they are dead.

(Ahem, and this is why we should have hired an escort to ensure that Palpatine fell ALL THE WAY down that shaft and died in the cold of space rather than having time to resurrect himself in the Sequel Trilogy. Shafts are clearly the wrong way to kill someone as has been shown in the failed deaths of Darth Maul, Sheev Palpatine, and Ben Solo.)

Echo–another Bad Batch member–appeared to have been killed in the classic Citadel episode series in Season 3 of The Clone Wars. But as we found out in Season 7 when we first met the Bad Batch, if you don’t see a death confirmed, then you may keep that death in question.

Tech disappeared into the mist. True, he was about to fall hundreds of feet with a rail car falling above him…but we know Tech. If anyone can figure out how to NOT DIE in the time it takes to fall that far, it’s Tech. After all, he does have the ability to “…think clearly in high-pressure situations.”

Whether it’s a clone, Jedi, smuggler, spy, or random background Rebel pilot, you always know when they are dead. And with the mention of Tech’s goggles, I find that an even greater implication is that Tech may indeed be alive. Will he be the same on the other side of all of this? I can’t say, but he may still be alive.

And you know what? I’m okay with that. Because they never explicitly showed me he was dead, and I’m okay with him being alive…he deserves it, and so do we.

It’s not like Star Wars has to prove it must be taken seriously by showing that they are willing to kill off a beloved character, that’s kind of a Star Wars MO. It would be a change to actually see a group all make it out together!

Franchises like Marvel have overplayed the death fakeout, but Star Wars? Actually no, they have not, especially where heroes are concerned. Villains in this universe seem to have amazing bounce back abilities, aren’t we due for a hero to get a second chance as well?

Answer 3: yes

Foreshadowing, ah, that subtle, frightening weapon that when put in the hands of a master storyteller can create such a gut punch it leaves you breathless and coughing.

And the truth is, this season was chock full of foreshadowing that Tech wasn’t going to make it.

His life was endangered more times than the other Bad Batchers. There were lines and phrases (lsubtle things) sprinkled throughout the episodes that would be meaningless on their own…but frightening in the light of impending death. Even the fact that it required a “precise shot” to separate the rail cars, something that we knew was Tech’s wheelhouse after he shot their way out of the ipsium mine.

Tech had the most notable character growth of anyone this season, does that mean his story is done? He died a noble death, saving his siblings with a calm focus and love that is so in line with who he is.

Tech is the one who prepared Omega to face hardships when they found themselves stranded on a hostile planet, would it not be poetic that Omega takes his lessons and uses them to survive a future without him? It hurts, but it was well-written, almost hidden in the “filler” episodes that we complained about.

Answer 4: no

Tech has made a big impact on the Star Wars fandom.

One of my favorite things that Tech has done is to show some of both the unique beauty and the challenges and hardships of individuals who are on the spectrum, as he exhibits many qualities of someone on the spectrum. More TV shows are seeking to include characters who think and see things differently, and they are finding incredible success with it (just google Matthew on The Chosen).

Everyone is different, and not everyone can relate to Tech, but he has become a fan-favorite for a variety of reasons. Whether it’s Tech’s humor, his brilliance, his unexpected moments, or his character growth, Tech is a gift. Is Star Wars really done with this remarkable character?

What do you think?

I think it would be nice for once to see a Star Wars family actually get to remain intact and survive all of the chaos. Not that they won’t face hard times, not that they won’t change or grow, but that they actually get to all make it through together.

Answers must be had…we must have a Season 3. There is no way around it, we must have a Season 3.

So, do you think Tech really dead?

Chang Can Dunk Is a Slam Dunk

The “coming-of-age” genre usually produces a mixed bag of things to chew on, many of them worthy of spitting back out because they are pure junk.

Our culture sucks at helping kids grow up well. We teach them how to burn themselves out physically and emotionally before they are even in their 20s. We teach them to place their identities in fragile, superficial things. We teach them far too early about sex (often a toxic version of it) but not about true love and creating healthy relationships. We drive a wedge between children and their parents and then wonder why both fall apart. We give kids unrealistic expectations for life and misplaced priorities and then watch them unravel over time. We encourage children to do foolish, bad things and then act like holding them accountable is wrong (FYI, that’s not how the adult world works, so we are setting them up for a fall).

We glorify trauma at a level that waters genuine trauma down and also extends the power trauma has over children’s lives. We over hype life’s BIG moments but fail to cast a vision for the long journey that life is.

And unfortunately, coming-of-age movies usually add fuel to the fire…but occasionally, a gem of a movie comes along.

Chang Can Dunk is exactly what a coming-of-age movie should be.

Chang, a 16-year-old Asian American, bets the highschool basketball star that he can dunk by homecoming. The bet leaves 5’8′ Chang on a quest to learn to dunk–not only to impress his crush Kristy, but gain the respect of his highschool peers as well. But before he can rise up and truly throw one down, he’ll have to re-examine everything he knows about himself, his friendships, and his family.
Disney+ film description

I had seen a trailer a few months back and thought it might be cute but not necessarily memorable. Instead, I found myself gripped on a human level by the simple story of a kid who believes if he can just dunk a basketball, his life will change for the better. The story is simple, but the portrayal, meaning, and themes are rich and deep. We watch a kid learn what it means to grow up and grow up well. You come away from the movie having learned something and feeling encouraged, a rarity for movies in this genre.

Chang is a relatable hero if a flawed one. His dysfunctional relationship with his mother is one that can ring true for many families. His friends are genuinely positive relationships that shape and guide him throughout his story. His absent father is a subtle, never-seen character in the movie, but his lack of presence is felt in both the lives of Chang and his mother. That being said, his character is also shaped by an incredible mentor figure who gives him wisdom and guidance when he needs it the most.

Chang’s life and perspective are shaped by both lack and blessing. You see him rise high, and you see him fall hard. It’s sometimes a painful and even intense experience. These harsher moments are balanced out by moments of light humor, life-giving conversations, and actions of love and redemption.

This movie surprised me with the layers of depth and symbolism they wove into the story and characters. Plot threads were laid down well and followed through. The character arcs were realistic and messy in how they were lived out, but graceful and triumphant in their resolve.

If I went into every detail of this movie that I found beautiful, this article would be ridiculously long, and I would spoil the whole story. Instead, I will give you the highlight reel.

Chang is faced with many obstacles. He overcomes them, but not without facing failure, the death of some of his expectations and beliefs, and even a miserable amount of humiliation. This movie is more honest about what it looks like to fall, but the great part is watching how Chang gets back up. He accepts his lessons with humility, and he receives the wisdom offered to him by his friends, mentor, and even his mother. He does not park his life in his pain and failures (a terrible lesson we are unfortunately teaching many young people) instead, he grows through them and perseveres until things do get better. We watch Chang grow in character and in peace with both himself and others.

Chang’s mother is not likable for most of the movie, sometimes she is wrong and that is clearly shown. But rather than just painting her as a straight-up villain like many coming-of-age stories, we are also given a compassionate view of her broken heart, as well as the guilt she carries over her failures. She’s shrinking down to nothing inside, and she doesn’t know what to do. She and Chang spend much of the movie at odds with each other, but progress is made when they choose to love, forgive, and turn toward each other. This movie actually paints positive parent-child relationships as a necessary and desired part of life. How refreshing!

Chang’s friends are supportive of him, but also honest. The girl he likes, Kristy, has a healthy self-esteem and identity that is separate from being “the pretty girl everyone is interested in”. She encourages him in his relationship with his mother and also calls him out on the carpet about his crap. His best friend Bo supports him with his time and belief in him and is a good sounding board.

Chang’s mentor speaks life, wisdom, and affirmation throughout the movie. His powerful words of grace and gratitude put to shame the cheap, superficial jargon about small dreams, self-obsession, and empty goals many other movies of this genre have. He sees who Chang is, and who Chang will be, and he actively helps him on the journey of becoming that person. He is for Chang what his mother is struggling to be, and what his father won’t be.

Chang’s great moment of humiliation is intense and miserable, but you are shown that this awful experience is not the end of his life (we need to stop teaching kids this, it’s literally killing some of them)…in fact, this moment for him is the beginning of something deeper and richer. By the time you reach the end of the movie, you see a dream come alive that’s bigger than just dunking a ball. You see Chang for who he was made to be, and it is beautiful. He has grown, and we have grown with him.

If you are looking for a movie that will actually encourage your children to grow and thrive, Chang Can Dunk will do that. Don’t waste your time on the fluff and filth many other “classic” coming-of-age movies have to offer, go straight for the meat.

I recommend this movie for children aged upper elementary through high school for the intense emotions and light language (there are a few uses of hell, damn, and oh-my-g**). A teenage boy and girl share long kiss alone in a darker room (at about one hour into the movie). They are fully clothed and nothing extra is implied. We see public humiliation and bullying as well as the beginning of a physical fight between two teenage boys who we see are bruised after the fact.

This movie can be enjoyed by all people, but I think moms and dads will especially appreciate the topics this movie covers. Chang Can Dunk presents a wonderful opportunity to launch some powerful discussions with your children about life, perseverance, and relationships.

10/10, Change Can Dunk was a slam dunk.

Maisie Lockwood and Sylvie: How to Advance Plot Without Sacrificing Character Growth (Part 2 of 2)

In Part 1, I showed how two franchises advanced the growth of two main protagonists, Claire Dearing (Jurassic World) and Loki Odinson (Marvel) while still ushering in terrible world events. These two characters grew while still maintaining active participation in the story moving forward. The growth required from both Claire and Loki was that they show restraint where they previously had not. Both characters passed the test and chose to limit themselves.

However, if they had been the only players on the board, the terrible events would have been stopped right then and there. Which is great in a real-life scenario, but not so great for a fictional story that requires conflict to keep moving. The storylines in both the Marvel and the Jurassic franchises needed terrible events to happen in order to move forward.

This is where Maisie Lockwood and Sylvie come in. They are what I like to call “the innocents”.

Maisie Lockwood takes the role of “the innocent” in Jurassice World: Fallen Kingdom. She also fills that vital child role that exists in every Jurassic installment.

Look at that face! So much sweetness and fresh life!

Maisie Lockwood is the granddaughter of Benjamin Lockwood, who was apparently John Hammons’ business partner back in the pre-Jurassic Park days. A difference of beliefs separated the two and is our “convenient” explanation for why we have never heard of Lockwood before. Maisie is about 10-11 years old. She’s sweet, playful, curious, and has the beautiful sense of wonder that all of the child characters bring to the Jurassic series. The themes of the Jurassic franchise are never more clear than when we see how they affect children.

One thing we discover about Mr. Lockwood that is different than John Hammond is what Lockwood does with genetic technology. Lockwood decided to use genetic cloning technology to create a clone of his beloved daughter, who was tragically killed in a car crash. Maisie is not actually Lockwood’s granddaughter, but a genetic recreation of his daughter. The ethical questions involved there raise the roof to a whole new level. As I said in Part 1, every Jurassic installment is always engaging with the important theme of how we value life.

Maisie discovers Eli Mill’s evil plan to exploit the dinosaurs instead of saving them. She is caught by Mills when trying to investigate further, and he locks her away in her room and then murders her grandfather. Maisie finds her dead grandfather and has to escape where she blessedly crosses paths with the good guys, Owen and Claire. During the evening they are hunted by Eli’s latest pet project – the Indoraptor (your worst nightmare of a dinosaur). To put the cherry on top, Eli drops the bombshell that Maisie was created the same way the dinosaurs were. She’s a genetic clone that he had hoped to maintain control over. God only knows what he might have done with her if she hadn’t escaped! This revelation trumps any birds and bees or puberty talks any of us have ever had. Try processing that kind of information when you’re having the worst day ever!

The day ends in the control room where Claire has to make a horrible choice between letting the dinosaurs die, or setting them loose on an unsuspecting population. She wants to, but she cannot, so she walks away from the button in tears as she watches the beautiful creatures in agony. It’s awful…but then…

The light goes green, and the doors open releasing the dinosaurs to the wilds of California outside. All adults in the room turn around to the control panel to spot a tearful Maisie, her hand on the button. She has let the dinosaurs go.

Maisy I had to. They’re alive, like me.

Imagine having just learned you were created the same way these dinosaurs were?

It’s a uniquely triumphant moment for every dinosaur lover watching, even as we know there will be consequences in the end. The beauty of this scenario is that the dinosaurs were let loose, but we cannot actually feel anger towards the person who released them. Why? Because she is innocent, and from her perspective we understand her decision.

Maisie is a young child who has been through the most traumatic day imaginable. Her grandpa was murdered. An evil man wanted to control her. She was almost eaten. Everything she thought she knew about her life was wrong. She doesn’t even have a biological mother and father. Can you imagine getting hit with all of that in one single day when you are only 10 years old?

Children have very straightforward and honest logic. Sometimes it makes more sense than adults’ logic. And sometimes it has the best of intentions and the worst of consequences. They’re alive, like me.

In Maisie’s mind, the only right and moral decision is to release the dinosaurs. If she is alive and has value, so do they. Her value for life is strong, untainted by greed or bitter life experiences. Her heart was in the right place, even if she doesn’t yet have the wisdom or maturity to think beyond this moment and understand what she has just done.

Claire could not push that button and maintain her character growth, she knows better. But Maisie had to push that button to explain and advance hers. It’s all understandable and we follow the emotions and motivations perfectly. The Big Bad Thing has happened without compromising the growth of the characters who knew better. But Maisie doesn’t know better, and in every way possible she believes this is the right choice.

And who can blame her? Who in her life has ever taught her otherwise? The writers get their cake and get to eat it too!

Sylvie is female Loki variant who was stolen from her happy life as a child.

Sylvie was probably about the same age (in Asgardian years) as Maisie when she was kidnapped. She was committing the terrible crime of being a happy little girl, playing with toys in her own bedroom when a door from the TVA opened up and a Hunter came through and stole her away. They gave a timeline reset charge, and just like that, Sylvie was erased from existence. Scheduled to be pruned – KILLED, IT’S CALLED KILLED, PEOPLE – Sylvie made a brave escape and has been on the run from the TVA ever since.

