The Racially Diverse Movie that Wasn’t About Race: The Magnificent Seven

Remember the movie headlines and trending topics when the casting info came out about Antoine Fuqua’s Magnificent Seven?

ATOINE FUQUA’S MAGNIFICENT SEVEN TO BE A RACIALLY DIVERSE CAST

And on, and on, and on. And many of us rolled our eyes. Why? Because, we are tired of hearing about race. We are tired of hearing about racially driven violence, lost lives, and people being blamed, both black and white, for actions and events they had nothing to do with.

I’m sick of the word “race” altogether. There is no such thing as “races”, that is a term that has stemmed from an evolutionary mindset where scientists once believed that some “races” were more evolved than others. We know that to be a lie, so why are we still using the false terminology?

In truth, there is only one race, and that is the human race. That encompasses every tribe, every nation, every color, every beating human heart. We are all members of one human race, created in the Image of God.

I came out of the The Magnificent Seven a few days ago positively thrilled. It was a perfectly delicious film, for many reasons. But one reason in particular was worthy of a post. And that reason was….

The Magnificent Seven was a movie starring a diverse cast that was never about race, it was actually about the real issue: human nature.

Sam Chisolm (Denzel Washington) was an incredibly skilled man who carried himself with modesty and intelligence. He obviously had the ability to hate, but what was even more evident was his ability to forgive and move on. Sam’s obvious respect and friendship with Goodnight (a sharpshooter who fought for the Confederacy) was the evidence of that.

“What we lost in the fire we’ll find in the ashes.” Sam to Goodnight

Goodnight (Ethan Hawke) was legendary for his sharpshooting abilities. He had 23 confirmed kills during the war. And he was a haunted man with a severe case of PTSD. Goodnight hated thinking about all of the faces of the ones he had killed, even though it had been during a war. He has a hard time forgiving himself and moving on. As I said above, Sam holds no malice for this man. Sam isn’t a black man who sees a white man, he is a man who sees a man. And by his judgment, Sam holds this particular man in respect and high esteem, respect that Goodnight reciprocates.

Goodnight displays this kind of colorblindness in his friendship with Billy (Byung-hun Lee). Billy more than any other member of the Seven is mentioned as having faced prejudice because of his ethnic background. Still, Billy doesn’t walk around with a chip on his shoulder. He just lives his life. Goodnight couldn’t care less what color Billy is, he values Billy’s skills and it is obvious that these two are deeply in tune with each others’ needs. Billy is as protective over Goodnight’s vulnerabilities as Goodnight is protective over the prejudices surrounding Billy. They are brothers from another mother.

Red Harvest (Martin Sensmeier) is a Comanche Indian who is something of an outcast even among his own tribe. Red Harvest is “on a different path”. Red Harvest offers his services to the Seven without a second thought, even though on the outside he appears to have very little in common with them. Red Harvest is a stark contrast to the Indian thug, Denali, on Bogue’s side, the man who murders an unarmed woman in cold blood.

“You are a disgrace.” Red Harvest tells the fellow Indian in a confrontation.

This was a beautiful portrayal of the reality that good people are not determined by their color, but their hearts and actions.

Jack Horne (Vincent D’Onofrio) has spent years hunting and scalping Indians. In a brief reference to his backstory, you get the impression that perhaps it was Indians who were responsible for the death of his family. However, Jack’s past experience does not keep him from joining forces with Red Harvest. Jack even laughingly mentions to the boy, “We have a lot to talk about.” He sees the man, not the color, and he finds the man worthy.

Vasquez (Manuel-Garcia Rulfo) is a Mexican man. There is some lighthearted banter between him and companions Faraday and Goodnight. Faraday consistently teases Vasquez about his Spanish words, and Goodnight and Vasquez have a conversation about their grandfathers being on opposing sides at the Alamo.

“Perhaps my grandfather killed your grandfather.” Vasquez

*laughs* Goodnight

Vasquez develops a playful friendship with the Seven, particularly Faraday. He puts forth an amazing effort in the battle against Bogue, and shows great concern for his companions and those they are defending.

Josh Faraday (Chris Pratt) is the biggest tease when it comes to anyone’s color. But it is obvious that none of that means a lick to him when he gets down to business. His admiration for these other men’s skills is obvious, and he willingly fights alongside them to defend the townspeople. He sees that each of them carry their own scars, and he understands that because he carries his own.

This movie was about humans, of all colors and backgrounds, and the choices they made out of their human nature, for good or evil. Bogue and his thugs acted out of greed, lust, evil, and a desire to prey upon the weak.

The Seven have made many wrong choices in their past. Each one is running from his own demons. But here and now, they are joined together in one purpose, to resist evil. They choose to walk out righteousness, protection, and to defend life. This movie wasn’t about the evil white man, or the evil black man, this is the about the evil manwho is opposed by other men who are choosing to stand up for good. In doing so they form a brotherhood born out of common purpose.

This is how it should be. This is the truth. Our battle is not between black and white, red and yellow, or any other color in between. Our battle is against evil, in any form or color.

Antoine Fuqua used his beautifully colorful cast to bring this point across. His characters were colorblind in both their grudges and their friendships. This perspective enabled them to unite. They were so powerful in fact, that seven men defeated a small army.

This is what can happen when we toss aside the false concept of race, and unite to fight the true battle that is against evil. We can all take a cue from the Seven.

The potential results from such a unity can only be thought of as magnificent.

 

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Miss Peregrine’s Home For Peculiar Children: Movie Review

I just got back from this film. Definitely a walk on the darker side for me, I don’t typically go for darker fantasy.

Still, I cannot escape my fascination with Asa Butterfield (Jake), and if he is in a film that fits my moral standards, I am going to be there. I love watching him, not only because his eyes are mesmerizing, but there is this quality in his acting that he brings out every single time, in any character. This level of curiosity, concern, and protectiveness. He’s one of a kind.

So is this movie. It was, unique, to say the least. I would not recommend this film to younger viewers (under 13) as it is very dark and violent. Children are in mortal danger and other children have been brutally murdered.

Still, in terms of a creepy movie that won’t ruin your soul and will give you an engaging story, endearing characters, and a comfortable ending, Miss Peregrine will fit the bill.

It’s no great masterpiece of tight plot, but your interest in the characters and their fate will keep you watching this film. All of the children actors were incredible. Miss Peregrine (Eva Green), was fascinating. She was almost musical in her mannerisms, confident in her actions, and vibrant in her style. I enjoyed her thoroughly and wouldn’t mind cosplaying as her.

The scenery was beautiful or horrifying by turns. Every mood was captured appropriately.

The villain was not exactly what I could term terrifying, he was actually on the casual, almost nonchalant side. He was not the most horrifying of the evil things, so, his lightness was okay. It was almost relaxing to have a nonchalant villain who just did his thing and seemed amused with those people in his way.

Some parts of this movie were just plain bizarre, but if you relax and anticipate weirdness, you should enjoy this film.

Here are some more specifics if you want to know whether or not this movie is appropriate for your family. *warning, some spoilers, I will keep my terms as general as possible

Sex/Nudity- One child’s peculiarity is invisibility, whenever they need him to be completely invisible he has to become naked. Naked and invisible, chilly, but not really an issue.

One female character removes her outer clothing, a male character glances away as if unsure, but she is only going down to an undergarment layer the equivalent of a tank top and shorts. The scene is non-sexual and purely practical.

2 sweet and brief kisses between older teenagers.

Violence/Gore- Prepare yourself, this is a long section.

Multiple characters are shown lying dead with their eye sockets empty. The evil creatures need to feed upon the eyeballs of other “peculiars” in order to accomplish something.

A character picks up a bloody object. Another character is found holding an even bloodier object.

Characters are shown dead.

Characters go through something like an electric shock, which leads to a disturbing body transformation.

Monsters are shot with crossbows, or stabbed with objects.

A dead child is kept in a room, his eye sockets empty.

A child has a knife held to their neck to be used as leverage. The child is fine.

One character does lose their eyeballs on screen, this is not a beloved character.

A villain tries to drown a child, the child is shown underneath ice. The child makes it.

A villain tries to freeze another child. That child appears to be dead, but is revived.

A character is grabbed violently through a window and never seen again.

A character who’s “peculiarity” is to animate things to life creates disturbing little toys, toys that then fight each other and “die”. This character does end up using their power to accomplish good and is better by the end of the film.

A large battle between skeletons and monsters takes place.

Language/Profanity- One oh my g**, maybe 2 at the most

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Frightening Scenes- It starts out frightening, it is frightening throughout, it is weird, but the ending is comfortably peaceful and happy.

Heroes/Role Models- There are many heroes in this film. Miss Peregrine’s role in life is to protect “her” children. She puts their safety above her own.

Jake is not a heroic figure to begin with, but he grows into an intelligent and strong protector, embracing his destiny. He also enables the other Peculiars to become braver and use their gifts to defeat evil.

Abe has been protector of the Peculiars his whole life.

Talking Points

  • How can we be brave?
  • What does bravery mean?
  • How can we use our gifts and talents to help those around us?

I enjoyed this movie, despite it being outside of my comfort zone. I wouldn’t be opposed to a sequel, but we shall see what happens.

Happy October!

 

 

Why I Love Movies

My first movie was The Prince of Egypt, an incredible film that I saw at the age of two.

That movie drastically shaped the course of my life. It gave me a love for history, a love for miracles and the power of God, it helped me understand that messages could be conveyed through music, and it opened me up to being able to connect on a personal level with characters and stories. I. LOVED. IT.

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It taught me about faith, perseverance, bravery, and so many other things. That movie grew tendrils into my soul and it still remains firmly planted in there.

Movies are such a special medium. They combine incredible storytelling, visual images, emotional music, and person to person interaction via characters with the audience. Movies have the ability to create a captive audience, an audience that is captivated by the story playing out before them.

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I love the power that movies have to create common ground. Personally, I have very little in common with a vegan Harvard law graduate. However, if he loves Star Wars as much as I do, we instantly have something to talk about. Incredible movies have the power to unite multiple generations and people of different backgrounds on one common ground.

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Movies are such an unnecessary gift. Because we live in a very blessed country, we have the time and money to enjoy magical stories on a regular basis. I do not take this privilege for granted. I treasure it as a great gift.

Sometimes movies create a wonderful place to rest my mind and heart. I can laugh or cry if I need to, and both my soul and body feel better.

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But movies are not merely and escape for me. More often than not, I learn and grow when I watch movies, and not just on a technical what-worked-what-didn’t level, but about life and people. Sometimes I see myself reflected in the characters, sometimes I see other people I know or have faced. I learn about life and people.

I have gained courage by experiencing other character’s stories. I have been inspired, touched, taught, and given joy by so many movies.

Movies are so powerful, they can be used as a force for good or evil. It is my dream to make movies that seek to inspire, uplift, bring life, and speak truth, all while telling a story that people simply cannot look away from or forget.

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This is why I love movies. This is what movies have meant to me. This is what I want to use movies for.

Why do you love movies?

 

 

Wanda Maximoff’s Room: Backstory in Less than 3 Minutes

The Russo brothers had their work cut out for them in Civil War. They had to bring us up to speed on all of our old characters, seamlessly introduce new ones, and engage in a deeply layered and interpersonal conflict in a way that was organic and engaging. What is the answer to that dilemma? Multitasking storytelling; using every aspect of a scene with characters, props, setting, music, etc to get the point across.

They pulled it all off magnificently. There are so many of this aspects of this film that I could discuss, but today I want to talk about how we were brought up to speed on the character of Wanda Maximoff, aka Scarlet Witch.

When we last saw Wanda, it was in Age of Ultron where she spent most of the movie on the hunt for revenge on Tony Stark. We got a bit of her backstory, she and her twin brother lost both their parents and their childhood to a missile made by Stark Industries. Still, we didn’t really get to experience her heart, and we learned next-to-nothing about her personality.

Now, it is one year after the tragic events in Sokovia. Wanda lost her brother to that battle, and that meant she lost pretty much the only stability or identify she has ever known. Pietro was her foundation and safe place. She has been with the Avengers for a year now, and they have become her new sense of family and security. She’s no longer thirsting for vengeance, so….just who is Wanda Maximoff?

We got a few glimpses of who she is in the battle with Crossbones in Lagos, Nigeria. Wanda is obviously still in training, but her powers make her one of the biggest assets on the team. She was very tuned in to instructions and quick to have Captain America’s back. Her face was heartbreaking when she saw the accidental explosion caused by her efforts to save Steve from Crossbones’ bomb.

But the greatest download we got on Wanda was in the short scene in her bedroom. This scene was brilliantly done on every level, but I have to give the biggest applause to the set designer. Multiple levels of information and story were given to us in less than 3 minutes.

We know exactly who Wanda is when this scene is done; we know her desires, her hopes, and her fears. Her character arc for the rest of the movie is established in this scene. we know where she is coming from, which means we also now know where she needs to go.

Shall we examine this fine bit of set design?

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Notice the pin markers in her globe. Are these places she has already gone with the Avengers, or places that she dreams of going? Her life before wasn’t exactly one where she could dream, it was a life of survival and vengeance. She was experimented on and became this insanely enhanced person.

Despite all that she lost before, her normal life, her parents, and especially her brother, I would venture to say that Wanda also feels a sense of relief. She is now free to dream again. She is young and it is a big and beautiful world just waiting to be discovered.