She is a powerful woman in her 30s now (in Asgardian years). Her entire growing-up experience was about trying to hide throughout the multiverse and stay one step ahead of her pursuers. Revenge is what raised her. On the outside, she is beautiful, intelligent, cunning, witty, and bitter. On the inside, she is still that little girl who is devastated, terrified, and asking the obvious question -WHY?

Why was she removed from her happy life? What had she done that was so wrong it was okay to try kill her? WHY???

Observe. This is a child. A CHILD! The TVA just grabbed this child from her own bedroom floor, shoved her around like a criminal, and judged her worthy to be pruned. Not a single tear shed, not a single person listening to her cries for help. This is sick!

Loki falls in love with this vulnerable and aching place in her. Not because he can exploit her, which would have been the old Loki’s approach, but because he has compassion for her. Because he wishes he could restore that sense of peace, safety, and beauty of life that was stolen from her. I think he also finds her fight for life refreshing. The odd contrast between them is that Loki actually had a semi-decent life and often squandered it. He missed what was right in front of him and held true relationship at arms length.

Sylvie dreamed of getting to have that life but it was stolen from her without any decision on her part. Loki kind of deserves a lot of the crap he gets, Sylvie deserved none of it.

One of the most devastating moments to me in all of Loki was when Sylvie confronts Ravonna Renslayer, the judge who ordered her to be pruned as a child.

Sylvie Do you remember me?
Ravonna Renslayer I do.
Sylvie Why did you bring me in?
Ravonna Renslayer What does it matter?
Sylvie It was enough to take my life away from me.
Ravonna I don’t remember.

Ravonna’s dismissal of the pain she’s caused Sylvie is sickening. But then when Sylvie and Loki fight back against their TVA captors, Ravonna faces off against Sylvie with bitterness in her face.

Ravonna Renslyer This time I finish the job!

This time. This time, as opposed to last time when Sylvie WAS A CHILD ABOUT TO BE MURDERED?!? Ravonna regrets she wasn’t able to kill Sylvie sooner. This scene makes me ill. Ravonna wishes she had succeeded in murdering an innocent child. That’s so sick.

And yet, this belief system is alive in our world today. People justify the killing of unborn children, the elderly, or the disabled for a variety of reasons. “You wouldn’t belong in our world”, “You don’t fit our definition of perfect”, “You will have problems and might have a hard life”, “You will get in the way of someone/something else more important,” “You didn’t belong on The Sacred Timeline.” Etc.

The same, sick, twisted justifications that we see with glaring clarity in Ravonna are fed to men and women in the real world every day. We are fooled into destroying precious lives (young and old) by the same evil logic.

I do not say this to condemn anyone, but to condemn the lies and root of the evil itself. Life is PRECIOUS, this is a theme we see upheld in both Loki AND the Jurassic series.

When Loki and Sylvie reach the End of All Time and see He Who Remains, it’s clear to the viewer that there really isn’t a nice or safe option. We can figure out that the story probably needs He Who Remains to die. We also can figure out that the Sacred Timeline and the measures taken to protect it are evil. But is there a right choice here? That Multiversal War, whew, that’s a hefty price! The enormity of the choice sounds just dreadful.

Sylvie is right, you have to set things free. You cannot control everyone and call it “love” or “compassion”. True love does not control, this is a truth from God Himself. Loki is also kind of right, freedom and free will is a two-edged sword and there are sometimes dark consequences for it. Our own world has startlingly clear evidence of both of these facts.

Sylvie’s motivation and the intended goal remain focused. She’s going to destroy this man who destroyed her life, and in doing so she’s going to protect others from enduring the same suffering she’s had. Sylvie has had one thing to keep her alive, one purpose in life for who knows how many centuries: revenge. Destroy the people before they destroy her.

After seeing the horrors of the TVA firsthand, I can totally understand her motivation. It’s a heck of a better motivation than Loki ever had.

When I look at Sylvie, I don’t just see a woman. I see a terrified little girl trying to survive. Every time I stare into her big eyes, I see that raw fear and torment. I see her saying, *“Somebody help me!”*

Nobody ever tried to help Sylvie, so she had to help herself.

If I were in her shoes, who knows, I might do the same thing and feel entirely justified in doing so. Even so, enough information is shared by He Who Remains to give Loki himself major pause. Hold the phone, sister, we should think BEFORE we stab!

Loki is “right” in what he is saying. Most importantly, the hesitation and restraint he shows with both finesse and compassion are RIGHT for his character arc. Loki says “no” and I couldn’t be prouder!

Sylvie is also right. Both characters sort of face a no-win scenario in this scene. You don’t know what is going to happen, but either way, it’s going to be awful and messy. I loved that Loki said no, and I also understood why Sylvie said “yes”. She first removed Loki from the situation, and then followed through on her intentions to destroy He Who Remains once and for all.

She sees this moment as saving lives while avenging her own. She’s seen the waste and destruction of human life, and the trampling of freedom across the universe as she’s waged this one-woman war. Sylvie never had someone to fight for her. But she believes she can fight for others and spare them the grief she has suffered.

It makes sense, and it needs to happen. Marvel needed a bigger problem than the Purple Abomination Himself. A multiversal war should do the trick, and Sylvie was the perfect choice to stab that door open.

And now? Well, now we watch all of our characters face the consequences of choices made in the past and in the present.

…..

Well-crafted characters who are “innocents” should not be stupid or consciously rebellious. Many stories have made use of foolish or stupid characters to create trouble for the smarter characters to solve, and it gets obnoxious very quickly. An example of this would be every single scene with Frances in Disney’s classic The Swiss Family Robinson. That kid is anything but innocent, he’s a brat who almost gets his family killed time and again. His reasons for getting into trouble are not compelling or defendible, they are just foolish.

No, a truly innocent character has a legitimate and “logical” reason for the decisions they make. They may be naive, uninformed on some things, or unaware of the full consequences of their choice – like Maisie Lockwood. She’s an orphan child with a great deal of courage and a very simple sense of morality. You understand her heart and love her for it even while you know she is wrong.

Some innocents like Sylvie began as helpless victims caught in a whirlwind that they now seek to undo. This type of character can easily morph into a monster who believes any and all means justify the ends. They can become as evil as the thing/person they seek to destroy. One of the saving graces of Sylvie’s story is that it’s so incredibly twisted up, complex, and confusing, that you really can’t find a firm ground beyond one thing – all lives matter. Sylvie does fight and sometimes kill, but that’s usually after she’s attacked first. When she enchants Hunters to use for her purposes, she leaves them with a clearer mind and a memory of who they were before. Is every choice Sylvie makes good? No, I wouldn’t say that. But I understand many of them.

We see the evidence of a tender heart in Sylvie in the candy that she gives to the small French child Mobius interrogates. Or the comments Sylvie makes regarding a woman who is in love with her husband. We see it in how she looks at Loki when she kisses him before shoving him through a portal. Sylvie believes 1000% that what she is doing will bring greater good to the universe, and she will follow through on that even if it means losing a relationship with Loki.

…..

Complex and well-crafted stories can be intimidating to storytellers. I guarantee you that these stories are not as out of reach or impossible to create as you might think. The best stories are grounded and driven by beautiful, human characters.

Claire, Maisie, Loki, and Sylvie are some prime examples of brilliant storytelling and character development that we all can learn a lot from. When you create characters like these, it’s not hard to have your cake and eat it too!

Review of Disney+ Marvel 2021

2021 is almost over (holy cow!) and it’s been a busy year for Disney+ and the Marvel franchise. In order to try and be really relevant, I’m going to give my drive-by review and score of each show.

WandaVision (7/10)

I always felt that Wanda Maximoff was a character who was horrendously underused. She had been through so much and yet still had such a tender heart. Tenderhearted characters often get pushed to the background, especially if they are women, for fear that we might view these characters as “weak”. That’s a broken philosophy and the film industry/culture is suffering for it. Wanda is incredibly tender and incredibly strong. Tenderhearted women are often stronger than everyone else around them.

Vision as a character is one I’ve never focused on but always enjoyed. Back in the Civil War days of the Marvel, I wrote how Vision’s failure in Civil War when he accidentally shot War Machine was the doorway to him discovering what it means to be human. He’s only continued that trend since then, and grown more likable every time we see him.

The beauty and humanity of Wanda and Vision were shown quite briefly in Infinity War, but it made an impact. It made me hungry for more. On that note, WandaVision absolutely delivered. I had no idea that Paul Bettany and Elizabeth Olsen were so funny, I was constantly surprised by their incredible comedic delivery. However, their comedy wasn’t even paralleled by the depth of emotion and heart both leads brought to the table. They poured their guts out into the show and I felt it. Tears ran down my face multiple times as I watched them process love, fear, grief, curiosity, and hope. It was layers and layers of humanity unfolding and it was beautiful.

WandaVision was revolutionary in terms of TV-style. I’ve never seen anything like it before. I grew up watching sitcoms of much older decades, so I am right at home in a world influenced by The Dick Van Dyke Show, The Brady Bunch, and more. The architecture, clothing styles (Elizabeth Olsen was MADE for the 70s look), and pop culture references of WandaVision were like a love letter to American television and culture through the years. I enjoyed watching these larger-than-life, otherworldly characters interact with a world that I already felt at home in.

That being said, WandaVision got weird. Like, weird weird. Do y’all remember back in Spider-Man: Far From Home when Mr. Dell was asked his opinion on the strange happenings around them? His response

As a man of science? I think it’s witches.

was incredibly prophetic. The MCU has just gotten weird, and I’m not a fan of all of it. In full disclosure, I didn’t watch part of the second-to-last, and the final episode of WandaVision. Once we got into the territory of deeper witchery and dark magic, I was out for personal reasons (which I may share someday). I liked it better when we thought Wanda’s powers came from the Mind Stone. The show took her character to places I was not interested in going to.

*I do appreciate the fact that her new costume has more body coverage though. It’s about time!

I would be remiss in speaking on this show if I didn’t mention my favorite part. Or rather, my favorite character. Am I the only girl who walked away with a bit of a crush on Jimmy Woo? For real, he is the biggest surprise I have had in the MCU yet! How they took Jimmy Woo from being the funny but oblivious FBI agent in Ant-Man And The Wasp, to a dogged, smart, still hilarious character in WandaVision is close-up magic at its finest! I couldn’t wait for him to show up on screen and I want to see him so much more! And the pairing of Jimmy Woo with Darcy Lewis was yet another surprise. It’s like putting together two foods you think have nothing in common, and discovering that they were actually made for each other.

I’m 100% voting for a Jimmy Woo + Darcy show and I totally ship them. They were such a surprise and a delight. I enjoyed Monica Rambo’s character as well, though she didn’t hit me in a deep place. I admired the fact that she let her compassion and intuition drive her interaction with Wanda, even when Wanda pushed her away. That’s an important side of being a hero and Monica was worthy of that title.

All in all, I give WandaVision a 7/10. But I have no interest in delving deeper into the witch side, and I will not be a viewer of the newly announced show featuring Agatha. She played her role well, but no thank you! WandaVision was something incredibly unique, but not something I will watch again. It was a once and done for me.

This much handsomeness in one place is almost dangerous.

The Falcon And The Winter Solder (6/10)

I loved this show because Captain America: The Winter Soldier is my favorite Marvel movie. In fact, it’s not just my favorite Marvel movie, it’s one of my top 10 movies of all time. I think it’s one of the most perfect movies ever written and carried out. Steve Rogers was the character who carried my heart into this new world of Marvel that I first entered into as a teenager. Steve, Sam, and Nat were my favorite Avengers. Sam’s introduction into the MCU is my favorite character introduction.

All of that to say, I love this window into the Marvel world and this side of the story matters to me a lot. I was pleased that Steve chose Sam to carry the shield, even as I was grieving the loss of my Avenger. I was also angry at the huge lack of answered questions in Endgame regarding the details of Steve’s…I don’t know, return? Disappearance? Is he living on the moon? I’m happy for Peggy and Steve, but sad for me.

As I said above, the MCU has just gotten weird, and I don’t like all of it. Captain America stories were always very down to earth, very human. The trend continued in The Falcon And The Winter Soldier, and my heart just really needed it.

Here’s the funny thing, in terms of overall plot and story execution, I think large parts of TFATWS were actually terribly weak. The show struggled to gain traction for the first episodes. There were a few places that didn’t fit well with Sam and Bucky. It didn’t deliver well or clearly on the villain front. Neither Karli Morganthau or John Walker fully occupied that space. And once we broke Baron Zemo out all we cared about was that fabulous dance scene, so nevermind on him. I just kept waiting for the reveal, the hand holding the puppet strings behind the smaller characters. I thought that person was going to be The Power Broker, who would be revealed as a Big Bad from the comics. But no…

My biggest beef with the entire show was the very lazy (in my opinion) choice to make Sharon Carter The Power Broker. We got a big fakeout build-up “oh guys it’s probably Sharon but we’re gonna make you think that’s the red herring” and then it actually turned out to be Sharon! But the execution of her character wasn’t even done well. It was too harsh, jarring, and obvious. So obvious it seemed like the lie they wanted us to believe, and then just decided it would be so. As a Sharon Carter fan, I felt gypped. It’s not my fault that the entire MCU creator group forgot about her existence since Civil War, and it’s certainly not Emily Van Camps’ fault. In fact, I read that they intended to make The Power Broker the Big Bad for Captain America 4 (yay!), but after the poor fan reaction they may be reducing that role (internet rumor). Well, if that’s the case, then that’s on you, Marvel creators. The way you treated her character stinks and I didn’t even believe it while I was watching it unfold.

While I felt the overall plot elements were shaky and messy (potentially due to changes made after COVID hit), I think the nuances of this show were done really well. Like, really well. I was noticing everything and there was a lot to notice.

I need to address the Bucky elephant in the room. I’ve always liked Bucky, always rooted for him. But I wouldn’t say I ever loved him. And now? OH MY SEBASTIAN STAN, SWEET GLORY WOULD YOU LIKE TO STAY FOREVER? We’ve never gotten to see Bucky like we got to see him in this show. The layers and levels of emotion, humanity, and joy that this man displayed left me breathless every time! I just wanted to keep staring at his face when he smiled, or laughed, or made a breakthrough. I couldn’t get enough of Bucky and I want SOO much more of him!