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The color palette in this room is very subtle and restful. Soothing grays, blues, greens, and ivory. Despite her superhero name of “Scarlet Witch”, Wanda Maximoff is very non-scarlet in her both her color choices and personality. This room is her refuge, her quiet place to be vulnerable and to dream. This room represents who she is inside, and inside she is a soft, sweet person.

See the guitar? Wanda is learning to play music. She is a very gentle soul. There is a soft throw on the back of the chair, perhaps she cuddles up in it to watch late-night movies or read a good book. A bit of laundry in the hamper? It would seem she is actually still quite normal in the fact that she is procrastinating laundry day.

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Her shelf. It has books, a glass globe (I have one like it), candles, and this oh-so-telling bulletin board which I will get to in a minute.

My favorite part here is the cute hanging rack she made with a gold chain and a feather. Feathers represent freedom and whimsy, a side of Wanda we never saw in Age of Ultron. She has a feminine pair of dangly earrings hung on this homemade rack. I’ll just bet you she got the idea to make it when she saw a similar idea on Pinterest. Wanda can manipulate and create with her powers, but she can also create beautiful things with her hands.

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We can see a photo of what is obviously little Pietro. It is both sweet and heartbreaking. There are also photos of dogs and a cat. Were they her pets? Or does she just love animals? This bulletin board is completely stuffed. Memories matter to Wanda, she treasures them. She has experienced other people’s memories through the visions she gave them, how telling that she keeps her own memories out in plain view, even the tragic ones.

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More subtle colors. Another glimpse of her stuffed bulletin board. A stray headband that she never put away. Baskets stuffed with what looks like stationary or scrapbooking materials. And the final detail, a cross necklace hung in the background. Could it be a part of her past, or has faith become a part of her life since the events in Sokovia?

Dreams. Memories. Sweetness. Peace. Refuge. Femininity. We learned all of this just from the background setting, this doesn’t even include everything we learned in Wanda’s conversation with Steve.

This is not the room of a child, nor is it the room of a woman. It is the room of someone who is in between. It is a room reminiscent of the childhood that she never got to have, but it is also longing for the womanhood she is not yet sure how to grasp. Instead, she is a girl caught in the middle between fear and vulnerability, and bold strength.

Wanda made huge strides to grow and become braver. She faced down her fear when Vision confronted her and she triumphed. Everyone is well aware of just how powerful she is, she is not lacking for capabilities to protect both herself and others.

But underneath all of that, Wanda still has a sweetness that needs to be protected. All those who know her feel that and try to guard her. Steve, Vision, Clint, even Tony. She’s the baby Avenger, the kid sister, the girl who they have all grown to love and want to protect. I think Pietro would feel great relief to know that his sister is so well looked after.

We were truly introduced to Wanda Maximoff for the first time in Civil War. And we were introduced so subtly and organically that we never even noticed it.

Meet Wanda Maximoff, a sweet young woman with a heart that’s even bigger than her beautiful eyes.

 

Appealing to The Senses: The Hundred-Foot Journey

Most movies appeal to our senses of sight and sound. I can see the story playing out, and I can hear the music, sound effects, and dialogue.

However, not many movies have the ability to drawn in more than those two senses. It is a rare gift to find a movie that appeals to multiple senses and makes you feel as if you are fully engaged on both a soul and sense level.

The Hundred Foot-Journey

If you have never seen this delicious movie, might I kindly urge you to drop everything and watch it immediately. It is one of the best, richest films I have ever seen and I am about to tell you why.

The Hundred Foot-Journey follows the Kadam family who leave India for France looking for a better life. They find a charming village to settle in and open up their Indian restaurant. Their location? Exactly one-hundred feet across the road from Madame Mallory’s Michelin-starred eatery. What follows is a story about memories, love, people, and food.

Now, I can hear your question. This movie is still just a movie right? It can’t produce smell, literal food, or hand you something out of the screen to touch. So how can I say that this movie appealed to more than my sight and sound senses?

The Hundred-Foot Journey is a movie about people that uses food as the medium to communicate the heart of story and messages. The brilliance here is that food is a common denominator that everyone on planet earth understands and connects with. Food reaches us physically and emotionally. We touch it, see it, smell it, hear it, and above all, taste it.

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Have you ever seen a peach and had a flashback to a fun summer afternoon spent in the orchard? Does the smell of cinnamon make you feel like it’s Thanksgiving? When you hold a muffin do you remember your grandma? Has your mouth ever watered at the sound of someone crunching down on hot, buttery toast? When you bite into a cheeseburger, do you suddenly feel like you are on vacation again?

The Hundred-Foot Journey triggers the memories of our own personal experiences with physical things such as food in order to draw us into a story on a sensory level.

In the beginning of The Hundred Foot-Journey, we see Mrs. Kaddam teaching her son Hassan how to cook. But it’s not the typical one cup of water, 2 teaspoons of salt, stir for thirty seconds that you might imagine. Instead, Mrs. Kaddam is teaching Hassan about the soul of food.

“Food is memories.” 

She pours a ladle-full of her stew into her son’s palm where he slowly drinks it, savoring and experiencing each flavor and feeling of the dish. Mrs. Kaddam infuses so much meaning and life experience into her food that whenever Hassan eats or cooks something, he understands the story and memory behind the food.

Throughout this entire movie, the characters are deeply involved with their food. They touch it, experience the color, savor the flavor, and recognize the memories or feelings that the food arouses. No character does this more than Hassan. You taste, smell, hear, touch, and see through his eyes more than anyone else’s. You are connected on both a soul and sensory level with his experiences regarding food.

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At one point in the film, Hassan begins to lose himself in the process and precision of making food rather than the memories and emotions of it. It changes his entire persona and perspective. He is lost and miserable, and he cannot figure out why. The movie begins to lose its flavor as we lose our connection to the food and the heart of the story. We become distant and disconnect, just like Hassan is. We can no longer taste anything.

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When he reaches a very low point, he is given the opportunity to eat some homemade Indian food. The moment he bites into it his entire countenance changes and tears come into his eyes. He tastes home, himself, and his mama. He tastes who he is in his heart, the person that he had forgotten about for time has returned. At that same moment, the color and flavor return to the story for us. Our connection point is restored and we are once more engaged on a sensory level.

There are so many characters in this movie who take turns being right and wrong. There is brokenness and humanity. There is beauty and tragedy. There is life, laughter, and dancing. There are happy and sad tears.

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The Hundred-Foot Journey is a movie about life and people; and it uses the universal language of food to connect to our senses and draw us into the story in a deep, connected way.

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I cannot recommend this movie enough. It is excellent both in content and form. You watch this movie and drink in every detail. It is so layered and well-done that you take in some things consciously, and others at a sub-conscious level.

The Hundred-Foot Journey is a satisfying movie on every level. When you reach the credits you will feel full in body, mind, and spirit. It is a veritable feast for your soul and senses.

 

The Need for a Sparring Partner- Part 1

In ancient times when  warriors wanted to increase their skill in combat, they would spar with other skilled warriors. These duels were intense and pushed both combatants to their limits. Warriors spent hours every day engaged in these duels, and their skill and strength increased because of it.

A warrior who did not spar was a man whose days were numbered. It didn’t matter if he was incredibly skilled, failure to practice regularly with others of skill meant it was only a matter of time before he met his match or superior in a real fight and was killed.

This concept of a good “sparring partner” is hugely important when creating a main character. It can be the difference between a relate-able character that is continually growing, or, a character that is always superior and stagnant because they are never pushed. Lasting characters often last because they never stop getting better.

Wise people in real life know that they need to grow. So, they surround themselves with people who engage their minds, push their limits in knowledge, and test their virtues and social skills. Iron sharpening iron, so to speak.

Characters are based off of real life experiences. I think this is why characters that are sixteen levels above anyone else in the movie feel so boring. They are never stimulated, they are always the smartest person in the room, and they are never thrown off their game or forced to become better.

A great example of this is Aurora Teagarden (Candace Cameron Bure) in the original movie series Aurora Teagarden  on Hallmark Movies and Mysteries.

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Aurora is a smart librarian with a knack for solving murders. She is always mentally one step ahead of everyone around her. In her first two movies Aurora may face a bit of resistance in solving the murders, but it’s often due to police red tape or other people’s failures.

Aurora also can’t seem to find a significant other to stick around. Sure, the pastor from the Aurora Teagarden: A Bone to Pick and the author from Real Murders were nice guys. Both men adored her and yet they did nothing to add to her character or grow her. They were “yes” men who told her how smart and gorgeous she was, but they never challenged her.

I love these mystery series, I really do, but I always felt that this particular series was missing something. It didn’t hold water as well and there was clearly a strong flavor that the story lacked.

Lucky for everybody, the writers figured out what flavor they needed to add in, and it came in the form of Martin (Yannick Bisson) in the third installment: Three Bedrooms, One Corpse.

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Martin as a character totally threw Aurora for a loop. He could say one thing and catch her off guard. While he deeply admired her brilliance and her beauty, he was not intimidated by her. He remained mysterious and didn’t hand over information to her just because she batted her eyelashes.

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Aurora was forced to operate at a whole new level in order to learn about Martin and prove whether or not he was the murder suspect. In the sparring of both wits and words, Martin proved to be her equal and occasionally her better; a fact that only caused her to step up her game.

Providing Aurora with an excellent sparring partner evened her character out, made her more realistic (she’s not a goddess, she’s human), and added great interest to her story. The third installment of the Aurora Teagarden movies was by far the best and moved this series up in my favorites list, previously it had been my least favorite original mystery movie series on Hallmark Movies and Mysteries.

We were even treated to a preview of the next Aurora Teagarden installment, and lo and behold, guess who the writers decided to hang onto? That’s right, Martin.

Finally! Aurora has met her match and everyone knows it. The missing flavor has been added, and our heroine has found a sparring partner.

Sparring partners can come in many different shapes and forms. Sometimes they are allies, and sometimes they are enemies. There are even cases when setting or circumstances can fill provide the role of the sparring partner.

Still, I always enjoy a human touch to the role of a sparring partner. Particularly when it is an ally who challenges the hero to become better.

It is always encouraging to me see examples of two characters pushing each other to greater heights. I love these character pairings because I strive for this kind of great interaction in my own life.

Join me Friday for Part 2, when I will point out and discuss some iconic film/TV pairings that are examples of excellent sparring partners.

 

5 Reasons We Love Flynn Rider

It’s no secret that Tangled‘s Flynn Rider has been a favorite among Disney fans since his introduction in 2010. He was one of the key elements that made Tangled a level above it’s predecessor Disney movies.

Flynn really broke out of the mold of boring and backstory-less Disney men and is really one of the most engaging characters to date. He wasn’t just a pretty face (let’s be honest, though, he is incredibly pretty), there was so much more to his character.

I could go into greater depth about the brilliance and complexities of his character, but I’ll save that for a later date. Today, let’s just enjoy a few of the primary reasons that we all love Flynn Rider.

1. The Smolder

Tangled really ushered in a new era for Disney. While many beautiful and charming movies had been made before it, Tangled introduced a finer 3D level of animation to the big studio. Pixar had been doing this kind of amazing animation for a long time now, and I think it is greatly due to Pixar’s involvement in this project that it turned out so well.

The facial expressions in this movie are just amazing. I always say about Tangled, “They told an entire story using eyebrows.”

By far the most prominent eyebrows belong to the one and only Flynn Rider. His facial expressions are just amazing, and with the slightest tweak of an eyebrow he completely changes the mood.

And what is the top Flynn Rider facial expression? I don’t really need to answer that for you, because we all know.

His face is so ridiculously fluid. In one 45 second clip he makes multiple, hilarious facial expressions with just the slightest twitch. Flynn Rider is like the poster child for amazing facial expressions.

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2. His Love/Hate Relationships with Animals

It seems like everyone in Disney is some kind of animal whisperer (Snow White, I’m looking at you). How many of us have had unrealistic expectations set for our human/animal interactions because of Disney movies? Seriously, I could whistle until my lips bled and still no birds would show up to help me clean my room.

Flynn Rider is not your typical Disney character. He actually seems weirded out by the hyper-intelligence of classic Disney animals. His interactions with Pascal and Maximus are hilarious.

He goes through 3 stages of animal interaction in this movie.

(1) Flynn’s face is one big question, “WHAT IS HAPPENING?!?”

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(2) He  moves on to feeling the need to justify himself.

“You should know that this is the strangest thing I have ever done!”

(3) He starts talking to animals even more casually and normally than the other characters. He doesn’t have the sparkly, awe-like interaction that other Disney characters have with their animals. He moves right on to normal, person-to-person interaction. He and Maximus might as well be brothers who grew up tussling with each other.

3. Breaking Disney Men Cliches

(1) He’s a thief, not a prince, general, or warrior.

Yes, I know Aladdin also fits this qualifications, but Aladdin was immediately more selfless to start than Flynn is. *For the record, I adore Aladdin as a character and his movie is my favorite of the older, Disney “princess” movies. More on that another time.

Flynn stole a crown and left his partners in crime to the hangman’s noose. His only goal for the beginning of the movie is to get that crown and make a fortune. He tries to discourage Rapunzel from following her dream so that he can fulfill his sooner.

(2) He didn’t fall in love at first sight. More on this at the end.

(3) Again, he’s not really sure about these hyper-intelligent animals. See above.

(4) He doesn’t SING, not on his own initiative anyway.

(5) He has a deeply compelling backstory.

Very few Disney men are given interesting backstories, they are more the eye candy for whatever princess is doing her thing. I think Disney is starting to get the picture that maybe we want interesting men and women characters, it has been announced that Prince Charming will be getting his own backstory made into a live action film

The reveal of Eugene Fitzherbert, the orphan boy who loved the book about Flynnigan Rider was precious and compelling. It opened the door for Flynn to soften his heart and let a new, golden dream in. This moment was huge for his character development and setup for that glorious sacrificial scene at the end of the movie.