The nuances of this show where character developmental storytelling happened was excellent. They made use of everything: body stance and choreography, the script, costuming, soundtrack, location, everything! Every layer and detail told you what a character was currently bringing, feeling, or needing. Even the props were used to tell a story behind the story. I don’t have time to jump into the details in this post, but in this regard The Falcon And The Winter Soldier excelled.

I found the ending (aside from the Sharon thing) very satisfying. It was nice to end a show where two characters are actually happier and at peace with long-standing issues. It’s not that every problem has been solved, every war won. But the personal war Bucky and Sam had going on inside of them / with each other is over. They’ve taken their places as brothers of the shield and have become family. I could watch the barbecue on the pier scene over and over and over again. That was something special and it needs to be protected. Despite the fact that I think that in many ways WandaVision was better executed, I don’t want to revisit that show. But I will be rewatching The Flacon And The Winter Soldier in days to come. Love can be forgiving like that. I wrote in-depth articles on each episode for my personal social media back when they were released. Some day I may clean those up and take you on a deep dive into this series, but for now I will end with this.

Ahem. #releasethebuckysarahcut

Loki 9/10

I was nervous about this series. I’ve been so disappointed by Loki in the movies over and over again. Every time it seemed like we took a step forward with Loki, something stupid made him slide two steps back and we started all over again. If Tom Hiddleston wasn’t so incredibly adorable I would have given up sooner.

I hated his ending in Infinity War. The movie just went downhill from that moment on. It felt incredibly meaningless and worthless. What a waste of talent and potential! Once we found out about Loki after Endgame, I waited with skepticism. Fool me once, shame on you. Fool me a bazillion more times with one of Britian’s finest, shame on me for thinking you had changed.

I didn’t watch Loki as it came out, I waited until I had more information. The reports I received plus the research I did gave me enough of a reason to give it a chance.

Wow, just wow.

Again, I have never, ever seen anything like this show. It was like the weirdest scifi/fantasy trip mixed with some sort of 70s show featuring a beaurocratic government agency, all while bringing game-changing plot elements to an entire franchise! It wrestled with questions involving the value of every life and free will. And above all, this show actually changed Loki for the good.

Storytelling-wise, I think this show did a bold thing by having so many “just talking” scenes. In book storytelling, a long conversation doesn’t raise as many eyebrows as it does in visual storytelling. Writers and directors can love these scenes, cinematographers can hate them. Many viewers can complain about them as well.

I’m a writer so I love talking scenes. But even more than that, a good conversation is something that will attract me more than anything else. I have talked with people for 5-8 hours before and not gotten bored. Conversation is a foundational layer of relationship and growth (with God or with people), and one reason we all are struggling so much is we don’t know how to converse well.

Loki embraced conversation wholeheartedly. And when someone as talented as Tom Hiddleston is the speaker, that conversation becomes like an action scene to me. The way he and Owen Wilson (Agent Mobius), or he and Sylvie tossed words back and forth felt like active, stirring story.

To cap it off, one of the scariest scenes I have ever witnessed in the entire MCU took place during a seemingly normal conversation. He Who Remains gave the worst download of information. It was like Gandalf telling Frodo how all of Middle Earth is about to go to hell in a handbasket if he doesn’t destroy that oh-so-normal looking ring his uncle left him. He Who Remains was so casual about life and death and the fate of the universes, it was awful.

Loki’s transformation throughout his show set the stage for some of the best storytelling to come. The introduction of characters like Sylvie and Agent Mobius (and He Who Remains) all gave such unique viewpoints. I cannot wait to see what happens next and I am still in awe of how well this show was made.

I think what we are discovering with both the Marvel and Star Wars Disney+ shows is that some stories are told better in a episodic format, where more time and attention can be given to details and subtle development. Loki was absolutely proof of this as it accomplished for the character of Loki in 6 episodes what 5 movies could not.

Despite my dislike for the show, I acknowledge the animation is quite beautiful.

What If 3/10

Whew! Harsh rating eh? Well, it’s my blog, I can do what I want to. Full disclosure here, I only made it through a few episodes. 4 to be exact and I didn’t even finish the zombie episode because it was terrible. I cannot believe that episode is the inspiration for a whole new series on Disney+.

I am likely not the target audience for this particular show, I’ll give them that much. This show is for deeper Marvel fans than I am, and for people who don’t mind the rearranging of their characters. I have a friend who absolutely loved this show and we have still remained friends despite our differing views.

The stars I do give here are in honor of T’Challa’s Starlord episode. That one I truly did enjoy, probably because it was actually an episode that had a happier outlook than the main MCU timeline. The other episodes I tried I just felt more depressed and found them dark. Also, it felt like the characters had no real emotions. They were cardboard cutouts of the characters we’ve come to know and love. I felt that things were done just for a cheap joke that were actually disrespectful to the characters. I also felt that some of the voices didn’t adapt well. Sebastian Stan’s voice acting left something to be desired. Hayley Atwell, on the other hand, fit it like a glove.

But T’Challa’s episode was beautiful (visually), happy, genuinely funny, and it made me feel really glad to know that Chadwick Boseman’s family gets to enjoy that episode in memorial of him.

Beyond that, I really have nothing to say. I may try a few more episodes and if I change my mind I’m not above updating a post with new info. I think this show was for a niche audience and that’s who enjoyed it.

The colors of this series already look amazing!

Hawkeye (Prediction) 11/10

I know, Hawkeye hasn’t even come out yet, but I have a feeling. I have pretty good instincts on these things, plus, I can read the room. Everything is aligned to make Hawkeye the most successful and beloved Marvel show yet.

Clint Barton has never gotten his day in the sun that he deserves. He’s been around in the MCU almost longer than anyone (who’s still alive that is), and he’s still been waiting for that spotlight. In fact, Jeremy Renner said that in the first 2 weeks of filming Hawkeye he had more lines than all of his previous movie appearances.

Clint Barton is our last original Avenger who hasn’t gone through radical physical changes, been killed, or travelled back in time to marry his sweetheart. Clint is also radically normal compared to every other superhero. He’s a family man (cheers for the family men!). He’s got a farm. He just oozes dad feels everywhere he goes, often taking in the strays and giving them a chance to succeed.

Clint Barton is a hero for the deaf community. He’s a hero to the normal people (which we all are). He’s a hero to those who have suffered grief and loss as well as regrets. He’s a member of the “cool movie dads” Hall of Fame. He’s also hilarious. Oh yeah, and this show has a DOG and IT HAPPENS AT CHRISTMAS TIME IN NEW YORK CITY!

The world is ready for this. We want some normal. We want a dad. We want a good guy who doesn’t have it figured out but is doing his best. We want a dog (okay, I want a dog). We NEED a little Christmas, right this very minute!

We. Need. Hawkeye.

And finally, we are being given Hawkeye.

This show is going to be incredible.

What are your thoughts? How would you rate the Marvel Disney+ shows so far?

Loki Odinson and Claire Dearing: How to Advance Plot Without Compromising Character Growth (Part 1 of 2)

As writers, we often face a challenge when trying to figure out how to usher in Big Bad plot elements, but do so in a way that does not also compromise character growth. Typically these game-changing plot elements take place in a larger narrative like a series or franchise where a story has been building up to this climactic point. Both Marvel and Jurassic Park/World are excellent examples of a continuing storyline where the single-story installments fit into a larger picture that is always building upon itself.

In recent years, some big changes needed to happen in both franchises. We’re talking huge, world-changing plot elements.

Ian Malcolm Welcome to Jurassic World… #fallenkingdom #jeffgoldblumforever

For the *Marvel Cinematic Universe,* we needed a bigger problem and evil than Thanos wiping out half of all life in the universe. 10 years had built up to *Endgame.* We needed something bigger. Enter…*the multiverse!*

Coincidence is not a strong plot mover, every good writer knows this. Neither is it good or honest storytelling to only have the villain characters be involved with dramatic and damaging events. We’re all flawed, broken people. Sometimes those with the best of intentions can create terrible scenarios *coughs* Tony Stark. The triumph of these deeply-human stories comes when a character grows and is able to face the new challenges with a fresh perspective that leads to victory.

Two protagonists for recent installments in the Jurassic and Marvel franchises are a perfect example of how to not compromise character growth for the sake of plot advancement.

Claire Dearing is the primary protagonist for Jurassic World and Jurassic World: Fallen Kingdom

Claire Dearing is all business, even at the expense of her own humanity. She’s not mean, she’s not visibly evil or a “villain”, but she has a broken perspective on life that blinds her to the dire consequences of her choices.

The protagonist is the character that changes the most throughout a story. While many characters have life-changing revelations throughout the two Jurassic World movies, Claire Dearing is without question the character that undergoes the most change.

The running theme of the entire Jurassic franchise is this question: how do we value life? We see characters and animals interact with this theme in both positive and negative ways in every movie. Even the short film Battle at Big Rock faithfully follows this theme. One day I will discuss this franchise and its message in depth.

When we first meet Claire Dearing she is the director of the larger-than-life theme park, Jurassic World. Finally! John Hammons’s original dream for Jurassic Park has been realized and it is magnificent!

Claire is a cold and removed person when it comes to human relationships, and she has zero connection to any of the animals under her care. In short, Claire does not have value for life. She fails to see its beauty, purpose, or hope. Her nephews come to visit and she cannot even spend more than five minutes with them. She’s got a disdain for the very human character of Owen Grady and disregards his good advice about understanding her own animals. Without thought, she is a party to the creation of the Indominus Rex, the chief animal antagonist of this story.

Throughout the beginning of the movie, we see Claire make choice after choice that is irresponsible and emotionally removed. The worst decision she makes in conjunction with the park’s owner, Mr. Masrani, is to send a containment team after the Indominus with non-lethal weapons. They ignore the warnings of Owen Grady – the character with the most accurate worldview – and send the team in any way. Claire’s hard shell begins to crumble as she watches one person after another get violently killed by the dinosaur.

Throughout the rest of Jurassic World we watch Claire change. Her attention turns from the park’s reputation to just saving lives. She goes running off into the dangerous forest (IN HEELS) with Owen in pursuit of her nephews. She lets herself feel the grief and pain of a dying brachiosaurus that is mauled for sport by the Rex. She does insane things to protect what matters – life! By the end of the movie, Claire is functioning as a fully engaged human being.

Claire throws everything she has into protecting her nephews and Owen from the Indominus Rex. She lets herself be touched by the pain, the beauty, and the wonder of life. Claire is fully awake by the end of *Jurassic World.*

Has she learned her lesson? Has she grown?

When we see Claire in the next installment, Fallen Kingdom, she is employing the same drive we saw in the first movie, only this time it’s about protecting the dinosaurs that are left. Isla Nublar is about to be destroyed by a volcano, and all of the dinosaurs will die, becoming extinct once more. Claire’s life mission is to try and ensure that doesn’t happen. It’s a noble goal, and it’s a joy to see Claire giving her energy towards preserving life instead of exploiting it (and this time she does it in boots like a sensible human).

But Claire still exhibits some of the same recklessness we saw her use at the beginning of Jurassic World. Her panic to make up for her past mistakes and guilt has caused her to pendulum to another extreme – a very common reaction among humans. She’s overcorrected too far, and this leaves her in a broken relationship with Owen Grady, and vulnerable to being manipulated and used by Eli Mills, the primary human antagonist.

Claire has thrown herself fully into the mission of saving the dinosaurs, but it’s gotten beyond her reach at this point.

Crazy things happen, and at the end of the movie a large collection of dinosaurs has ended up on the mainland in California. Multiple species have already been sold via an illegal auction and shipped around to world to be used for nefarious purposes. The dinosaurs that remain are trapped in a large facility that is filling up with toxic fumes. It’s a horrifying scene, dinosaurs wailing and trying desperately to get out as they are dying at the expense of greed.

Claire discovers she can free them with the push of a button, but to do so means they are set loose on the general population.

Owen Grady Claire, you press that button there is no going back.
A beat…Claire We can’t let them die.

Her hand hovers over the button…but then she steps away in tears. Finally! Claire Dearing has learned her lesson at a horrific cost. It’s a terrible decision to have to make, but her lack of restraint (along with others) has helped create this mess, pushing that button will only further it. It’s awful, but it’s solid proof – Claire Dearing has grown, her character arc is intact.

The agony of having to say no to pushing the button…

Aha! But for the overall story plot we still need the dinosaurs to get out…so what do we do now?

Loki is the primary protagonist for the show Loki. Obviously.

This character is only beloved because Tom Hiddleston IS SO CRAZY ADORABLE!

To say Loki is a stinker would be putting it mildly. He’s wild, unpredictable, violent, cunning, and constantly keeping you guessing as to whether he will help you, or betray you. Unlike Claire Dearing, Loki definitely fits into the villain category. If Tom Hiddleston wasn’t so everlastingly adorable, Loki would not have been the fan favorite he is. His character was brought to a tragic and emotional end at the very beginning of Infinity War. It was unsatisfactory and Loki fans were devastated. Then in Endgame, a freshly butt-kicked Loki managed to escape through time right after the first Avengers movie. This Loki is raw, unedited, and still the jerk that killed 80 people in just a few days + invaded New York because he’s Loki.

The running theme for the show Loki is this question: are we trapped by destiny or do we also have free will?

It’s a hard question to answer in a pretend universe that doesn’t have the true, gloriously good God in it. I don’t have time to dive into that topic today.

Loki finds himself quickly taken into custody by the TVA – Time Variance Authority – and taken to a place outside of time. He is shown the story of his whole life beginning to end, told that his entire life purpose is for his worst to bring out others’ best. He’s also told that as a Loki, he is “destined to fail”. Loki learns that he is just one of the thousands of other Loki’s from thousands of other universes. The TVA is the organization assigned to protect the “Sacred Timeline” and ensure that all events go according to the instructions of the Time Keepers, who somehow know more about everything than everyone else. It’s rather vague and full of bureaucratic red tape.

Also, now that Loki has stepped outside of the “Sacred Timeline” by escaping from his story, he has created a timeline branch and as a rogue variant, he could quickly be scheduled for pruning. A nice word for – execution. Loki, doing what he does best, negotiates for a chance to help Agent Mobius track down another Loki variant that’s been kidnapping TVA agents and wreaking havoc.