(6) He freaks out. Many times.

(7) He looks, GOOD. And he’s not afraid to admit it.

All Disney princes are gloriously beautiful (hold back the dimples, Eric, we can’t handle dimples that deep), but none of them ever acknowledge it.

Flynn knows how gorgeous he is, and he completely uses that to his advantage. Don’t get me wrong, I love men with humility, but this very real character flaw of Flynn’s was fresh and hilarious.

4. Best Lines

Flynn Rider has just got some great, very quotable lines, and his delivery could not be more perfect. He’s like the animated Han Solo of great line delivery.

Flynn Rider- You smell that? Take a deep breath through the nose.
[Breathes through nose]
Flynn Rider: Really let that seep in. What are you getting? Because to me, that’s part man-smell, and the other part is really bad man-smell. I don’t know why, but overall it just smells like the color brown. Your thoughts?

Flynn Rider- [sword-fighting with Maximus] You should know that this is the strangest thing I’ve ever done!
[Max flicks the frying-pan from Flynn’s hands]
Flynn Rider- … How ’bout best two out of three?

Flynn Rider- [Flynn looking at his ‘Wanted’ poster] No… no, no, no, no, no, no, no, no, no, this is bad, this is very very bad, this is really bad… They just can’t get my nose right!
Stabbington Brother- Who cares?
Flynn Rider- Well, it’s easy for you to say…
[Looking at the Stabbington Brothers’ ‘Wanted’ poster]
Flynn Rider- [in awe] … You guys look amazing.

Flynn Rider- All right, listen! I didn’t want to have to do this, but you leave me no choice. Here comes the smolder.
[Flynn puts on a pout, hoping to charm Rapunzel. She just looks at him sternly]
Flynn Rider- This is kind of an off-day for me. This doesn’t normally happen.

5. Not Love at First Sight

Don’t get me wrong, I do believe in love at first sight.

But, if we were to take Disney’s word for it, love at first sight is the only way any beautiful romances happen.

That’s not the case for Flynn and Rapunzel, however. Flynn did notice Rapunzel’s pretty face when she first stepped out of the shadows, but a second later the first hint of awe wears off and he’s trying to sweet talk her to get his way.

He gains a hint of respect for her when she faces down the goons at the Ugly Duckling, turning the whole place into an impromptu Broadway performance; but it’s more of just admiration at the moment, love has not yet begun to bloom.

The evolution of Flynn’s love for Rapunzel was gradual. He didn’t let down his guard a bit until he thought they were going to drown. And then he shares something very precious and personal with her: his name.

Eugene represents the softest, realest heart of who he is. It’s the most vulnerable part of him, it represents a little orphan boy who never had enough but dreamed big. Rapunzel recognizes how precious that name is and uses it with great respect and gentleness. This attracts Flynn.

He sees the sweet innocence and beauty of her heart at the Festival of Lights. She soaks up every single moment with the joy of a child. Her pure beauty and warm heart are magnetic to Flynn. She is the most real, colorful thing he has ever experienced. She makes his dream of fortune seem black and white by comparison.

And then, he celebrates her dream with her. He spares no expense to make this moment the most special moment in her life. He understands how much these lights mean to her, he understands that they reflect her soul, which has felt trapped and captive. She trusts him with her most vulnerable place, and he treats her like a princess.

This scene is legendary and makes my throat ache.

He’s ready to go all in. He wants nothing in the world except to be with this beautiful, precious girl in front of him. He’s even willing to turn in the crown to the Stabbington brothers without a second thought. This is symbolic of him giving up his previous dream for a new one.

We know what happens. Evil Mother Gothel scheme, Flynn in prison, Rapunzel back to her captive tower, etc.

Flynn has an energy and desperation that he didn’t have before. Now, he’s not just fighting for himself, he is fighting for someone else. He’s always been resourceful and scrappy, but he’s never been in love.

He rushes back to the tower to save Rapunzel, only to be stabbed by Mother Gothel.

I gasped out loud when I saw this scene the first time. I did NOT expect that level of violence in a Disney movie. It scared me to death, a cardinal rule had just been broken and I didn’t know what to expect next. For all I knew, Maximus would kick the bucket the following scene.

Rapunzel willingly sacrifices her freedom for life in order to save the life of Flynn. I shall continue to call him Flynn, as I feel Eugene is really a special name that only Rapunzel should get to call him.

Flynn was bleeding out on the floor. He wasn’t exactly in top physical condition, no one would have blamed him if he was unable to do anything. He’s already gone above and beyond who he was at the beginning of the movie.

They move in for the kiss, and BAM! He slices her hair off, rescuing her and sacrificing himself.

Respect. Vulnerability. Attraction. Sacrifice.

This is such a well-written, well-rounded model for falling in love. The romance in this movie had so much more depth and maturity than any of the previous Disney Princess films. It opened the door for other amazing romances like Frozen’s Kristoff and Anna in the future.

*****

Flynn Rider was an amazing character all on his own. He had his own set of circumstances, beliefs, and goals before he ever met Rapunzel. She didn’t change him immediately, but in time, being around her altered his priorities.

He was bold and sacrificial. His rescue of Rapunzel in no way diminished her strength as a character or threatened her capability, it only added to the rich interaction. Flynn Rider was a strong male character, paired with a strong female character, and the result was the best Disney princess movie anyone had seen.

Eugene Fitzherbert would be happy to know that he is every bit as legendary as his fictional hero, Flynnagin Rider. His fame has spread far and wide and we still enjoy his story.

What did you love about Flynn Rider? What did you love about Tangled? What did you see that they did differently in this movie from their previous fairytale films?

25 of My Favorite Movie Lines

It is the 25th post on reellifebygrace today! I thought I would have some fun with this number and keep it simple by sharing 25 of my favorite movie lines. These are in no particular order and are merely here to make you smile.

1.”It’s like America, but south!” (Ellie, Up)

I am a big South America fangirl. I understand the deep wonder and excitement that Ellie and Carl have for that mysterious continent. Not to mention, this scene is just the cutest thing ever.

2. “I love you.” “I know.” (Han Solo/Leia, The Empire Strikes Back)

Han and Leia’s romance is one of the top movie romances in the world. I love, LOVE their interaction. This scene is so iconic to Star Wars fans for so many reasons. My favorite bit of trivia about this scene is that Harrison Ford came up with his classic I know response on the spot, and a legendary line was born.

To top this amazing line off, the roles are later reversed in Return of the Jedi when Han says “I love you” to Leia. She gets a twinkle in her eye as she replies “I know.” What a great tie-in between the two movies.

3. “Uh, mebbe I shoulda hooked him up to Bessie, an then took the boot off.” (Mater, Cars)

A classic “DUH” moment that is made totally adorable by Mater. He takes Lightening McQueen’s handcuff “boot” off before he hooked McQueen up to Bessie, the enormous asphalt machine.  My dad always laughs at this part, so it is a fond moment for me.

4. “My mother was a caterpillar, my father was a worm, but I’m okay with that now.” (Khalil, Veggie Tales: Jonah)

If you have never seen Khalil the caterpillar, look up some clips on Youtube. He is utterly hilarious and a top-quote character for Veggie Tales fans.

5. “I am expressing multiple attitudes simultaneously. To which are you referring?” (Spock, Star Trek: Into the Darkness)

SPOCK SASS! I love Spock.

6. “I think I heard a whoosh.” (Emmet, The LEGO Movie)

Emmet is totally adorable, and this line cracks me up. I can just see Chris Pratt saying this himself. I’d be willing to bet Chris Pratt really is Emmet in so many ways. I feel like if we went inside of Chris Pratt’s mind we would find a double-decker couch in there somewhere.

There are a million hilarious and quotable lines from this movie, I had to just grab one off the cuff.

7. “You hesitated.” (Olaf, Frozen)

Again, so many quotable lines to choose from in Frozen, but this one always cracks me up because of the timing. Anna’s hair is turning white and it’s freaking Kristoff out. Her cute little feminine query, “Does it look bad?” is something so many gals can identify with. Poor Kristoff waits a half second longer than he should to reply, and his fate is sealed. So many males identify with this.

Haha, Olaf isn’t buying it.

8. “I’m just a kid from Brooklyn….I can do this all day.” (Steve Rogers, Captain America: The First Avenger)

I make no secret about my love for this guy. I really feel like these two lines (they are really a part of the same thought) entirely sum up this extraordinary guy.

It’s even better because of all of the follow-up times when Steve uses his signature lines. He never gives up. It’s the Steve Roger’s version of just keep swimming. 

How do you compete with that?

9. “Obviously. Yes, I am. I’m with the Resistance, yeah, *whispers* I am with the Resistance.” (Finn, The Force Awakens)

This kid is so stinkin’ adorable. I fell in love with him on like Line 3. He was so unlike any of the previous Star Wars main heroes. He was so not confident he felt so normal and human. His instant crush on Rey is all the cuter as he seeks to impress her with his “Resistance” status.

Aren’t they adorable?

10. “What do you still have it for?!? I can’t believe you had THAT in your purse!” (Rocket Raccoon, Guardians of the Galaxy)

Obviously I just picked out one gem among that treasure trove of quotable lines that is Guardians of the Galaxy. This one however, cracks me up even when I’m not watching the movie.

The orb just blew up and the Guardians are all in shock. Rocket’s line is hilarious enough, but it’s made even more hilarious by the fact that he and Peter Quill start having the purse vs. knapsack argument right then and there.

11. “Dishonor on you, dishonor on your cow!” (Mushu, Mulan)

Using this line as a comeback will either end the argument with your opponent defeated, or you will make a new best Disney friend.

12. “Great, where are we going?” (Pippin, The Fellowship of the Ring)

I’m going for more comical than deep today. Pippin is a great moment of comedic relief in the epic but exhausting saga that is Lord of the Rings. This line is so hilarious in that you-have-no-idea-kid kind of way. It’s even funnier because this stupid line totally breaks up the solemn and dramatic gravity of Elrond’s “you shall be the Fellowship of the Ring” statement.

What an adorable idiot!

13. “And Daddy! He stole my boot!” (Jane, Tarzan)

Jane is a highly underrated Disney lady. She’s charming, adorable, and says the cutest things. She has the most rambling way of getting to the point. It’s even cuter how her round and squishy little professor Daddy follows her bizarre thoughts easily.

This line is when Jane returns from  having met “the wild man” Tarzan. She’s babbling away about this strange creature, only to stop in the middle of her ramble to talk about the theft of her boot. I do this sometimes, so this line always cracks me up. I can’t find this particular line, but here’s a cute scene that will give you a great example of her adorable dialogue.

14. “These mashed potatoes are SO creamy!” (Midge, While You Were Sleeping)

I cheated by using this line to introduce one whole scene full of hilarious lines. Lucy is eating dinner with Peter’s family and about 3 different conversations are happening at once. She and Jack never say a word but smile at each other through the chaos. It’s a hilarious scene, one that I completely understand because I grew up in a large family. I promise you, this is completely realistic.

This movie is priceless!

15. “Whaaaaattt???” (Minion, Despicable Me)

This gif works for EVERYTHING.

16. “You should know, that this is the strangest thing I’ve ever done!” (Flynn Rider, Tangled)

Flynn Rider broke so many rules for Disney guys, I think that’s why he is so beloved. This scene is hilarious.

17. “I shall call him Squishy, and he shall be mine, and he shall be my Squishy.” (Dory, Finding Nemo)

This is everyone literally every time they see something adorable.

18. “School mascot by day, but by night….I am also a school mascot.” (Fred, Big Hero 6)

He’s so hilarious!

19. “I’ve never put on pantyhose, but it sounds dangerous.” (Joseph, The Princess Diaries)

Fellas, you just have no idea the truth of this statement. I laugh really hard at this line because pantyhose are HORRIBLE! They itch, they pull, they rip, they slip, and you have no guarantees about the length of your life when you start putting them on. They are DANGEROUS!

20. “Thank you for nothing, you useless reptile.” (Hiccup, How to Train Your Dragon)

Hiccup Haddock is one of the greatest things animation has ever brought the world. I flat-out adore this guy. His dry and sarcastic sense of humor is one of the best aspects of this character.

21. “I was with the Navy, not the Navajo.” (Owen, Jurassic World)

There’s a reason Chris Pratt keeps sneaking in here. He’s amazing. I love Owen’s face when Claire looks expectantly at him after asking him to track down her nephews. He gives her this look repeatedly throughout the movie.

22. “Well done, you just decapitated your grandfather.” (Loki, Thor: The Dark World)

Loki gets the best lines.

23. “The word I’m searching for, I can’t say because there’s preschool toys present.” (Woody, Toy Story)

This is a great way to express your emotions in a situation without getting profane.

24. “So yeah, I blew myself up.” (Mark, The Martian)

Mark’s running dialogue for this movie was utterly amazing. He had a great sense of humor that kept things from getting too heavy. Amazing!

25. “If I see one, I shall inform you immediately.” (Jack Sparrow, Pirates of the Caribbean: The Curse of the Black Pearl)

This is one of my favorite little interchanges throughout this funny movie.

And there you have it! 25 great movie lines from some wonderful movies. This was actually far more complicated than I had anticipated. Good thing I chose to do this post for my 25th instead of my 100th. Merry movie-watching to you all!