The best of Britain paired with the best of America on one screen. It was SOOO GOOD!

Loki’s initial desire and character goals are pretty standard for him. He wants to conquer the TVA and rule the timeline/worlds/everything/everyone.

The funny thing is how small Loki appears in the eyes of all he comes across. The only character who shows any interest in Loki as a person is Agent Mobius, the kindest person we run across at the TVA. And even Mobius isn’t overawed or impressed by Loki’s grand statements or drastic threats. A Loki is a Loki, they always lose, right?

Loki crosses paths with the other rogue Loki and discovers she’s actually a woman named Sylvie who, unlike other Loki’s, has zero desire for ruling anything. She wants to kill the Time Keepers and end the TVA once and for all as payback for them kidnapping her as a child. Apparently, she was a variant who didn’t “belong” on the Sacred Timeline and therefore was scheduled for pruning. It’s horrific but shows something true that happens in our real world. More on that another day.

A very sad little girl is now a very angry grown woman.

Loki has not previously been known for quick character growth, but in the course of just 6 episodes, he is confronted with the ugliest, darkest, most vulnerable parts of himself. He’s drunk on his own selfish ambition. He hurts other people in order to appear powerful. He’s self-obsessed, angry, scared, and doesn’t know how to create healthy relationships. And the worst part is this, according to everyone he comes in contact with besides Sylvie, this is just his destiny. He’s destined to never be happy, to never succeed at anything, to always be this terrible person.

Throughout one of the craziest and most brilliant shows I’ve ever seen, Loki finds himself pushing back against this empty version of himself, which is actually his own antagonist. Loki, as he’s always been, IS Loki’s own worst enemy! What if he can be more? Who says he has to be the villain in everyone else’s story? As the show progresses, Loki begins to care more about the needs and well-being of characters like Mobius and Sylvie even more than he thinks about his own selfish needs.

Watching layer after layer of Loki unfold as he spends more time with Sylvie was a joy. THIS is the Loki we have been hoping for! Not the petty, selfish, angry Loki. No! The Loki who uses his brilliant mind, witty humor, and genuine strength to protect, uplift, and do good. It was always possible, but now we *see* him fighting for this better version of himself.

Loki and Sylvie reach the End of All Time and discover He Who Remains. In a quiet discussion held in an office, we hear the most frightening story yet revealed in the MCU. This man is from the future. He is a scientist who discovers the multiverse and connects with other variants of himself. Things are great for a while and the multiverse enjoys travel and communication among the universes. Until, of course, a variant of He Who Remains decides he wants to rule all, and multiverse wars ensue. It’s apparently so awful that He Who Remains decided the best way to solve the problem was to create the Sacred Timeline and control everyone’s lives. He created the TVA to protect this timeline and quickly prune and reset any timeline where something gets out of line. He has been doing this for millenniums. But now he’s tired. He gives Loki and Sylvie two options (1) kill him and unleash the timeline and the multiverse (2) take over his job and rule.

Sylvie still wants to kill He Who Remains as he is responsible for her kidnapping and erasing her life. She believes he is lying just to save his own skin. She is about to kill him when Loki stops her. A back and forth of passionately emotional dialogue, magic, and fighting ensues where Silvie is trying to reach He Who Remains, and Loki is trying to intervene.

Sylvie Ah, you want the throne.

Loki No, that’s not it, no. Sylvie, the universe is in the balance, everything we know to be true. Everything. I know that the TVA has hurt us both, but what if by taking him out, we risk unleashing something even worse? I promise you from my heart, this isn’t about a throne.

More fighting.

Loki Sylvie, the cost of getting this wrong is too great.

Sylvie Fine, then kill me and take your throne.

Loki Stop. I’ve been where you are. I’ve felt what you feel. *crying* Don’t ask me how I know. All I know, is I don’t want to hurt you. I don’t want a throne. I just…I just want you to be okay.

NO ONE IS SOBBING HERE! NEVER MIND, WE ARE FINE! IT’S TOTALLY OKAY THAT LOKI IS LOOKING AT HER SO SOFTLY WITH SO MUCH COMPASSION AND TENDERNESS! WE ARE FINEEEE!!!

They kiss, it’s gorgeous and no one is sobbing on the floor. We’re fine!!! And then Sylvie shoves him through a portal back to the TVA, removing him from the situation entirely. Determined and dreading what is coming, Loki runs to find Mobius to fill him in on the drastic changes that are about to take place.

Loki He’s terrifying. He planned everything. He’s seen everything. He knows everything. It’s complicated, okay. But someone is coming. Countless different versions of a very dangerous person. And they’re all set on war. We need to prepare.

Loki went from rampaging around the universe, causing wreck and ruin all because he was burdened with glorious purpose, to suddenly only caring about others’ needs and future. He now only says “I” in reference to his selfless feelings for someone else. He uses the term “we” when speaking of himself and Sylvie, or himself and his allies/friends at the TVA. Loki is no longer alone and no longer seeking a throne. His life actually is burdened with glorious purpose now. He’s free, Loki won over Loki.

The ironclad proof of Loki’s character growth was his attempt to restrain Silvie from destroying He Who Remains. Whether that was the right choice for the future of the universe or not, it was the right choice for Loki’s character arc. He said no to the throne, and yes to what he believed someone else needed. Loki has grown.

I love that turned-up collar, it’s so him.

Aha, but we still need the timeline to be unleashed…so what do we do?

The answer is simple, we bring in the “innocents”. We solve our plot problems with the innocents. I’ll explain in Part 2.

A Summary Of Star Wars : Rise Of The Resistance And The First Order Era

Star Wars Resistance : Everyone’s Battle

Resistance is a bit of a tough story to place on the timeline as it begins in the six months leading up to the events of The Force Awakens, and wraps up around the events of The Rise Of Skywalker.

This show has a lighter touch in some ways than the very-heavy Clone Wars series or Star Wars Rebels. Still, it’s provides an hugely important perspective to the story line as a whole, especially for the new territory covered in The Sequel Trilogy.

A thought that was begun in Rebels, given a spotlight in Rogue One, and then extended into a primary theme in the Sequel Trilogy is this:

This fight belongs to everyone, and we all have something to contribute.

Resistance plugs directly into that theme with the main character of Kazuda Xiono. He’s a skilled pilot from the New Republic Navy and the son of a wealthy senator. He’s a nice kid but horribly naive and inexperienced.

Still, he’s got potential, potential that is recognized by everyone’s favorite hotshot, Poe Dameron, who recruits Kaz to become a spy for the Resistance. He is assigned to The Colossus, a large oil platform on a water-covered planet. Intrigue and shenanigans ensue, but the shadow of The First Order and the grievous events that are about to take place slowly move into the show’s plot.

The beauty of this series is that we get some new perspectives on a story where we, the audience, have far more information than the characters themselves. We know how all of the dots connect. We know what we believe about the Empire, the Jedi, The First Order, the Resistance, etc. Not all of our characters know where they stand on these issues. Most of them only have half of the story.

Watching the oh-so-normal character of Kaz progress from a raw recruit to someone who is suddenly thrust into a place of leadership under heartbreaking circumstances is actually rather encouraging. It’s a reminder of what each of us is capable of given the chance. We also see other characters that could easily be underestimated using whatever gifts, talents, and experiences they have to pool together into a common goal.

The key to defeating the Empire, and then The First Order was always one thing above everything else. This HAD to become everyone’s battle, the Rebels/Resistance could only keep this evil at bay for so long. Eventually, all kinds of people across the galaxy were going to have to rise up and do their part.

Star Wars Resistance does an excellent job of showing us how that kind of a movement begins, and how it feeds into a New Age of Resistance in Star Wars.

Everyone’s Battle.

The Force Awakens : Awakening, Old And New

I think this is my favorite Star Wars movie.

It was the first one I saw in theaters, it was an unforgettable experience and the wealth of emotions I walked away with were intense.

It’s an aptly named movie. The job that this movie had to fulfill was to blend into an already established story line but cover new territory. It had to give us a sense of nostalgia while also laying a path for new plots and characters. J.J. Abrams had to awaken a whole lot of stuff.

He was successful. This movie reminded me of the best parts of what I loved from the Original Trilogy, especially in how he brought back the physical elements of the settings, props, and alien characters.

Story-wise, we experience an awakening on multiple levels.

Finn discovers that the life of a Stormtrooper sucks and he isn’t okay with the job requirements. While we now know that he is Force-sensitive, so that makes him stronger in his will and choice to change, this was a big decision for Star Wars.

The Stormtroopers had been faceless minions for so long, I have wondered since I was a kid if they had any feelings or thoughts of their own. Finn proved the stereotype otherwise.

Finn instantly became a delight to me as I saw him not only fly in the face of brainwashing and discipline, but he also opens himself up to caring about another person (Rey) and facing his biggest fears to protect her.

Poe Dameron is a vital plot-mover in this chapter but he doesn’t experience his biggest challenges and growth until the following two movies.

Han Solo, Leia, Chewbacca, and Luke Skywalker. This movie is described as “Han’s” movie as he is the Original trio-member most featured here.

Clearly some poop has hit the fan in the past 30 years and Han hasn’t been at his best in a long time. Grief can do a lot of things to a person. But while we are saddened to discover how many things have gone wrong, we also see Han again decide to be the man we know and love. The guy who runs into a mess because he’s just crazy enough to think he can make a difference. He still loves deeply, and his actions still change lives around him. Even in death, Han’s presence still lingers in the air.

Chewie is Chewie forever and we love him to pieces.

General Leia is probably the OT character doing best right now, but even she has her regrets. I found the conversations she and Han share about their son and the choices they made honest and humble. They both made mistakes, they’ve both been hurting, but their love is still strong, and they want to fix it.

Luke Skywalker. He’s kind of a disaster. But at least we found him.

Clearly the strongest awakening that happens in this story is for Rey and Kylo Ren.

Rey was just minding her own business, scavenging in the highly-sought after resort location of the deserts of Jakku. She had a thriving community of fellow scavengers and people getting more than enough to eat, and her boss was in the running for Galactic Boss of The Year. Or…not.

The whirlwind of events that catch Rey up out of her lonely life and pull her into a world of myth-turned-reality, new friends, old emotions, and the awakening of her Force abilities is incredible. I love how Rey works her way through this movie, she responds well (mostly) to each thing; but it’s not like she planned for any of this. Everything is a surprise! She’s flying by the seat of her pants this whole movie. It’s kind of nice, she has no expectations and very little pride, so her reactions are genuine. It makes her victories sweeter.

In contrast, Kylo Ren’s awakening is a bit ruder and definitely more uncomfortable for him. He is reprimanded multiple times by his mentor, Snoke, he fails many of the tasks given him, and his family issues are all up in his throat. He discovers someone new who he is both drawn to and afraid of, because he can sense her power.

He kills his dad (not his finest moment) and then gets his butt kicked by a little lady who grew up in a junkyard.

It’s not exactly a fun few days for him, but the truth is something had to be stirred in order for him to advance as a character. We walk into his life and immediately see the amount of daily turmoil he exists in. Kylo Ren is not exactly a likable character in this installment, but we had to start somewhere.

Loss and victory, new friendships, old problems, and a whole bunch of X-wing fire make this movie both a familiar song and a new dance. It awakened the Star Wars fandom and reinvigorated the big screen story that had been silent for well over a decade.

Awakening, Old And New.

The Last Jedi : Challenging The Status Quo

The Last Jedi was controversial if nothing else.

Some people loved it. Some people hated it.

I have parts I love, and parts I’m not overly impressed with. But I think the real purpose of this movie and the strongest theme was this :

Challenge the status quo.

This plot of this movie has some very definable holes. Admiral Holdo’s BIG SECRET PLAN and Finn and Rose’s sideline mission are among the very worst.

Although, Holdo’s brilliant purple hair is definitely something to write home about.

Still, I think this movie did accomplish something important for the Star Wars universe.

Poe and Leia’s relationship. We have seen the mentor/trainee role played out with Jedi and their padawans multiple times, but rarely have we gotten to experience this relationship in a different context.

Leia’s disgust with Poe’s reckless behavior almost seems contradictory in the face of how many sacrifices we’ve seen her and other Rebels make. But perhaps that’s a part of the bigger picture, she’s matured enough to know what missions are worth giving your all, and when it’s time to live to fight another day. An idea that Rose Tico echoes. Perhaps it’s hitting close to home for her since we saw her sister Paige die in Poe’s reckless mission.

Obviously sacrifice and commitment is a part of any endeavor like this, but it’s wise to challenge the idea that we always must go as far as we can, especially when talking about how many casualties you incur. This new approach saves the Resistance’ bacon at the end of the movie where Poe proves he’s been listening by readjusting his mentality, and leading the Resistance out the back door to freedom.

The Force

Sometimes people over-complicate the problem. I’ve been one of those people before so I get it, but still. The Jedi are notorious for over-complicating the problem, and unfortunately Luke himself fell into that trap.

Did anyone else notice in the Sequel Trilogy that as soon as Han Solo contradicts Finn’s adorably naive “misconceptions” about the Force, suddenly everything about the Force changed?

That’s not how the Force works.

Uh, wait, maybe it does.

From Leia’s amazing space flight, Rey and Kylo’s strange “Force Time” calls, to Luke’s Force-projection of himself across the galaxy, some pretty wacky stuff happened with the Force.

I guess that sometimes the Force is more mysterious and bizarre than we think. And then again, sometimes you just use it to pick up rocks.

I know this offended some people, but I don’t see why it should. Just because something has been known about for thousands of years doesn’t mean it’s always understood, or used properly. We’ve seen that time and again throughout real human history, it actually adds realism to incorporate it into this fictional universe.

Sometimes mentors are wrong.

The status quo of wise older mentor training the overeager trainee was upheld with Leia and Poe, but it was contradicted with Luke and Rey. Rey earnestly seeks guidance and aid from Luke, but he has little to offer her. By the end of her stay on Ahch-to, Rey is the one schooling Luke. Her wisdom comes from her heart, much like he lived in his younger years. He’s been spending too much time in his head, and he’s tasted the bitter results.

Luke has the maturity and humility to admit his mistakes at the end of this movie and actually help Rey from making the same ones later on. But it was her example that helps to inspire him to action.

No, the good girl can’t always change the bad boy.