 

Keeping the Voice Authentic: Spirit

Spirit: Stallion of the Cimarron is a movie about a wild stallion who finds himself taken into captivity by humans. Spirit’s primary objective in the film is to regain his freedom and return home to his wild herd.

It’s a magnificent movie on so many levels. The story is beautiful and unique. The characters are deeply engaging. The music grabs your soul and will not let go. Spirit is a character that stirs the deepest parts of you and makes you want to stand up and fight. This was one of my favorite childhood films for all of these reasons.

But looking at this film as an adult, I can now appreciate it at a whole new level. Watching it again, I noticed something that I had instinctively felt as a child, but could never put into words.

Spirit is a movie about a horse, told with the voice of a horse.

In every story there is a primary voice that is telling the tale. This voice can take on many forms, and it can come from any character; but it is this voice that filters every single detail in any story. It is this voice that will lead you-the viewer- in knowing how to think and how to feel. This voice determines the message of the story. Without a clear voice, a story will feel limp and useless because it lacks direction and a strong foundation.

Spirit did so many things right on every level of cinematic storytelling. Why? Because the voice in Spirit was authentic and spoken through every single detail of the movie. Here are some specific examples of how the voice in Spirit was made authentic.

Body Language

Horses communicate via body language. Ears forward=alert. Ears laid back flat= aggressive, etc. Snorts, whinnies, stamping; all of these communicate different thoughts, emotions, and instincts being expressed.

Spirit was a movie where a horse was the primary character. We saw the world through Spirit’s eyes; in order to put ourselves into his hooves we had to understand communication the way he did.

Spirit made use of every body movement and sound that horses make. We clearly understand what all of the horse characters were thinking and feeling even though very few of us naturally speak “horse”. Not a single horse character ever spoke words, thank goodness, or this whole movie would have felt cheesy and stupid. No, in order to live and breath this story we didn’t need the horses to speak our language, we needed to be able to understand theirs.

Narration Via Spirit’s Inner Dialogue

Even though so much was communicated through the horses’ body language, we still needed some sort of narration to happen in order to bring us through the story. Given that Spirit himself is the one telling his story, it would make sense for him to do the narrating.

They could have done this where Spirit chimed in with a comment every few seconds, or told us the story from start to finish while we merely watched the motions. Both ways would have made this movie less than it was.

The way the filmmakers chose was incredibly brilliant. Our narration was Spirit’s inner dialogue, his thoughts so to speak. His impression of a situation, his instinctive reactions to things, etc. This put us inside of Spirit’s head and heart in a way that no other narration could have done.

These thoughts had to be clear enough for us to follow them, but it was vital that they stay as true as possible to the authentic “horse” voice. The writers did this in multiple ways.

  • Spirit never uses proper nouns. The one time he uses a specific name for someone is when he is referencing the term the soldiers use for his Indian friend, Little Creek. Instead of using specific terms, Spirit uses vague generalities. They, he, him, her, she, I. We always know of whom he is speaking, but he never calls them by name, that is reserved for the human characters of this story. While horses do understand commands and recognize differences in people and other animals, I don’t imagine that they think of those people by name. It’s more about how those people smell, sound, and feel. It’s more about visceral things than intellectual categorizing. Spirit takes in his world in a vaguer way, trying to understand it, but he doesn’t intellectualize it.
  • Spirit doesn’t narrate all of the time. There are very long sequences when all of his communication happens with his actions; again, he is speaking as a real horse would. This puts us into the mind of an animal instead of a human mind. Human minds have a constant running dialogue. Spirit’s mind is more instinctive, and physical. He doesn’t have five million little details running amok in his brain. His one driving force and thought for most of this movie is to regain his freedom.
  • Spirit’s thoughts are never connected to his mouth. If this were a movie with a “talking horse” it would have been utterly cheesy and failed in delivering authenticity. Yes, we do know what Spirit is thinking, but it is almost as if his mind is a separate entity from his body. We are in the first-person perspective of this horse. We feel what he feels, we want what he wants, we struggle when he struggles. And we do it the way he does it, as a horse. Yes, a horse with heightened emotions and soul, but still a horse.

Sound

The sounds of this movie are very gritty and earthy. I mentioned above how much of the story is told through the horses’ body language. That body language makes a lot of noise. Stamping, chomping, snorting, running with hooves on the ground, whinnies, nickers, shrieks, we hear it all as if we were there experiencing it firsthand.

The sounds of this movie are very natural, after all, it’s a horse’s world we are entering. The sounds of the military fort feel unnatural. The marching of iron-shod hoof beats in formation feel strange compared to the more random fall of hooves for a wild herd of horses. There are whips cracking, the shouting out of military drills, and bugles. And then when Spirit is tied to the post for three days there is an eerie and still the silence in the night.

The wind whooshes, the water roars, the eagle shrieks high up in the mountain air. The bison snort, a mountain lion roars. The thunder of pounding hooves raises your heartbeat. You are a part of this story, body and soul. You hear it as if it were happening around you, your heart becomes connected to this land, this place on a sensory level, exactly how Spirit feels.

I hear the wind, call my name

The sound that leads me home again

It sparks up the fire- a flame that still burns

To you, I will always return….

….You run like the river-you shine like the sun

You fly like an eagle

You are the one

I’ve seen every sunset

And with all that I’ve learned

Oh, it’s to you, I will always return

Music

Bryan Adams and Hans Zimmer delivered on this movie. The music reaches that wild part of your soul and pulls you into Spirit’s soul. The music is also an excellent part of the narration, almost as if Spirit’s soul had created a soundtrack that put words and melodies to the deepest instincts of his heart.

 

The Setting Is A Part of Spirit’s Character

Spirit is a wild horse that lives in the vast West. The landscape is as much a part of who he is as his organs. He is the wind, the sky, the grasses, the rolling hills. He is the eagle that flies free. He does fly at the end of the movie when he makes his fantastic leap for freedom.

Spirit is the fierce and rushing water, and the gentle warmth of the afternoon sunshine. He’s the cold snow, the fire, he’s all of it. This is his world that he interacts with on a very personal level. It reflects him and this journey that he is on.

Humans rarely interact with an outdoor setting like this, but this is a wild horse’s world. We needed to understand and interact with that world as Spirit did in order to understand him. We needed to love and depend upon this wild place the same way he does. This world is in his blood, and by the end of the movie, it’s in ours as well.

*****

I have not come across another movie quite like this one. It is unique and authentic. This movie made in impression on my soul like few others have. I used to ache for wide open spaces and dream in my sleep about running across hills and mountains. I understand Spirit’s desires so well because they were like some of my own. When I watched this film, I fully entered into Spirit’s character. I became him for a time.

That is the power of an authentic voice. You can communicate so well with your audience that they feel they have become a part of your story/character/world. This is powerful way to connect and communicate.