Rey and Kylo’s interaction throughout this whole movie gives you a hope that she might be getting through to them. They are tender and vulnerable with each other, Kylo’s betrayal of Snoke and their teamwork to defeat Snoke’s Praetorian Guards makes you believe he will change. It would seem the old belief that “good girls can save the bad boys” is real.

It’s not, Kylo isn’t ready to change yet, Rey can’t get him there. It’s a broken concept that is exposed here for its dangerous flaws. She does her best, it doesn’t work, so she leaves. #timetowipeyourownnosebuster

Even in the next movie when Kylo does change, he makes that choice on his own. Rey was definitely a positive influence on him, but she does not change him. He chooses to change.

You can lose everything and still win.

Failure is not an option. Does that thought ever echo in your mind?

Do or do not, there is no try. What the heck does that mean and does it even make sense? I’m not sure it does.

The Resistance is a disaster at the end of this movie. It’s the lowest point our hero characters have been at since Order 66 and Revenge of The Sith. Sometimes you think you’ve gone as low as you can go, and then you find out there is a sub-basement under the regular one.

That’s where the Resistance is at. Broken, but not beaten. This is a challenge to the status quo that we as humans carry as a great burden on our shoulders.

I can’t lose my house. I’ll die without this relationship. I’ve put everything into this business, it can’t end. I need my car to be okay. Etc.

We have people holding onto things for dear life with the belief that failure is not an option. And a lot of them are missing the bigger picture, holding the wrong priorities, and burning themselves up.

Losing things, relationships, jobs, etc, it’s not fun. But it’s not the end of the world, and you can come back from something like this. You are still alive and that is a gift. We would do well to recognize how many things do not actually define our success or our ability to go on. We would do well to be carriers of hope instead of fear.

The Last Jedi challenged many status quos for Star Wars and wrongful culture in general. Like it, hate it, you have to admit it accomplished that much.

Challenging The Status Quo.

The Rise Of Skywalker : Endings And Beginnings

The Rise of Skywalker was many, many things. Seriously, so much happened in that movie. Some of it was well done and some of it was half-baked. I neither love it to death nor do I hate its guts. I’m not going to try to unpack every detail of the movie, I’m gonna stick to a few specific things.

Endings

Leia’s Legacy Is Complete

This was “Leia’s movie”. The devastating death of Carrie Fisher a few years ago caused some major difficulties in giving Leia the ending she richly deserved. But with the miracle of modern technology and people who would not quit, Leia was honored properly.

Leia held on to hope when others lost it. She stayed in the fight when others ran. Leia forgave herself for her mistakes even while she felt the grief of them. Leia worked hard to instill good values and wise judgment into another generation.

Leia absolutely succeeded. She poured herself into people who were willing to receive what she had to offer. Poe was practically a second son to her. His love for Leia and respect for her leadership made him the right person to become her successor.

Rey had raised herself up to this point and did a decent job. But she was so, so hungry for some parenting! Both Han and Luke contributed to her growth, but Leia gave an entire year of her life to training Rey. She was the mother Rey had never gotten to experience.

Both for the Rebels and the Jedi, Leia kept the fire lit and passed on the torch to the next generation.

And even with her dying breath, she called out to her wayward son, and his mother’s voice brought him home.

Princess General Leia Organa Skywalker Solo is a legend, and the legend was honored well. Her legacy lives on in the hearts of those she loved and nurtured.

Chewbacca got a medal. It’s about time.

Palpatine was destroyed by his own flesh and blood, and she was saved from death by the very family line he’d spent decades controlling. #poeticjustice

Kylo Ren is dead, Ben Solo is alive. Ben’s final choice to change and become the person he was made to be was triumphant and honest. He made selfless choices to do the right thing, he gave his own life to save another, and he helped repair much of the damage he had caused. He was forgiven, and he forgave himself. The son of Leia Skywalker and Han Solo was restored and put to rest.

The Voices of the Jedi Returned

It was a stunning moment when beloved voices from Jedi friends of the past were heard in Rey’s head. This nod to all the heroes who had come before her and done their best was a great way to bring this saga to a close. They’d done their part, now it was her turn, and they had her back. It was a nice fan moment that tied in all previous Eras of Star Wars.

Ships from every era of Star Wars could be seen when the mismatched fleet from across the galaxy arrived. I’m sure the super nerds have already torn that scene apart and you can find multiple YouTube videos on the subject. It was a great place to celebrate the larger universe.

Beginnings

Finn and Jannah both represented a group of people that have largely been viewed in one way – unchangeable, evil minions. But their transformations from Stormtrooper to Rebel warriors has proven that change is possible. Just like The Clone Wars series dove into the lives, ideas, and destinies of the clones as individuals, it’s possible that this move could open up new stories about redeemed Stormtroopers.

Finn is Force-sensitive. I’m kind of a Finn fangirl, I’m gonna talk about this a lot. Finn represents a character we’ve seen little of, someone who is Force-sensitive but does not have Jedi training. His growth from a scared deserter to a calm military leader was epic, and honestly, it feels somewhat unfinished. The potential that this character alone represents for future stories and Star Wars storytelling is immense.

The Galaxy is owning this battle for freedom for the first time. It’s no longer just a fight between Rebels vs Baddies, it’s everyone’s fight. I don’t even have to go into detail on this one, the potential speaks for itself.

Poe is a general. As we have learned the hard way from the Galactic Civil War and New Republic Aftermath, victory over an enemy doesn’t always mean life is easy. You have to have strong leaders in place to help with the messy rebuilding process. It would be neat to explore how someone rebuilds a galaxy and does it right.

Rey Skywalker. I’ve seen some complaints about this moment. One person who replied to my positive comment about this character choice said,

Right, because we can now just say a name and its ours. #sarcasm

Uh, yeah, buddy, that’s kind of how adoption works.

Part of the point of Rey’s entire character arc is that her family line and heritage should not define her, for good or bad. When she was an unknown she feared her own worthlessness. When she discovered she was a Palpatine, she feared her own power and importance.

Everyone kept telling her who and what she was and what that had to mean for her.

But Rey made a choice, and that choice was opposite of her blood, and in line with the people she had chosen to call her own: the Skywalkers and their Rebel family.

Rey taking the name Skywalker was her way of adopting herself into her chosen family, her chosen path, and her identity. It’s not like Luke and Leia were available to sign adoption papers, but an adoption it was.

This isn’t stupid, it’s beautiful. It was redemptive to the Skywalker line because their legacy will live on with this beautiful woman who took their name. The future of the Jedi will be directed by someone who has seen and tasted both the Dark and the Light, and she still chose the Light.

Rey carries herself with a humility and wisdom that is just what the doctor ordered. Her identity can not be blown away in the next sandstorm, she’s rooted in something bigger than herself.

The potential for what Rey could create, should anyone choose to continue her story, is something very fresh and inviting. She could create a whole new generation of Jedi who are far less trapped by useless tradition, and more involved with relationship and choice. She could help others who feel lost find a home and a family.

The Rise of Skywalker ended a saga that has stretched over 5 decades. It worked to try and bring a satisfying ending to many of those story lines, but also left us with a few tantalizing threads to discover in the future.

Endings and Beginnings.

For my full summary of Star Wars, check out,

The Prequel Era

Height of The Empire, Early Rebellion Era

Galactic Civil War, New Republic Aftermath Era

A Summary Of Star Wars : Galactic Civil War, New Republic Aftermath Era

A New Hope : The Seeds Bloom

When introducing someone to Star Wars, this is it.

If I wanted to show someone the entire story line with all of the details and timeline, I would go chronologically. I always like chronological when it comes to stories.

However, this movie WAS Star Wars! This movie changed history. If you only have time for one film to wet someone’s appetite, A New Hope is it. It can stand alone. The story is comfortingly cliche-filled about a small town farm boy who’s actually special and a band of mismatched beings who take on the evil local government, and win. A classic underdog story.

Star Wars proves that we don’t really fear cliches themselves, we fear them being done poorly. Star Wars plays with cliches regularly but it uses them well. The excitement of this movie is something special. Running up and down corridors shooting blasters! Han’s unexpected lines and bits of humor! The garbage compactor! Obi-Wan’s grand sacrifice! And that delicious space battle with the horrifying countdown is unforgettable! Timeless. This movie gets my heart pumping every time.

This is what the world fell in love with, and its magic continues to bring new viewers under its spell. Whether we had more than the Original Trilogy or not, this movie would not lose a single inch of its ground. It’s special.

But now we do have more than the Originals, so we can now view this story as a chapter in a larger timeline. What A New Hope represents in the framework of the larger story-line is the movie where the seeds planted in earlier, more tragic years begin to bloom.

Luke’s sheltered existence on Tatooine, as much as he hated it, accomplished Obi-Wan’s intended purpose. He grew up safe and strong, undisturbed by the Emperor or Darth Vader. His enthusiasm and big dreams for the future are a welcome open door for Obi-Wan to step into his life at the right moment and beginning training him. He learns fast and puts what he’s learned into practice almost immediately.

Leia, though a bit less safe, is already a backbone member of the Rebel Alliance. Her mother’s courage and ferocity for truth lives on in her daughter’s spirit. She is reunited with her brother and meets the future love-of-her-life and they form the trio that is required for every Star Wars trilogy. But they are the trio.

Han’s big heart is dug out of the drawer where he tries to stuff it and is dusted off. The boy we met in Solo is still in there somewhere, and his skills and, uh, really bad ideas that sometimes work are exactly what the Skywalker twins need to succeed. He completes them.

The Death Star plans that our Rogue One crew worked so hard to send to the Alliance have been recovered and will be put to use. The horrible sacrifice was not in vain. Can we also take a moment to recognize how incredible it is that this “overlooked plot hole” such as a small ventilation shaft was fixed with an entire, glorious movie nearly 38 years later? That’s cool!

Obi-Wan’s years of walking the galaxy in the flesh are gone, he sacrifices himself to join the Force and get to be a voice in people’s heads for years. This really stirs up things in Darth Vader that have remained dormant for a long time.

Add to that the defeat of The Death Star and this young pilot who is strong in the force, Vader’s sense of equilibrium is rattled. It’s the beginning of the end for Vader, and the beginning of the return of the Jedi, Anakin.

When seeds bloom you begin to see the tender green shoots sticking up out of the soil. It’s exciting after you’ve been staring at little heaps of dirt forever. For all you know that seed you buried died down there in the darkness and you’re looking at its grave. Maybe nothing will grow. But the baby plants, the little shoots of hope, they are the proof that life remains, and it is growing stronger.

A New Hope is aptly named, life remains, and it is growing stronger.

The Seeds Bloom.

The Empire Strikes Back : Success Born Out Of Defeat

This was one of my most favorite movies in the world. It’s one of the best sequels in film history.

At first glance this movie looks like, “The one where the Rebels get their butts kicked by the Empire.” And to some extent, that is true. However, most of the battles lost in this movie actually lead to the eventual overthrow and defeat of the Empire, so in truth, the Rebels win the war.

This plays out in a few specific ways.

Han Solo is clearly very attached to Luke and Leia and The Rebellion, but he has a divided attention. Understandably so! If I had a price on my head I’d be concerned about it too. They also really need him, Luke would have ended up as a popsicle without him. Still, there are questions hanging in the air about how long he’ll stick around and it causes some tension. Tension, and the cutest hallway argument + accidentally kissing your twin brother moments! #scruffylookingnerfherder #idratherkissawookiee #youcoulduseagoodkiss

But the events of The Battle of Hoth, the following chase across space, and the climactic loss at Bespin push Han to a conclusion.

I love you.

I know.

Even though both Han and Leia have no idea what happens next, Han has made a choice. These are his people, and if he gets the chance, he’s sticking with them. He’s resolved, and when Han is resolved good things happen. Now its his turn to be a popsicle.

Princess Leia is struggling with feeling that she can trust in the relationships she has built with Luke and Han, especially Han. She knows that she will be committed to the Rebel cause until she wins or dies, so that’s not a question on her mind.

Her adventures with Han and friends give her the courage to commit, “I love you.” As warmhearted as Leia clearly is, those words came hard. She’s probably scared to love deeply after all she’s lost, but she does. It’s a big moment for her character.

Her connection with Luke is established when Luke calls out for rescue through the Force and Leia hears him. While she doesn’t understand the full weight of this experience at the time, she will eventually. Progress has been made to fuller “twinhood” and their rightful inheritance as Skywalkers.

Lando Calrissian Joins Something Bigger Than Himself

Lando has a pretty scummy showing in his first introduction to this movie. No amount of cape swishing and pretty smiles can cover his betrayal. The double-crossing card shark we met in Solo seems alive and well.

But through the loss of an old comrade, Han, His oil platform being overwhelmed by the Empire, and a good punch/choking or two, Lando makes a new choice. No more going alone, no more pretending not to care, it’s time to be a part of something bigger than his own selfish desires. Another scoundrel (though not the scoundrel) has been brought on board.

Luke Discovers His Father

One of the biggest reveals in movie history, it’s a powerful scene. As shocking as this scene is to Luke’s character, it’s hugely important to his growth. The truth will set you free. As much as Obi-Wan and Yoda feared Luke knowing the truth, he really did need to know where he stood. The decisions Luke will make from this point on are entirely different because he now knows Vader is his father. And they are good ones, ones that will make a difference.

Still, at the exact moment that he is told the startling truth, Luke is bleeding, weak, and hanging off of a pole. Emotionally he’s a train wreck, Vader senses his vulnerability and tries to take advantage of it. It’s Luke’s lowest moment thus far, so what does the kid do?

He lets go and free falls into a shaft. It’s one of my absolute favorite Luke Skywalker moments. Funny, I know, he’s not exactly a pretty picture at this moment. But this choice to just let go and get-the-heck-out-of-Dodge is one of the smartest, humblest choices Luke ever makes. It takes wisdom and maturity to know when you are not strong enough for a certain situation and you just need to get some space and perspective.

Luke charged into Bespin all cocky and ready to take on Vader. He did fairly well, but he got his butt kicked, lost a hand, and he just got a punch right in the daddy-issues.

The choice to just get out of there is so wise. If only Luke had used this same humble wisdom years down the road when he faced problems with his nephew, Ben Solo. Rather than panicking and reacting as “the great Luke Skywalker should”, he could have gotten some space and requested some backup support. He didn’t, and so many suffered because of his arrogance.

Han’s frozen, Leia’s brokenhearted, and Luke has been put through the wringer. They’re all separated and unsure of what comes next. It feels like a crushing defeat, but the lessons they learn in this chapter and the wounds they are given become some of their greatest strengths. They are more united than ever and more determined to see this thing through. The days of the Empire are numbered.

Success Born Out Of Defeat.

Return Of The Jedi : Redemption

The very title speaks of such triumph. It’s one thing to win by just destroying your enemies, it’s another thing to actually be able to save one of them and restore balance to the Force.

The rise and fall of the pacing and victories in the Original Trilogy are well done. A New Hope contains some heavy losses and tragic moments, but it ends on a high note with the destruction of The Death Star and that iconic medal ceremony. The Empire Strikes Back picks up on that high note and delivers an action-packed sequel, but it ends on a low note where we are nervous for the outcome.

Return Of The Jedi does not start the strongest beginning. The whole sideline tour on Tatooine was rather slow. And don’t get me started on Leia’s disgusting outfit, that was a shameful choice on the part of Lucas! Carrie Fisher hated that outfit for the rest of her life and who can blame her.

We are shown a new Luke Skywalker though, one who is calm, collected, and peaceful. He’s confident in his capabilities as well as his compassion. This is the Luke that can face Darth Vader.

Once we get back to the Rebellion things start to pick up, and fun adventure leading to an epic battle of the mind and galaxy ensues.

The Force is strong in my family. I have it, my father has it. My sister has it.

The moment when Luke and Leia discuss their twin-hood and legacy in the Force is one of my favorite scenes. It’s tender, gentle, and raw. Luke loves Leia as he loves no one else in the world. He also comments on the fact that should he fail, Leia is the future for the Rebel Alliance. And she is strong. Down the road in the Sequel Trilogy we see just how accurate his predictions are about her.

Luke’s confrontation with his father is a bit of a gamble, and it’s not easy. The Emperor never makes anything easy; his arrogance, his manipulation, and his touching every tender and dear thing in Luke’s heart is its own form of torture.

This part is made even more angering by Vader’s submission to his sick master. It’s like there is no will in him, he’s never looked weaker. In contrast, Luke has never been stronger.

My favorite moment is when Luke chooses to throw his lightsaber away, refusing the temptation to end his broken father.

I’ll never turn to the Dark Side. You’ve failed, Your Highness. I am a Jedi, like my father before me.

One of the best lines in film history. He’s not struggling, he’s resolved. He affirms his faith in his father and his love for him even though Vader is a pitiful mess on the floor. It’s beautiful, it’s redemptive, it’s loving. And Palpatine doesn’t know what to do with it.

It’s truly delightful that love conquers hate. Luke’s love for his father and Anakin’s love for his son brings him back to the Light. The satisfaction of seeing Palpatine throw into a chasm while screaming is fantastic.

I could see how some people would want to throw this whole movie out after the events of the recent Sequel Trilogy. What good did it do? Palpatine survived! The First Order emerged, Luke became Oscar the Grouch!

They’re missing the point. This moment was about conquering the evil before them, and about Anakin’s redemption. None of us knows exactly what comes down the road, we aren’t supposed to! All we can do is do our best with the times we’ve given. #lordoftheringscrossoverline

And our friends do their best and they do well.

They destroy the Empire. Anakin Skywalker dies in his son’s forgiving arms. Han and Leia succeed in their mission on Endor (not bad for a popsicle and a princess), the Millennium Falcon emerges unharmed, and Leia gets to have a moment of peace with the people she loves. Anakin rejoins his friends in the Force and all is well for the time being.

You can’t throw the baby out with the bathwater. Palpatine spent years trying to drag himself out of this pit he was thrown into, he wasn’t a threat for a long, long time. The Empire was overthrown, the Rebel Alliance gained ground, and new potential emerged. It was a victory.

Redemption is often a messy road, but it is always a road paved with love. There is no other way to get there. Return of The Jedi is a triumph for the individual characters we love and the galaxy as a whole.

Victory isn’t defined by never having to struggle again, it’s defined by ground that is gained. Ground was gained, redemption happened, and love paved the way.

Redemption.

The Mandalorian : Meaning In The Midst Of Chaos

A stark truth is focused on in this brilliant Disney+ series that reveals a whole new side of Star Wars.

Just because something good happened doesn’t mean that the hardship is over. The Empire has been defeated, the Rebel Alliance won, and the New Republic has been formed. And the galaxy is a hot mess.

It’s a discouraging thought, but I have experienced this reality in my own life in some painful ways. Just because you conquer one hard, long-lasting thing doesn’t mean that life is immediately all sunshine and roses. There’s cleanup, there’s rebuilding, and there’s trauma to work through. The whole galaxy is in that place, everyone is trying to survive or one-up each other. It’s madness.

The Mandalorian himself is a character who carries and represents trauma in multiple areas. To some extent, he’s still the brokenhearted little boy who’s parents were murdered in The Clone Wars.

Still, he’s tried to make the best of it. He’s an A+ bounty hunter who strikes fear in the hearts of all of his quarries and those who oppose him. He’s holds to the Mandalorian creed, but his profession doesn’t make him the most popular person. There is a sense of emptiness to his life that no amount of cool moves or successful bounty missions can fill. He’s a lost soul wandering.

Enter, Baby Yoda.

I wrote an article on fatherhood and how Mando steps up to the plate to care for a child who is entirely dependent upon him. He exhibits sacrificial love when he puts his own needs/wants and sense of freedom aside to care for someone else.

In this drastic choice, Mando finds a whole new level of peace and purpose. You can live your whole live just trying to survive, but you may not like the person you become or the decisions you make. Mando is surrounded by people who make all kinds of horrible, selfish decisions in the interest of survival. He once was that person.

But at the same time, Mando as a character seems to find the characters in the galaxy who are living for more. Kuill, Cara Dune, Omera, even the other Mandalorians who hold fast to the creed. These individuals have all suffered in one way or another, they are all faced with hard circumstances, but they are making different choices. They stand up for the little guys, and they don’t back down from a fight if it’s for a good cause. Sometimes they do the right thing just because its the right thing.

In Episode 6: The Prisoner, we see the kind of life Mando used to lead. And it was naaasty! The kindhearted, measured person he is now shows just how far he has come. More than any other episode to me, this episode shows how Mando has chosen to live for more than money or bloodlust.

They could have a made a show about this incredibly cool character and his adventures as a bounty hunter, and people would have watched it. But it wouldn’t have had the impact it did.

By adding in a sense of responsibility and the glorious and hard journey of fatherhood, The Mandalorian struck home to our hearts in a special way. The chaos of the galaxy we love is brought into balance with a reminder of what really matters.

We are all looking for meaning in life, and true meaning is found in being loved and loving.

It’s a testimony to the strength of the storytelling that we can learn such a precious and tender message from a man who’s face we’ve barely seen, but who’s heart we’ve already fallen in love with.

Meaning In The Midst Of Chaos.

Next up, Rise Of The Resistance And The First Order Era.

Check out, Height Of The Empire, Early Rebellion Era

Check out, Prequel Era

A Summary Of Star Wars : Height Of The Empire, Early Rebellion Era

Solo : Hope Is The Key

Han Solo stands in the Hall of Fame as one of the most beloved characters in cinematic history. And he deserves every bit of that love.

I absolutely loved this movie, it was a love letter to Han Solo fans, Star Wars fans, and to the heart of Star Wars in general. Alden Ehrenreich was Han, a bit more wet behind the ears, but every bit the joking, self-assured, awkward risk taker that we come to know and love in the OT. He took many cues from the one and only Harrison Ford and it absolutely shows.

Han grew up trapped in childhood gang slavery, but he never let that mentality become his identity. The boy was born to fly, and fly he will.

Han interacts with multiple characters who are all suffering under oppression and despair in one way or another. Everyone is trying to survive. Han is in the same boat, but somehow, he emerges differently than the others.

The difference between Han and all of the other characters is one key thing : Han has hope.

Tobias Beckett admires this kid and his enthusiasm, but grief, fear, and greed have broken Beckett down to the place where he will always take the backstabber’s way out. Hope is for suckers.

Qi’ra lost hope so badly that even when she was offered a way out, a chance to be with someone who she loved and who truly loved her, she didn’t take it. She remained a prisoner to a life she truly hates because again, hope is for suckers.

Lando Calrissian knows everyone and is fully known by no one. He charms, seduces, tricks, and one-ups everyone around him. The person he seems most attached to was his droid, and she bought it. He’s not a terrible person by and large, but he’s a loner. It’s safer that way.

What I felt when the end credits rolled at the end of Solo was that Han’s supposedly crazy “idealism” enabled him to look at life above the smog and get a clear vision of where he wanted to go. He never gave up, he was willing to dream big when people told him to settle for less, and he valued life in a way others didn’t. Hope pushed him to be better than the evil he faced, and it got him farther than those who despaired.

If that isn’t quintessential Star Wars, I don’t know what is.

What Han walks away with is the world’s best friend, Chewbacca, the sweetest hunk of junk in the galaxy, and the reputation for the guy who made the Kessel Run in less than 12 parsecs. Not only does Han accomplish all of this, but he actually makes other people’s lives better in the process. #whatascoundrel

It’s 10 years before the Rebellion begins to gain ground, while we get a taste of what is to come, the galaxy is still in a choke-hold from the Empire. It’s a rotten time to be alive. And yet, Han thrives.

Another 10 years will go by and during that time Han is going to pick up some more mileage. He’s going to grow more jaded and cynical, a bit more selfish and definitely more arrogant.

But Solo absolutely explains how and why Han was “converted” to the Rebel cause so quickly, it’s because in his heart he was a Rebel all along. And hope tastes familiar to him.

Hope Is The Key.

Star Wars Rebels : Foundations And Family

The number of words I could expend upon this series alone are in the tens of thousands. It’s my favorite of the animated series, contains some of my favorite characters of all time (not just Star Wars), and is some of the finest storytelling I’ve ever seen.

Star Wars Rebels was a new chapter in Star Wars history. It opened up a new mentality for Star Wars in general and rewrote a lot of old rules. It laid the groundwork for future stories and characters that didn’t have a place before.

To me, Rebels was about creating a foundation out of the rubble and death that followed Revenge Of The Sith. For the Star Wars universe in general, Rebels was a crossroads for every era, idea, and character presented on the big and small screen, and yes, even from some of the books. All stories connect in this one series.

And the foundation that supported that huge weight was this, family.

Kanan Jarrus, a former Jedi padawan was forced to flee for his life after Order 66 and the death of his master. He is a beautiful person, kindhearted, intelligent, and highly skilled. But he feels like there is a question mark hanging over his life. When he is called upon to embrace his Force abilities and actually train someone else Kanan is regularly faced with is own insecurities and sense of inadequacy.

Paired with Kanan is Ezra Bridger, a young and scrappy Force-sensitive kid who, like Ahsoka, creates a fresh perspective for us to engage this story. He’s beautiful in his rawness and vulnerability. He often fails with less grace than Ahsoka ever did, but there is more flawed humanity to his character that is relatable.

Together these two create a master/padawan duo that really becomes more of a father/son connection, and it’s beautiful. Through the development of these characters we see what the Jedi COULD have been if they had embraced their humanity, loved deeply, had the grace to fail, and the humility to say, “I don’t know what I’m doing.”

Both Ezra and Kanan find themselves in this place repeatedly throughout their complex and rich character arcs, but it is never a liability. They always grow, and they take you on that journey of growth with them. By Season 4 you cannot even believe what they are capable of.

Hera Syndulla is yet another example of the foundations created in this chapter of the story. She grew up during the Clone War years and has been involved in conflict her whole life. She challenges the status quo and expectations of so many who’ve come before her, even her own father. But she does it because she knows something else is better. Her reach extends beyond just the series, she’s referenced in Rogue One, The Battle of Endor, and The Rise Of Skywalker. She stands on equal footing in honor with Kanan, and together they create this family environment that births the strongest Rebel cell in the movement.

Sabine Wren is a character who reveals more about the mysterious Mandalorians who can be viewed through so many lenses, but she gives us a directly personal perspective. Her clear appreciation for belonging to a family who accepts her regardless of her past mistakes shows that this is a more forgiving group of characters and a new culture. The old rules and ways of doing things died with the Republic.

Star Wars Rebels covers some redemption arcs that will never have the acclaim of big name characters like Darth Vader or Ben Solo, but they are every bit as important. The kind of Rebellion that our characters create is one where everyone is welcome, regardless of what you have done or what you once were, you can change. You are given a place at the table and an opportunity to contribute to building something special.

Forgiveness and rising to the occasion are common themes for this series.

This time of Star Wars is not about rebuilding what once was, it’s about creating something new out of the ashes. A foundation strong enough to hold up all that is to come, and that means something has to be different. The old corruptions of the too-stiff Republic and the narrow-mindedness cruelty of the Empire do not get to hold back what is being built.

People come first, love makes us stronger, and hope cements characters of various backgrounds into one united front. They are a family of Rebels and they are the foundation of something new.

Foundations And Family.

Rogue One : Sacrifice

This movie is like a punch in the gut.

And yet, it’s probably one of the best movies I have ever seen in my life. Not only is it an absolutely beautiful movie to watch, but the message and purpose are brought across with such crystal clarity you cannot misunderstand it.

This movie was made with the intention of hearkening back to classic war movies. They were spot on. When you’ve seen classic titles like:

The Longest Day, The Sands of Iwo Jima, The Guns of Navarone, The Bridge On The River Kwai, Gung-Ho, Flying Tigers, The Battle of Britain, Mrs. Miniver, The Great Escape, you can absolutely see the resemblance. Long odds, heavy casualties, and sacrifice are common themes.

What Rogue One really wanted to communicate to audiences was the sacrifices that were made by hundreds of “little people” enabled our more famous heroes to succeed. This war was not won by Luke Skywalker alone, it was accomplished through the selfless actions of thousands. This movie honors all of those people in a stark and sobering way.

We watch them die for what they believe in.