If you are a storyteller, find the voice that will communicate your message the clearest. Use that voice to filter every aspect of your story, doing so will bind your story together tightly and deliver a powerful impact.

If you are a viewer, look for the voice in the stories you love to watch. Seek out the voices that have spoken the most deeply to you and dig deeper. You will be amazed at what you learn about yourself.

I am so thrilled that I was able to share this post with you. This is a subject and movie dear to my heart. I hope this post can touch you as well.

You too have a voice, how are you using it to tell your story?

 

 

Star Trek: Beyond- Parental Review

The third installment in the incredibly popular reboot, Star Trek: Beyond was everything I could have hoped for and more.

This movie was the cleanest movie yet and a heck of a lot of fun. A great story paired with great characters, humor, and the clever cunning of the Enterprise crew which has been a delight in every film.

This movie was unique in that the writers switched up character pairings into new sets that we haven’t seen before. This enabled us to get a fresh view of characters in a way that was fantastic. Bones and Spock, people, those scenes were absolute gold.

While I don’t appreciate and endorse every personal choice made by Kirk’s character, I do love  him. My favorite thing about Kirk is how intensely he loves his crew and how he will do anything for them. He has grown a lot in his sense of maturity, there is a heavier gravity to his character in this film than the previous two. But never fear, the traces of the rascal are still there. He’s unorthodox in his methods, and that’s why he’s the best captain Starfleet has.

Spock was delightful in this film. His emotional progression has been steady and engaging for all three movies. I liked him in the first film and I have not stopped. His awkward way of putting things is one of my favorite aspects of these movies. His facial expressions have only gotten better each movie. I do hope he and Uhara eventually tie the knot in this series, I have enjoyed the deep love and maturity of their interaction.

Uhara was the same beautiful, classy, and intelligent woman as always. She is one of the best female characters I have seen on screen. My favorite thing about her is that she is not just her body, she is so beautiful, but that is merely the lovely frame holding her heart, soul, and spirit. I plan to write more on her in the future.

Bones. Oh my word! Bones has always been hilarious with his poor-timed pessimistic lines, but this movie gave him more of a spotlight. It was awesome. He was perfect. I won’t say any more for fear of spoilers, but seriously, Bones was the MVP of this film.

Chekov. Oh Chekov, seeing him was bittersweet given the recent death of the actor, Anton Yelchin. I was happy to see that he did have a more prominent role in this film and got a lot of screen time beside Captain Kirk. No one could know that his death would happen when making this film, but this movie couldn’t have been made in a better way to preserve his memory.

Scotty. Simon Pegg co-wrote this film and you can tell. It has a distinctive flavor that is unique from the previous two, while also being cohesive. Scotty was very sweet and we go to see a new side of his character in his interaction with new alien girl, Jaylah.

Sulu was on top of things as usual. He has guts and focus that make him perfect for his role. He has never been my favorite, but he is a strong asset to the team.

Jayla. I had rather expected her to be a kick-rear, emotionally sterile character that is good in a fight, but not really enjoyable. She was actually much more approachable than I had anticipated. Her character was young and vulnerable, and actually quite funny. I hope that she will be in the next film.

This entire cast is made up of strong men and women characters, and even better, a stronger team who are all pulling for each other. No sacrifice is too much. That relational aspect has been incredible in every one of these new Star Trek films, and it was the thing that held them together during the chaotic events of this movie. The characters of these films have shown both their strengths and their moments of vulnerability. They are well-rounded and engaging.

One of my favorite things in this series, the aspect that really drew me in first, is the colorful visuals. They are stunning! To often space looks boring and black. Sure, planets are colorful, but often space travel seems dull and boring. Star Trek has always been a visual feast that I have enjoyed.

Now, here are the nitty-gritty details to help you decided if this film is suitable for your family.

Sex/Nudity- During Kirk’s Captain’s log entry, he mentions the potential situations arising from having a crew made up of both sexes, leading to a small montage:

You see crew members give each other meaningful looks.

One couple is kissing and walk into a room where they shut the door behind them.

A door opens and a man is shoved out, shirtless. And fully-clothed but indignant alien girl throws his shirt at him in a huff. This montage is very brief.

Kirk is shirtless when washing his face.

A camera angle zooms in on Zulu’s left hand at one point, revealing a wedding ring and a photo of a little girl. During a stop-off at a space station, Zulu goes running up to a man and little girl, his partner and their daughter. They embrace and walk off together with the child. No kisses are exchanged.

Violence/Gore- There is a lot of blasting, explosions, people are sucked out into space, some punching, etc.

The villain’s minions blast people with a green blaster that seems to age and suck the life out of them, leaving them gray and lifeless. You only see a closeup of one person after they have been shot. A main character is threatened with a similar weapon and the edges of his face begin to gray, but he is not killed and is fine.

Two people are hung upside down in a machine that sucks the very life out of them. They scream in torment. The sounds are the most disturbing part.

A  minor character is disintegrated. Later on another character is disintegrated, but it is not horrifying.

Kirk and the villain exchanged blows that leave them bloodied.

A character has a shard of metal stuck in his torso after a bad landing. Another character rips it out and quickly cauterizes the wound while the injured character yells. It’s not graphic.

Language/Profanity- The cleanest one yet. I only heard a few words and only one or two times per word.

kicka**

b*s*a*d

h***

d***

oh my g*d

Two uses of the word horses***. Used for comic relief during a moment when one character is in a lot of pain.

Alcohol/Drugs/Smoking- An alcoholic toast between friends celebrating a birthday, and then later champagne at a party. Everyone drinks responsibly and there are no drunken scenes.

Frightening Scenes- A ship is attacked violently and taken down, people are killed, at least 3 violently, the villains are aggressive and show no remorse, a city is attacked and people are screaming.

Heroes/Role Models- There are great many heroes in this film. As I have said before, the love and teamwork displayed by the crew of the Enterprise is inspiring and beautiful. The characters are willing to make sacrifices to protect those that they love. Each person knows their role and does it well so that the whole team can function. They are brave in the face of long odds, and they are willing to protect the innocent. No one is ever left behind. They are creative and resourceful.

Talking Points

  • Why is being on a team so important?
  • How can we be good team members?
  • Can we be brave for those we love, even if it means we might get hurt?
  • How do we make sure no one is left behind?
  • Are you willing to make sacrifices for those you love?
  • Are you willing to protect those who cannot protect themselves?
  • Where do we find our identity?
  • How can we persevere and find the hope to keep moving forward?
  • What do we do with fear?

I enjoyed this film thoroughly and I look forward to the next one. Good news, Chris Hemsworth has been confirmed to be in it. To what extent, we don’t know yet, but I cannot wait.

I hope this movie enables you to go where you have not gone before and enjoy a fantastic story! Live long and prosper!

*****

Check out my other movie reviews here!

Captain America: Civil War – Parental Review

Finding Dory – Parental Review

Ghostbusters- Parental Review