Sacrifice, it’s a hard topic to cover and an even harder one to watch. But we wouldn’t be seeing the full picture without it.

The other topic that is introduced in this story was a theme begun in Star Wars Rebels that has been expanded upon in the recent movies and series. The Force is for everyone, and everyone has something to contribute. This new way of thinking does not lessen the contributions of some of our favorite Force-wielding characters, but it does remove some of their all-importance, and that’s a good thing.

The thoughts that I had spinning around in my head after this movie were unlike anything I have ever felt following a Star Wars movie. I sat there in the theater, stunned…and overwhelmed with gratitude.

This movie felt so real, because in essence, it was. How many times throughout history, how many times daily do brave people make choices to do what is right and end up sacrificing themselves for others? How many countless of lives have been laid down to build something better for future generations? Thousands, millions! I will never know all of their names, and I won’t get to thank all of them in person.

They knew that, but they did it anyway.

The sequence that captures this most dramatically for me takes place after Scarif has just ended and our entire Rogue One crew is dead. The Death Star plans that Jyn projected up to the fleet have been transferred to a disk and are now being passed from one Rebel to another.

And then…*a red lightsaber ignites*.

I saw A New Hope when I was 13 years old, Vader was not someone who caused me fear. But during this sequence for the first time I felt the fear of Vader, because I felt what those poor Rebels felt.

That whole, horrifying sequence is so intense. These Rebels are helpless before the silent might and power that is Darth Vader. They know that, he knows that, the audience knows that. So what do they do?

They don’t give up, they keep fighting even though it’s scary. And what that means is they die, each person taking up as much of Vader’s time as possible so that they buy time for the disk to get passed further down the line.

These men may or may not know what they are carrying. They for sure know they will never get to see the outcome of their efforts. It could be all vain, they still could lose.

But they sacrifice anyway. Each one of them.

Each person down on Scarif. Each member of the Rogue One crew. Each brave little ship in that Rebel fleet. And each tiny Rebel crew member who is nothing more than a blade of grass chewed up in the lawnmower that is Darth Vader.

It’s stark. It’s harsh. And it’s humbling, because we know it’s real. Sacrifice is a part of any war, any cause. Some of the greatest causes in human history have involved horrific sacrifices, but people made them willingly because they believed in what they were doing.

Rogue One is a fictional movie that captures these stark truths in a way that gives such honor to the reality.

Sacrifice.

Next, The Galactic Civil War and New Republic Aftermath.

#anewhope #theempirestrikesback #returnofthejedi #themandalorian

Read yesterday’s post, The Prequel Era here.

A Summary Of Star Wars : Prequel Era

The Phantom Menace : Origins

It’s not the greatest-made movie in existence. We will now pause awkwardly for a moment of silence over Padme’s stiff everything. “I’ll try spinning, that’s a good trick.” And Jar Jar’s near attempt to get everyone he supposedly likes killed.

Despite all of it’s flaws, The Phantom Menace still shines out as an important chapter in the Star Wars story because of the origins it creates for multiple story points, characters, expectations, and future possibilities.

Liam Neeson and Ewan McGregor’s performances are the shining stars of this movie, along with the un-tapped (at the time) potential for Darth Maul.

Duel Of The Fates is one of the most iconic and exciting moments in Star Wars, and its one of the most gorgeous bits of soundtrack. It’s in my top 3 favorite lightsaber battles, probably because I am an Obi-Wan Kenobi fangirl through and through.

The gift that was The Phantom Menace to me is 3 things in particular. And no, Darth Vader’s origins don’t even make the list.

The birth of the character Obi-Wan Kenobi and all that he represents – The High Ground.

The birth of the now well-traveled villain Darth Maul and all that he represents – Despair And Chaos.

The Phantom Menace himself, Sheev Palpatine – Patient Deception and Longstanding Evil.

Obi-Wan Kenobi is such a pivotal character in the Star Wars storyline. It can be argued that he is responsible for some if not THE best of the entire Prequel Era, and his hand in raising the next generation of Jedi Skywalkers even after his devastating losses with the first are incredible. He crosses paths with and influences some of the finest characters in the Prequel and Rebel Era (even the Sequel Era).

We are given a complete set-up and expectation of that beautiful depth of character in the scene where we see him overcome the pit he has fallen into after the death of his beloved master, Qui-Gon Jinn. Obi-Wan is the young and untried warrior in this scenario. He proves his deeper wisdom and life mentality in just a few moments.

He uses his losses such as supposedly vulnerable low ground, dead master = extra lightsaber, and his grief to his advantage. He literally slices his enemy in half when he retakes the high ground. It’s a position he will maintain for the rest of his life and beyond his death, Obi-Wan NEVER gives up the high ground, even when those around him fall. And because he makes those choices, he creates a foundation for the future generations to succeed.

Obi-Wan is represents the best of Star Wars and its heroes, aka The High Ground.

Darth Maul was not much more than a pretty face when he was introduced. I can remember being a tiny child and seeing him plastered all over posters at Walmart. To me, HIS face was what represented Star Wars, not Darth Vader’s well known figure. #90skid

For a long time Maul was a well of untapped potential, but in more recent years Star Wars creators such as Dave Filoni have made use of this character to show a very complex side of this galaxy caught in conflict.

Without releasing to many spoilers, I will say Maul has risen to the level of my favorite Star Wars villain. He’s utterly despicable in every way, and you feel a hatred for him, but somehow that is balanced out with an acknowledgement that he is yet another broken person who has been misused, abused, and thrown into the blender that is Sheev Palpatine’s thirst for power.

The consistent interaction between him and his oldest foe, Obi-Wan creates a parallel and a contrast all at once. They are two characters who have both been lied to and caught up in a war they did not create.

But with those circumstances they made their own choices of their own free will. One chose the high ground and compassion, and one descended into madness and desperate chaos that caused even more pain. It’s a brilliant bit of character work.

Sheev Palpatine has had his dirty fingers in this mess from the beginning, and here we see that beginning. It’s even more startling now that we know he is responsible for using the Force to impregnate Shmi Skywalker and create Anakin Skywalker, his future apprentice. I appreciate the role we see Palpatine in during this film, he’s all flattery, benevolence, and supposed humility. Often evil takes the appearance of good in order to work its deception, Palpatine is a warning to us all. And shadowy threats are often scarier than known ones. He wears the shadows well.

Also, he deserves this much, R2D2 is given his proper introduction in that we are shown his first insertion into this story when he! Surprise surprise! Saves everyone. This darling droid will not get a moment’s rest until almost 3 generations later because he will be saving people and literally keeping this galaxy running for multiple movies and series.

Origins.

Attack Of The Clones : Escalation

This is my favorite “bad” movie, bad as in the writing is often cheesy, some characters make questionable choices, and we all find ourselves wondering just how Padme fell for this so-unstable Anakin in the first place. And yet, it’s a good time. #obiwanmakeseverythingbetter

The purpose of this movie shows us the escalation that takes place for multiple plot points and characters. Some of this is done knowingly, some just happens.

The Clone Army is revealed. And a host of questions, stories, triumphs and tragedies is begun.

The Jedi become entangled in a war that contributes to their eventual destruction.

Palpatine maneuvers himself into an even more integral place of power and influence. Yeah, we can really see how much it hurts you to have to accept these emergency powers, bub. #tinyviolins

The First Battle of Geonosis kicks off the Trade Federation conflict into a full-scale war and launches the complex and intriguing era of The Clone Wars.

Anakin gives into his passions in two ways, his love for Padme, and his anger towards the Sand People who murdered his mother. #sandpeoplearetheworst

I’m really not someone who thinks his mistake was loving Padme, this whole Jedi emotion denial thing was a stupid idea in the first place. Plus, other Jedi characters are shown as stronger and wiser because they have engaged their emotions.

No, Anakin’s problems arose from issues that were deeper than him breaking the rules to marry Padme. He was born as a slave, and separated from his mother because stupid Jedi rules. You want to talk about grounds for fear, separation anxiety, and control issues? They practically asked for this kid to have problems! He was manipulated by someone cunning who affirmed him at just the right moments. And he also just made some really stupid choices in his low moments, personal responsibility is still a factor here.

We see the escalation of all of this mess and his emotions in this movie.

Escalation.

The Clone Wars : How Did We Get Here

The Clone Wars is some of the best storytelling the small screen has to offer.

The Prequels have a much-deserved reputation for sloppy character work and massive loopholes in the plot.

The Clone Wars fixes all of that. It retroactively corrects some of the greatest problems the first three movies present and answers so many of the screaming questions.

How did we end up here?

How does such a valiant warrior with so much potential turn on his dearest friends and destroy the very things/people he’s fought so hard to protect?

Do clones have rights? What do they believe?

How do you win a war you were always meant to lose?

What’s right and what’s wrong?

How in the heck did Palpatine get this far with no one noticing?

Were the Jedi right? Where did they go wrong?

The amount of time put into the relationships of characters alone makes this series a golden gift to the Star Wars storyline. Anakin and Obi-Wan are truly shown to be the brothers that you thought they were. Anakin as a character is one you come to love and admire as you see him at his best.

Padme Amidala is given a chance to shine forth as a hero who used her gifts beyond just wearing the largest headdress in the room. You see the strengths that Leia inherited as well as the energy and idealism Luke carries.

We meet the Jedi, for better or worse.

Obi-Wan is again very British and it’s beautiful.

We meet the characters and planets caught in the conflict, torn apart by other’s greedy ambitions. Sometimes those journeys bring joy, sometimes grief. But we almost always learn something.

We see the crafty hand of Palpatine weave this inescapable web that drives everyone towards this horrible climax. We watch him prey upon Anakin and feed into his insecurities like a lamb being fattened for the slaughter.

The Clones are no longer faceless beings, but real, living men. We get to know them by name. We fall in love with them, we feel their pain, their anger, their courage, and their questions.

And of course, Ahsoka Tano. One of the brightest, boldest, and most dear characters in the Star Wars universe. The creation of a young and impressionable character who would be growing into womanhood during this turbulent period was a stroke of genius. Ahsoka is allowed to be outside of the events in Revenge Of The Sith, therefore her story is able to be approached with fresh eyes.

Ahsoka is a grounding character in this time when friends will become foe, joy turns into tears, and many things that were once counted on (The Republic/Jedi) will fall into ruin. Ahsoka is an anchor who will never change being who she is, regardless of what happens.

How Did We Get Here?

Revenge Of The Sith : Death And Rebirth

“You were my brother, Anakin! I loved you!”

We got people sobbing over Jack in Titanic who wasn’t even smart enough to climb up on the end of the lifeboat, time to get over that, folks!

THIS! THIS IS A REAL TRAGEDY!

Revenge Of The Sith is a movie where Darkness wins the day. It’s awful, absolutely awful, and it’s supposed to be. Betrayal is a bitter pill to swallow. Lies and deception lead to death, and we taste it full “force” in this movie.

Watching someone we have come to love such as Anakin (if you have seen The Clone Wars, you love him) try to kill the people dearest to him is such a raw picture of just how far fear and lies can take you. It’s a dire warning and harsh consequence.

The Republic is gone.

Freedom is gone.

Trust is gone.

The Jedi as they were are gone.

Padme, bless her loving heart, is gone.

Obi-Wan’s dearest friend has betrayed him.

And yet, a glimmer of hope emerges. Two tiny children are born into the world that represent the future of the galaxy, Luke and Leia Skywalker.

Often out of great tragedy and death there is some amount of rebirth. It’s too early to see what it will become, it’s too soon to feel the joy over the grief, but it’s present. A tiny, flickering little flame of hope.

We can never go back to what once was, that much is gone forever, a permanent death has happened. But even in the ashes of that death, there is rebirth.

Death And Rebirth.

Next up, the height of The Empire and the beginning of the Rebellion.

#solo #starwarsrebels #rogueone

Height of The Empire, Early Rebellion Era read here.

The Rise of Skywalker : My Thoughts In No Particular Order

I know, its been months and I am just now am writing about The Rise of Skywalker.

I actually missed it in theaters due to what we will call “a series of unfortunate events”. I did not see the movie until a week and a half ago.

I was frankly terrified.

I really do like The Last Jedi movie, but some decisions were made in that film that I found disappointing.

Add to that the fact that Disney has severely let me down in some areas recently *coughs* ENDGAME! Stories and characters that meant the world to me were not given their proper dues. It’s hard when you invest in something so deeply and then find yourself disappointed.

However, I am happy to report that I did enjoy The Rise of Skywalker and many of the choices made for the movie. It’s not a perfect movie by any stretch of the imagination, but it was a good movie. Here’s what I liked about it.

Finn is a Force User.

Years ago I wrote an article where I stated that I believed Finn would also become a Jedi in the future. That did not happen, but I was correct on my belief that he was a Force user. To me, the way that the character of Finn was handled in The Rise of Skywalker is one of the most satisfying aspects of the whole movie.

Finn was an exciting and great catalyst character in The Force Awakens. I fell in love with him in about 2 minutes of him being on screen. His energy was contagious, his commentary hilarious, and the chemistry created between him and Rey made me a hard and fast FinnRey shipper.

I felt that Finn was severely underused in The Last Jedi. His sideline arc with Rose felt unnecessary, and while it did help his character reach a more confident decision about being aligned with the Resistance, it was still disappointing.

The Finn of TROS was the Finn that I wanted. He still had his boisterous spirit and deep, abiding loyalty, especially to Rey. And yet, he was more confident. I was actually surprised and delighted to see him being the grounded, more moderating character that bound the trio of Poe, Rey, and himself together. Even the way the three hugged at the end of the movie, he wrapped his arms around both of them.

Finn is a character with a powerful love for those around him. And that love continually draws them in and grounds them. Finn is a character who will forever draw people in, give them a place to call home and a person that they can always count on. Those people are a rare and precious breed.

Yes, the elephant in the room, FinnRey. I’ve been a very verbal FinnRey shipper since Day 1.

I still am. Here’s my current take on that duo following The Rise of Skywalker.

I think FinnRey is still very much alive and well. You are welcome to see that as a legendary friendship or as a potential couple somewhere down the road. I feel that both have legitimacy.

Finn did a fantastic job being there for Rey in this movie, having her back, and showing compassion for where she was at emotionally. The fact that he is also a Force User and could sense what was happening with her just cemented the bond that they already have. He’s going to be able to understand things about her that others cannot.

Finn was the person Rey could talk to and trust he would listen and care. He didn’t hold things against her, he had her back 100%. He cried for her. He verbally affirmed her. They spoke in a raw and honest way with each other that was beautiful.

I loved the moment when he sensed her death. The confirmation of his Force-sensitive instincts was so satisfying. And then his joy when he saw her alive was completely consistent with everything Finn has done with Rey since the moment they first met.

I fully acknowledge the beauty of the connection between Rey and Ben Solo. It was powerful and redemptive, more on that later. But I do feel that Finn and Rey have a lasting love for each other that can remain as is or grow.

In terms of the character that connected best with the other people of this movie, I think Finn gets the MVP award. Well done!

Humor

The dialogue between our primary trio was adorable. I didn’t expect that feisty static between Rey and Poe with Finn being the more mellow member. But it was darling and brought a great human element to a very intense, larger than life story.

The banter is what really reminded me of the original trio of Han, Leia, and Luke. But the Sequel 3 definitely had their own flavor.

Droids

We love our two-legged Star Wars heroes, but we all know the truth.

The droids have kept the galaxy running for years and it’s only because the villains overlook them that we’ve survived this long.

Reylo Vs Ren

About a year ago I wrote an article taking to task the idea that something as abusive and inappropriate as the Reylo ship could be romantic. It’s been one of my most-read articles and also received the most controversial responses.

I still stand by that article. I wrote it for the Kylo Ren that we had seen on display in The Force Awakens and The Last Jedi. The choices the character was making and the way he approached Rey were very perverted and wrong. Therefore the value of that article for the context that it is written is still standing.

True love involves sacrifice. It’s not about control, it’s about loving another person for who they are. It’s not all about what you can get out of them. Ben did not understand this previously. He had tried to control and manipulate Rey multiple times, and would often rage when she refused him. He wanted her to join his agenda. The above image shows who Ben was, and that was YUCKY!

Ben Solo thoroughly redeemed himself in The Rise Of Skywalker. And he proved his love for Rey to be true by pulling a move worthy of Eugene Fitzherbert himself…he sacrificed himself for the woman he loved and for the galaxy he had previously tried to rule over.

This Ben is a night and day difference from the person he once was.

Ben didn’t run from this mess he’d helped create. He didn’t cower uselessly in the shame of his past. He didn’t cave in yet again to the lies and Darkness that had haunted him for so long. No, he ran straight into the Light and gave everything he had to do the right thing.

The beauty that was Ben Solo’s redemption was very simple and straightforward in the writing. The transformation was shown in his costuming and outward actions. And the heart of it was conveyed through Adam Driver’s stunning and emotional performance. He had never looked so glorious, and while I have had so many mixed feelings about this character since the beginning, I have never loved him so much as I did at the end of this movie.

I really love that it was his mother’s voice that called him. He thought he’d gone too far, he could never come home. A prodigal who was unsure of their welcome often stays a prodigal. His mother’s voice opened a door, Rey’s compassion to heal him after she had mortally wounded him softened him even further. And the final gift came with his father’s memory (HELLO, HARRISON FORD) that gave him the courage to make the switch.

It was gentle, humble, and beautiful.

Oh, my lands, the Ben Solo that emerged! His face was soft and beautiful, he wasn’t swaggering or trying to look bigger than he was. His presence itself became enormous and filled the room. Light has a way of doing that. He was wearing all-black but the man was practically beaming!

Just look at his beautiful smile. It’s so gentle and sweet.

A Nod To Han AND Leia In Ben’s Redemption Story

3 people brought Ben back. The 3 people who loved him the most.

His mother, Princess General Leia Organa Skywalker Solo.

Rey.

And his father, Han Solo.

While I understood the symbolism in Ben throwing away the Kylo Ren lightsaber, my practical side panicked. “What are you doing? You have to go into a warzone, you need that, babe!’

But then I found it a wonderful tribute to the Solo blood running through his veins that Ben entered into the Emperor’s lair in a fashion exactly like his late father would have. Sneaking in boldly with a good blaster at his side.

The body language was so similar, he even pulled off that signature, super macho Han Solo move of picking off an enemy with a stray blaster shot over his shoulder. No looking necessary, it’s in the genetic code. Yes, he’s Han’s boy alright.

Rey passed him the lightsaber, Leia’s beautiful saber (such a pretty weapon) through their special Force connection that freaked me out until that exact moment. The sarcastic little nod to the coolness of what he just did to the Knights of Ren confirmed it yet again. THIS IS HAN AND LEIA’S SON!

Han and Leia were honored in Ben’s redemption in such a special way, it was appropriate and brought a lot of restoring grace to a previously tragic family story. Their gifts, the examples that they were, it was not all lost on their son, it did make a difference.

It Was A Palpatine AND A Skywalker Who Ended Him

It only seems fair that after all of the pain these two families have either purposely or inadvertently caused the galaxy that a representative from both should defeat the biggest foe, Palpatine.

I like poetic justice. Palpatine started the Force-sensitive Skywalker line when he used the Force to impregnate Shmi Skywalker with Anakin. And apparently (ahem, severe lack of backstory here) Palpatine actually had a son himself! How and why that happened wasn’t apparently considered necessary information. Either way, Rey was his actual biological granddaughter.

Clearly, her pretty genetics came from Mom’s side of the family. #yograndpasouglyhelostto70scarpetinabeautypageant

Palpatine has always been an arrogant poop. His sense of superiority and control over everyone and everything has been almost as consistent as his success rate. Luke/Anakin Skywalker really threw a wrench in his plans in one of the most glorious upsets in cinematic history, but this guy is a cockroach who won’t go away.

It was time for him to be finished. How lovely that his own flesh and blood is the one who finished him.

The Voices Of The Jedi

My inner nerd was so pleased with this. Well-beloved Jedi characters from every era of Star Wars we’ve seen on screen, both in movies and shows, was given a moment of honor when Rey drew strength in the Force from them.

I rejoiced to hear Ewan McGregor’s Obi-Wan, Ashley Eckstein’s Ahsoka Tano, Hayden Christensen’s Anakin Skywalker (he deserved this honor), Freddie Prinze Jr.’s Kanan Jarrus (still a bit emotional over that one), and notably, Liam Neeson’s Qui-Gon Jinn. And of course, Carrie Fisher and Mark Hamill as the Skywalker twins.

Old and dear friends uniting in spirit and voice for Rey, a character I have loved and admired since I first met her. It was a kind gift to the Star Wars fandom.

A Proper Ending To Reylo And Ben’s Death

True love is unselfish, and it involves sacrifice.

Ben Solo was not capable of this level of love when he was still wholeheartedly choosing to remain in the Dark Side. What he believed was love for Rey was tainted and perverted by his selfishness and control issues. It was pretty disgusting to me, but I gave them room to redeem him.

When Ben Solo goes charging into the Emporer’s lair, he’s not there for himself. He’s there for her, and to do the right thing. He’s running full force #punintended into the Light he has been running from so long.

I don’t know that Ben even believed he was going to make it out alive. I don’t know that he really cared. His actions had nothing to do with what he could get, and all about what he could give.

And he gave it all, he gives his very life Force to bring Rey back from the dead. The way he cradled her in his arms and looked at her with such gentleness and compassion won me over. Yes, dear boy, yes, this is what love is.

One sweet kiss, and then he was gone.

I’m not going to say whether or not that was a wise choice on the filmmakers part. I can live with it, I can also feel the grief of it.

If Ben Solo were a real person, I think it’s possible he may have been reconciled to the concept of death. In his reality, he wasn’t really ending, he was just going to go on into the Force…afterlife? He would be redeemed in the eyes of those who loved him, and he would be reunited with his family. It’s not that he committed suicide (nor would I ever advocate for that), but I think he was at peace with himself either way.

Rey is really the only person he had a connection with in the land of the living. I feel it may have been very hard for him to integrate into a friendship with the people he had tortured, killed, and hurt for so long. The troubled boy was finally at peace.

Rey grieved over him, there is no doubt of that. But I think their connection as special as it was will not be a burden or a regret to her, rather a sweet memory that gives her courage and strength in the future. I think she would be open to loving in that way again.

He finished well.

Kiss Poe Already

I feel that there may have been too much thrown into the basket for this movie. It didn’t wreck it at all, but it did mean that several new characters were created that were not given proper follow-through. We got a hasty introduction and not much more, it was a bit sloppy.

Zori Bliss is one such character. Keri Russel still shone through her brief moments on screen, and I loved the scene where she removed the visor so we could see her drop-dead gorgeous eyes.

But really? Really, girl?

Strange Planets, Space Battles, Bizarre Creatures, And Battles In Lit Corridors

Setting-wise, The Rise of Skywalker did extremely well in capturing the texture and landscape of Star Wars in a very vivid way. My mom even remarked when Finn and Poe were racing along the corridors on the flagship cruiser,

This! This running and fighting in corridors, THIS is Star Wars!

And given that her little five-year-old self was there in the theater at the beginning of all things, I believed her.

Rey Skywalker

I think it was a gift that Rey chose to become a Skywalker. And I loved it that her two masters, Luke and Leia were beaming at her as she took that name. In a way, I feel that she was raised by all 3 of our originals. Han, Luke, and especially Leia all had a hand in teaching and guiding her.

We are not supposed to hate the Skywalkers, for better or worse, we have seen this struggle through their eyes for 5 decades and multiple generations. They are a part of us. We are supposed to see them with honesty, grief, compassion, and resolve.

Rey has chosen to take the best pieces of all who came before her and will carry those things faithfully through her life.

Leia

I feel that Chewie’s inconsolable reaction to Leia’s death captured what we all felt at Carrie Fisher’s passing.

Leia, beautiful, strong, intelligent, compassionate, ever-faithful Leia. She’s the best the Skywalkers had to offer in my opinion, and she was and still is the Star Wars sweetheart of the world.

It’s only right that she is the one who completed the training for the last Skywalker and the ultimate Jedi, Rey. She brought her son back from the Darkness and left behind a Rebel legacy strong enough for others to pick it up and carry it.

The Rise of Skywalker

My sister pointed out the meaning of this title.

Rey was rising to become a Skywalker.

Ben Solo rose from the Darkness into the Light to reclaim his place of honor in the Skywalker line.

It’s very satisfying.

For 9+ Movies and Multiple Series Our Heroes Have Been Trying to Save The Galaxy…It Was About Time The Galaxy Saved Them

Star Wars has one consistent theme, a common thread that runs throughout every chapter and story.

Hope.

No matter how dark, no matter how heavy the grief, no matter how much larger the enemy being faced, hope lives eternally in the Star Wars story.

And despite the fact that among the Star Wars “fanbase” you can find some pretty nasty specimens of humanity, I believe that the franchise as a whole has been uniting people since 1978.

People from all corners of our world’s “galaxy” love Star Wars. People with different skin colors, backstories, occupations, and beliefs. A shared love of Star Wars can instantly close a generational gap or create a common ground for different people.

I felt that both of these special parts of Star Wars were honored in this beautiful, beautiful scene where the galaxy came to save the Resistance and defeat The Last Order.

And yes, I will find out all of these Easter Egg ships hidden in this moment. I was geeking out about Star Wars: Rebels ship The Ghost and that’s about as far as I got.

It was about time the galaxy quit cowering before the bullies while letting someone else take all of the hits for them. It was time that they stood up and fought back.

They did, and it was glorious.

……….

I’m sure there is more to be said, but I’m going to end it here. It was not a perfect movie, it felt like it needed another 30-45 minutes to fill out properly. But apparently, there are some people who won’t sit through a 3+ hour movie. Clearly, they are not Lord Of The Rings fans.

I can watch this movie and all of the movies proceeding it and not feel disappointed or feel that something I love has been tainted.

I know some people were thrilled with this movie, some were devastated. I fall somewhere more in the middle, but I can live with that.

And the best part is, it’s not over yet. The Skywalker Saga may be finished, but Star Wars storytelling is alive and well. I would love to see some more movies featuring my favorite Sequel characters, but I am also deeply enjoying the storytelling featuring non-main Saga characters. #bringbackezrabridger #themandalorian

So, what were your favorite parts? Did you agree with the choices they made? Can we all at least celebrate the fact that Chewbacca finally got the medal he so richly deserves? Would you like to see future movies featuring Sequel characters?

Bless you, friends.

Share this:

Like this:

Share this:

Like this:

Maisie Lockwood takes the role of “the innocent” in Jurassice World: Fallen Kingdom. She also fills that vital child role that exists in every Jurassic installment.

Sylvie is female Loki variant who was stolen from her happy life as a child.

Share this:

Like this:

WandaVision (7/10)

The Falcon And The Winter Solder (6/10)

Loki 9/10

What If 3/10

Hawkeye (Prediction) 11/10

Share this:

Like this:

Share this:

Like this:

Star Wars Resistance : Everyone’s Battle

The Force Awakens : Awakening, Old And New

The Last Jedi : Challenging The Status Quo

The Rise Of Skywalker : Endings And Beginnings

Share this:

Like this:

A New Hope : The Seeds Bloom

The Empire Strikes Back : Success Born Out Of Defeat

Return Of The Jedi : Redemption

The Mandalorian : Meaning In The Midst Of Chaos

Share this:

Like this:

Solo : Hope Is The Key

Star Wars Rebels : Foundations And Family

Rogue One : Sacrifice

Share this:

Like this:

The Phantom Menace : Origins

Attack Of The Clones : Escalation

The Clone Wars : How Did We Get Here

Revenge Of The Sith : Death And Rebirth

Share this:

Like this:

Finn is a Force User.

Humor

Droids

Reylo Vs Ren

A Nod To Han AND Leia In Ben’s Redemption Story

It Was A Palpatine AND A Skywalker Who Ended Him

The Voices Of The Jedi

A Proper Ending To Reylo And Ben’s Death

Kiss Poe Already

Strange Planets, Space Battles, Bizarre Creatures, And Battles In Lit Corridors

Rey Skywalker

Leia

The Rise of Skywalker

For 9+ Movies and Multiple Series Our Heroes Have Been Trying to Save The Galaxy…It Was About Time The Galaxy Saved Them

Share this:

Like this: